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	<title>Operetta Research Center &#187; History</title>
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		<title>Giorgio Madia: “Entertainment, that’s an insult!”</title>
		<link>http://operetta-research-center.org/operette-giorgio-madia-entertainment-thats-insult/</link>
		<comments>http://operetta-research-center.org/operette-giorgio-madia-entertainment-thats-insult/#comments</comments>
		<pubDate>Fri, 26 Dec 2025 10:26:40 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Italian Operetta]]></category>
		<category><![CDATA[Kiri te Kanawa]]></category>
		<category><![CDATA[Mörbisch]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25770</guid>
		<description><![CDATA[<p>Stage director and choreographer Giorgio Madia discusses operetta then and now, with a special focus on the Mörbisch festival years</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/operette-giorgio-madia-entertainment-thats-insult/">Giorgio Madia: “Entertainment, that’s an insult!”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Pongrác Kacsóh (1873–1923): A Life at the Intersection of Natural Sciences and Music</title>
		<link>http://operetta-research-center.org/janos-vitez-pongrac-kacsoh-1873-1923-life-intersection-natural-sciences-music/</link>
		<comments>http://operetta-research-center.org/janos-vitez-pongrac-kacsoh-1873-1923-life-intersection-natural-sciences-music/#comments</comments>
		<pubDate>Sat, 16 Aug 2025 21:11:12 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Hungarian Operetta]]></category>
		<category><![CDATA[Budapesti Operettszínház]]></category>
		<category><![CDATA[Paul Abraham]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25592</guid>
		<description><![CDATA[<p>At the beginning of the 20th century, a Singspiel, János vitéz, premiered at the Király Theatre and became a milestone</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/janos-vitez-pongrac-kacsoh-1873-1923-life-intersection-natural-sciences-music/">Pongrác Kacsóh (1873–1923): A Life at the Intersection of Natural Sciences and Music</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/janos-vitez-pongrac-kacsoh-1873-1923-life-intersection-natural-sciences-music/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“Princesa misteriosa”: Pablo Luna’s “Benamor” (1923)</title>
		<link>http://operetta-research-center.org/princesa-misteriosa-pablo-luna-benamor-1923-enrique-mejias-garcia-glitter-and-be-gay-reloaded/</link>
		<comments>http://operetta-research-center.org/princesa-misteriosa-pablo-luna-benamor-1923-enrique-mejias-garcia-glitter-and-be-gay-reloaded/#comments</comments>
		<pubDate>Mon, 17 Mar 2025 05:35:18 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Cross Dressing]]></category>
		<category><![CDATA[Enrique Mejías García]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Spain]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25509</guid>
		<description><![CDATA[<p>In the new edition of the book Glitter and be Gay: Reloaded Spanish musicologist Enrique Mejías García writes about the</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/princesa-misteriosa-pablo-luna-benamor-1923-enrique-mejias-garcia-glitter-and-be-gay-reloaded/">“Princesa misteriosa”: Pablo Luna’s “Benamor” (1923)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/princesa-misteriosa-pablo-luna-benamor-1923-enrique-mejias-garcia-glitter-and-be-gay-reloaded/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The International Success of Johann Strauss’ “Das Spitzentuch der Königin“ (1880)</title>
		<link>http://operetta-research-center.org/johann-strauss-das-spitzentuch-der-konigin-1880/</link>
		<comments>http://operetta-research-center.org/johann-strauss-das-spitzentuch-der-konigin-1880/#comments</comments>
		<pubDate>Tue, 21 Jan 2025 10:46:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Richard Genée]]></category>
		<category><![CDATA[Staatsoperette Dresden]]></category>
		<category><![CDATA[Theater an der Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25481</guid>
		<description><![CDATA[<p>Following the notable success of Die Fledermaus, Johann Strauss had fared less well with Cagliostro in Wien and Prinz Methusalem</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/johann-strauss-das-spitzentuch-der-konigin-1880/">The International Success of Johann Strauss’ “Das Spitzentuch der Königin“ (1880)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/johann-strauss-das-spitzentuch-der-konigin-1880/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Iván Hűvös (1877-1954): His Journey in Operetta and Beyond</title>
		<link>http://operetta-research-center.org/ivan-huvos-1877-1954-journey-operetta-beyond/</link>
		<comments>http://operetta-research-center.org/ivan-huvos-1877-1954-journey-operetta-beyond/#comments</comments>
		<pubDate>Sun, 19 Jan 2025 10:15:30 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Hungarian Operetta]]></category>
		<category><![CDATA[Budapesti Operettszínház]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25465</guid>
		<description><![CDATA[<p>József Hűvös Botfai (1848-1914), originally from Nagykanizsa, moved to Budapest, where he became a respected lawyer, an adviser to the</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/ivan-huvos-1877-1954-journey-operetta-beyond/">Iván Hűvös (1877-1954): His Journey in Operetta and Beyond</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/ivan-huvos-1877-1954-journey-operetta-beyond/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Career Paths of Composer Béla Szabados (1867–1936)</title>
		<link>http://operetta-research-center.org/hungarian-operetta-composer-bela-szabados-1867-1936/</link>
		<comments>http://operetta-research-center.org/hungarian-operetta-composer-bela-szabados-1867-1936/#comments</comments>
		<pubDate>Sun, 01 Dec 2024 10:30:08 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Hungarian Operetta]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25378</guid>
		<description><![CDATA[<p>There are artists – quite a few – whose names disappear from public consciousness in the decades following their death</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/hungarian-operetta-composer-bela-szabados-1867-1936/">The Career Paths of Composer Béla Szabados (1867–1936)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/hungarian-operetta-composer-bela-szabados-1867-1936/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Roger’s “Joséphine Vendue Par Ses Soeurs” Returns to Paris</title>
		<link>http://operetta-research-center.org/victor-rogers-opera-bouffe-josephine-vendue-par-ses-soeurs/</link>
		<comments>http://operetta-research-center.org/victor-rogers-opera-bouffe-josephine-vendue-par-ses-soeurs/#comments</comments>
		<pubDate>Thu, 24 Oct 2024 16:53:47 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[Bouffes-Parisiens]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[paris]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25247</guid>
		<description><![CDATA[<p>In January 2025 the Compagnie Fortunio is bringing the opéra-bouffe Joséphine Vendue Par Ses Soeurs back to Paris, for a</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/victor-rogers-opera-bouffe-josephine-vendue-par-ses-soeurs/">Roger’s “Joséphine Vendue Par Ses Soeurs” Returns to Paris</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/victor-rogers-opera-bouffe-josephine-vendue-par-ses-soeurs/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Social Evil&#8221;: The Girards and Offenbach&#8217;s &#8220;Princess of Trebizonde&#8221; in Melbourne</title>
		<link>http://operetta-research-center.org/girards-offenbachs-princess-trebizonde-melbourne-court-case-social-evil/</link>
		<comments>http://operetta-research-center.org/girards-offenbachs-princess-trebizonde-melbourne-court-case-social-evil/#comments</comments>
		<pubDate>Wed, 31 Jan 2024 10:42:46 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Jean-Claude Yon]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Laurence Senelick]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24975</guid>
		<description><![CDATA[<p>Recently, Offenbach researchers have started looking a little beyond the usual boundaries of “established” source material, one of them is</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/girards-offenbachs-princess-trebizonde-melbourne-court-case-social-evil/">&#8220;Social Evil&#8221;: The Girards and Offenbach&#8217;s &#8220;Princess of Trebizonde&#8221; in Melbourne</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/girards-offenbachs-princess-trebizonde-melbourne-court-case-social-evil/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Carl Millöcker (b. Vienna, 29 April 1842; d. Baden bei Wien, 31 December 1899)</title>
		<link>http://operetta-research-center.org/carl-millocker-vienna-29-april-1842-baden-bei-wien-31-december-1899/</link>
		<comments>http://operetta-research-center.org/carl-millocker-vienna-29-april-1842-baden-bei-wien-31-december-1899/#comments</comments>
		<pubDate>Tue, 02 Jan 2024 21:16:57 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Carl Millöcker]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24928</guid>
		<description><![CDATA[<p>Carl Millöcker was one of the trio of Viennese composers who were responsible for the bulk of the outstanding Operetten</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/carl-millocker-vienna-29-april-1842-baden-bei-wien-31-december-1899/">Carl Millöcker (b. Vienna, 29 April 1842; d. Baden bei Wien, 31 December 1899)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/carl-millocker-vienna-29-april-1842-baden-bei-wien-31-december-1899/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Der arme Jonathan&#8221;: Operette in 3 acts by Carl Millöker</title>
		<link>http://operetta-research-center.org/der-arme-jonathan-operette-3-acts-carl-milloker/</link>
		<comments>http://operetta-research-center.org/der-arme-jonathan-operette-3-acts-carl-milloker/#comments</comments>
		<pubDate>Tue, 02 Jan 2024 20:49:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Carl Millöcker]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24916</guid>
		<description><![CDATA[<p>Hugo Wittmann and Julius Bauer based their libretto on Les Deux Anglais by P-F Merville, Carl Millöcker wrote the music. Their show, Der</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/der-arme-jonathan-operette-3-acts-carl-milloker/">&#8220;Der arme Jonathan&#8221;: Operette in 3 acts by Carl Millöker</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/der-arme-jonathan-operette-3-acts-carl-milloker/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Offenbach’s “La Jolie Parfumeuse” in Philadelphia 1876</title>
		<link>http://operetta-research-center.org/offenbachs-la-jolie-parfumeuse-philadelphia-1876/</link>
		<comments>http://operetta-research-center.org/offenbachs-la-jolie-parfumeuse-philadelphia-1876/#comments</comments>
		<pubDate>Tue, 02 Jan 2024 19:15:04 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[John Philip Sousa]]></category>
		<category><![CDATA[Porn]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24902</guid>
		<description><![CDATA[<p>In the summer of 1876 Jacques Offenbach visited Philadelphia. At “The Offenbach Garden,” located on the southeast corner of Broad</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/offenbachs-la-jolie-parfumeuse-philadelphia-1876/">Offenbach’s “La Jolie Parfumeuse” in Philadelphia 1876</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/offenbachs-la-jolie-parfumeuse-philadelphia-1876/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Biography of Valtesse de la Bigne, Mistress of Paris</title>
		<link>http://operetta-research-center.org/biography-valtesse-de-la-bigne-mistress-of-paris-jacques-offenbach-affair/</link>
		<comments>http://operetta-research-center.org/biography-valtesse-de-la-bigne-mistress-of-paris-jacques-offenbach-affair/#comments</comments>
		<pubDate>Thu, 12 Oct 2023 09:16:13 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[Bouffes-Parisiens]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Hortense Schneider]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Jean-Christophe Keck]]></category>
		<category><![CDATA[paris]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24724</guid>
		<description><![CDATA[<p>We&#8217;ve all read stories about the big players: Jacques Offenbach, Ludovic Halevy, Henri Meilhac, and certainly Napoleon III. But you</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/biography-valtesse-de-la-bigne-mistress-of-paris-jacques-offenbach-affair/">The Biography of Valtesse de la Bigne, Mistress of Paris</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>2</slash:comments>
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