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	<title>Operetta Research Center &#187; kevin</title>
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	<link>http://operetta-research-center.org</link>
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		<title>“Hopsa” – Paul Burkhard’s Breakthrough and the Birth of the Swiss Musical</title>
		<link>http://operetta-research-center.org/hopsa-paul-burkhard-buhne-burhaschi-swiss-musical/</link>
		<comments>http://operetta-research-center.org/hopsa-paul-burkhard-buhne-burhaschi-swiss-musical/#comments</comments>
		<pubDate>Sat, 21 Mar 2026 17:23:27 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Paul Burkhard]]></category>
		<category><![CDATA[Robert Gilbert]]></category>
		<category><![CDATA[Switzerland]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25833</guid>
		<description><![CDATA[<p>The Bühne Burgäschi has announced a new production of Hopsa for summer 2026, bringing renewed attention to the work with</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/hopsa-paul-burkhard-buhne-burhaschi-swiss-musical/">“Hopsa” – Paul Burkhard’s Breakthrough and the Birth of the Swiss Musical</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Helmut G. Asper’s “Music in the Air: The German Musical Film Comedy in Exile”</title>
		<link>http://operetta-research-center.org/helmut-g-asper-music-air-die-deutsche-musikfilm-komodie-im-exil/</link>
		<comments>http://operetta-research-center.org/helmut-g-asper-music-air-die-deutsche-musikfilm-komodie-im-exil/#comments</comments>
		<pubDate>Wed, 18 Feb 2026 15:02:17 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Tonfilmoperette]]></category>
		<category><![CDATA[UFA]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25828</guid>
		<description><![CDATA[<p>In the introduction to his new book “Music in the Air”. The German Musical Film Comedy in Exile 1933–1950, Helmut</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/helmut-g-asper-music-air-die-deutsche-musikfilm-komodie-im-exil/">Helmut G. Asper’s “Music in the Air: The German Musical Film Comedy in Exile”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/helmut-g-asper-music-air-die-deutsche-musikfilm-komodie-im-exil/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Pure Viagra: Pablo Luna’s “Benamor” Triumphs at Theater an der Wien</title>
		<link>http://operetta-research-center.org/real-queerness-pablo-lunas-benamor-triumphs-theater-der-wien/</link>
		<comments>http://operetta-research-center.org/real-queerness-pablo-lunas-benamor-triumphs-theater-der-wien/#comments</comments>
		<pubDate>Thu, 29 Jan 2026 15:42:04 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Cross Dressing]]></category>
		<category><![CDATA[Enrique Mejías García]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Roland Dippel]]></category>
		<category><![CDATA[Theater an der Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25818</guid>
		<description><![CDATA[<p>Like Berlin, Madrid in the Golden Twenties was a hotspot of nightlife and a queer mecca. On the evening of</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/real-queerness-pablo-lunas-benamor-triumphs-theater-der-wien/">Pure Viagra: Pablo Luna’s “Benamor” Triumphs at Theater an der Wien</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/real-queerness-pablo-lunas-benamor-triumphs-theater-der-wien/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>“Frau Luna” Returns as a Glittering Utopia</title>
		<link>http://operetta-research-center.org/frau-luna-returns-glittering-utopia/</link>
		<comments>http://operetta-research-center.org/frau-luna-returns-glittering-utopia/#comments</comments>
		<pubDate>Sun, 25 Jan 2026 11:26:48 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Ades Zabel]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Bernd Mottl]]></category>
		<category><![CDATA[Geschwister Pfister]]></category>
		<category><![CDATA[Paul Lincke]]></category>
		<category><![CDATA[Tipi Zelt am Kanzleramt]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25811</guid>
		<description><![CDATA[<p>When this production of Paul Lincke’s classic Frau Luna opened in Berlin ten years ago, it was one among many</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/frau-luna-returns-glittering-utopia/">“Frau Luna” Returns as a Glittering Utopia</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/frau-luna-returns-glittering-utopia/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Family Reunion: &#8220;Mein Freund Bunbury&#8221; in Annaberg-Buchholz</title>
		<link>http://operetta-research-center.org/family-reunion-mein-freund-bunbury-annaberg-buchholz/</link>
		<comments>http://operetta-research-center.org/family-reunion-mein-freund-bunbury-annaberg-buchholz/#comments</comments>
		<pubDate>Wed, 21 Jan 2026 09:27:18 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[Gerd Natschinski]]></category>
		<category><![CDATA[Oscar Wilde]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25806</guid>
		<description><![CDATA[<p>The revival cycle of DDR operettas continues. After the Komische Oper Berlin recently cancelled its planned production of Gerd Natschinski’s</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/family-reunion-mein-freund-bunbury-annaberg-buchholz/">A Family Reunion: &#8220;Mein Freund Bunbury&#8221; in Annaberg-Buchholz</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/family-reunion-mein-freund-bunbury-annaberg-buchholz/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Return of “Ennobled” Operetta: Lehár, Thielemann, and an Unlearned Lesson</title>
		<link>http://operetta-research-center.org/staatsoper-unter-den-linden-neujahrskonzert-christian-thielemann-lehar/</link>
		<comments>http://operetta-research-center.org/staatsoper-unter-den-linden-neujahrskonzert-christian-thielemann-lehar/#comments</comments>
		<pubDate>Fri, 02 Jan 2026 11:01:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Christian Thielemann]]></category>
		<category><![CDATA[Christian Weise]]></category>
		<category><![CDATA[Dagmar Manzel]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Jonas Dassler]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Richard Tauber]]></category>
		<category><![CDATA[Tipi Zelt am Kanzleramt]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25792</guid>
		<description><![CDATA[<p>Berlin was—and in many ways still is—a center of operetta innovation. A reminder: in the 1920s, crucial impulses for renewing</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/staatsoper-unter-den-linden-neujahrskonzert-christian-thielemann-lehar/">The Return of “Ennobled” Operetta: Lehár, Thielemann, and an Unlearned Lesson</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/staatsoper-unter-den-linden-neujahrskonzert-christian-thielemann-lehar/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Giorgio Madia: “Entertainment, that’s an insult!”</title>
		<link>http://operetta-research-center.org/operette-giorgio-madia-entertainment-thats-insult/</link>
		<comments>http://operetta-research-center.org/operette-giorgio-madia-entertainment-thats-insult/#comments</comments>
		<pubDate>Fri, 26 Dec 2025 10:26:40 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Italian Operetta]]></category>
		<category><![CDATA[Kiri te Kanawa]]></category>
		<category><![CDATA[Mörbisch]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25770</guid>
		<description><![CDATA[<p>Stage director and choreographer Giorgio Madia discusses operetta then and now, with a special focus on the Mörbisch festival years</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/operette-giorgio-madia-entertainment-thats-insult/">Giorgio Madia: “Entertainment, that’s an insult!”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/operette-giorgio-madia-entertainment-thats-insult/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Unwelcome Genre: The Comeback of DDR Operettas</title>
		<link>http://operetta-research-center.org/unwelcome-genre-ddr-operetten-revivall/</link>
		<comments>http://operetta-research-center.org/unwelcome-genre-ddr-operetten-revivall/#comments</comments>
		<pubDate>Sun, 14 Dec 2025 11:11:07 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[Gerd Natschinski]]></category>
		<category><![CDATA[Guido Masanetz]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Musikalische Komödie Leipzig]]></category>
		<category><![CDATA[Staatsoperette Dresden]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25762</guid>
		<description><![CDATA[<p>At long last, there is some movement in the engagement with “Heiteres Musiktheater”. In the German Democratic Republic (GDR), this</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/unwelcome-genre-ddr-operetten-revivall/">The Unwelcome Genre: The Comeback of DDR Operettas</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/unwelcome-genre-ddr-operetten-revivall/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Bold New “Sissy”: Gender-Reversed Kreisler Triumphs in Bremen</title>
		<link>http://operetta-research-center.org/frank-hilbrich-bold-new-sissy-gender-reversed-operetta-triumphs-bremen/</link>
		<comments>http://operetta-research-center.org/frank-hilbrich-bold-new-sissy-gender-reversed-operetta-triumphs-bremen/#comments</comments>
		<pubDate>Tue, 02 Dec 2025 06:47:57 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Frank Hilbrich]]></category>
		<category><![CDATA[Fritz Kreisler]]></category>
		<category><![CDATA[Gender Studies]]></category>
		<category><![CDATA[Hubert Marischka]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25747</guid>
		<description><![CDATA[<p>When the Theater am Goetheplatz unveiled its new production of Sissy, the 1932 operetta by violin virtuoso–turned–composer Fritz Kreisler with</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/frank-hilbrich-bold-new-sissy-gender-reversed-operetta-triumphs-bremen/">A Bold New “Sissy”: Gender-Reversed Kreisler Triumphs in Bremen</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/frank-hilbrich-bold-new-sissy-gender-reversed-operetta-triumphs-bremen/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Rediscovering a Forgotten Gem: “Die gelbe Lilie” in Annaberg-Buchholz</title>
		<link>http://operetta-research-center.org/christian-von-gotz-annaberg-die-gelbe-lilie-operetta-von-michael-krasznay-krausz/</link>
		<comments>http://operetta-research-center.org/christian-von-gotz-annaberg-die-gelbe-lilie-operetta-von-michael-krasznay-krausz/#comments</comments>
		<pubDate>Sat, 29 Nov 2025 12:03:17 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Cross Dressing]]></category>
		<category><![CDATA[Fritzi Massary]]></category>
		<category><![CDATA[Hungarian Operetta]]></category>
		<category><![CDATA[Nazi Operetta]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25732</guid>
		<description><![CDATA[<p>A long-lost musical treasure is coming back to life. On December 13, 2025, the little theater in Annaberg-Buchholz will premiere</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/christian-von-gotz-annaberg-die-gelbe-lilie-operetta-von-michael-krasznay-krausz/">Rediscovering a Forgotten Gem: “Die gelbe Lilie” in Annaberg-Buchholz</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/christian-von-gotz-annaberg-die-gelbe-lilie-operetta-von-michael-krasznay-krausz/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Johann Strauss II’s “Waldmeister”: A Quirky Comedy of Errors Live</title>
		<link>http://operetta-research-center.org/cpo-johann-strauss-ii-waldmeister-gartnerplatztheater-munchen-cd-live/</link>
		<comments>http://operetta-research-center.org/cpo-johann-strauss-ii-waldmeister-gartnerplatztheater-munchen-cd-live/#comments</comments>
		<pubDate>Sun, 23 Nov 2025 13:26:53 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[CPO]]></category>
		<category><![CDATA[Dario Salvi]]></category>
		<category><![CDATA[Gärtnerplatz Theater]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Josef E. Köpplinger]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25692</guid>
		<description><![CDATA[<p>The world—including the music world—celebrates Johann Strauss II’s 200th birthday in 2025. Exhibitions, new books such as the crime novel</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/cpo-johann-strauss-ii-waldmeister-gartnerplatztheater-munchen-cd-live/">Johann Strauss II’s “Waldmeister”: A Quirky Comedy of Errors Live</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/cpo-johann-strauss-ii-waldmeister-gartnerplatztheater-munchen-cd-live/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Farewell, Yvonne Kálmán (1937-2025)</title>
		<link>http://operetta-research-center.org/farewell-yvonne-kalman-1936-2025/</link>
		<comments>http://operetta-research-center.org/farewell-yvonne-kalman-1936-2025/#comments</comments>
		<pubDate>Sat, 08 Nov 2025 10:58:58 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Charles Kálmán]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Michael Miller]]></category>
		<category><![CDATA[Ohio Light Opera]]></category>
		<category><![CDATA[Yvonne Kálmán]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25665</guid>
		<description><![CDATA[<p>Yvonne Kálmán, youngest daughter of the celebrated Austro-Hungarian composer Emmerich Kálmán, passed away peacefully on Friday, 7 November 2025, at</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/farewell-yvonne-kalman-1936-2025/">Farewell, Yvonne Kálmán (1937-2025)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/farewell-yvonne-kalman-1936-2025/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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