<?xml version="1.0" encoding="UTF-8"?><rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	
	>
<channel>
	<title>Comments on: De-Nazifying The &#8220;Radetzky March&#8221; At The 2020 Vienna New Year&#8217;s Concert</title>
	<atom:link href="http://operetta-research-center.org/de-nazifying-radetzky-march-2020/feed/" rel="self" type="application/rss+xml" />
	<link>http://operetta-research-center.org/de-nazifying-radetzky-march-2020/</link>
	<description>The #1 Archive for Musical Theater</description>
	<lastBuildDate>Tue, 24 Feb 2026 19:54:13 +0000</lastBuildDate>
		<sy:updatePeriod>hourly</sy:updatePeriod>
		<sy:updateFrequency>1</sy:updateFrequency>
	<generator>https://wordpress.org/?v=3.9.40</generator>
	<item>
		<title>By: Lenora</title>
		<link>http://operetta-research-center.org/de-nazifying-radetzky-march-2020/#comment-9300</link>
		<dc:creator><![CDATA[Lenora]]></dc:creator>
		<pubDate>Wed, 14 Apr 2021 14:00:01 +0000</pubDate>
		<guid isPermaLink="false">http://operetta-research-center.org/?p=18789#comment-9300</guid>
		<description><![CDATA[Thanks for finally talking about &gt; De-Nazifying The &quot;Radetzky March&quot; At The 
2020 Vienna New Year&#039;s Concert &#124; Operetta Research Center &lt; Loved it!]]></description>
		<content:encoded><![CDATA[<p>Thanks for finally talking about &gt; De-Nazifying The &quot;Radetzky March&quot; At The<br />
2020 Vienna New Year&#039;s Concert | Operetta Research Center &lt; Loved it!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Annet</title>
		<link>http://operetta-research-center.org/de-nazifying-radetzky-march-2020/#comment-8641</link>
		<dc:creator><![CDATA[Annet]]></dc:creator>
		<pubDate>Mon, 21 Sep 2020 12:35:31 +0000</pubDate>
		<guid isPermaLink="false">http://operetta-research-center.org/?p=18789#comment-8641</guid>
		<description><![CDATA[So what? Music is Music. what it has to do with some time some bad people have used it?]]></description>
		<content:encoded><![CDATA[<p>So what? Music is Music. what it has to do with some time some bad people have used it?</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Mozz</title>
		<link>http://operetta-research-center.org/de-nazifying-radetzky-march-2020/#comment-7912</link>
		<dc:creator><![CDATA[Mozz]]></dc:creator>
		<pubDate>Tue, 04 Feb 2020 22:04:06 +0000</pubDate>
		<guid isPermaLink="false">http://operetta-research-center.org/?p=18789#comment-7912</guid>
		<description><![CDATA[Strauss the younger died in 1899. His music may have been used by the Nazis but he was most certainly dead by the time the Nazis came to power. Feel this article is misleading.]]></description>
		<content:encoded><![CDATA[<p>Strauss the younger died in 1899. His music may have been used by the Nazis but he was most certainly dead by the time the Nazis came to power. Feel this article is misleading.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Edoardo</title>
		<link>http://operetta-research-center.org/de-nazifying-radetzky-march-2020/#comment-7884</link>
		<dc:creator><![CDATA[Edoardo]]></dc:creator>
		<pubDate>Mon, 27 Jan 2020 16:57:18 +0000</pubDate>
		<guid isPermaLink="false">http://operetta-research-center.org/?p=18789#comment-7884</guid>
		<description><![CDATA[1) no one knows Weninger&#039;s 1914 arrangement since it has been strongly modified after Krips 1946; so you can knows this arrangement only if you have access to VPO archive or you have recordings 1928-1946; 2) what EXACTLY the differencies march 2020 vs. march 2019-2018-2017...??? (except ONE small thing that we heard in...1992!). In other words what are the effects of the efforts made by the distinguished new arrangers of VPO?? Please post a copy of the &quot;special drum&#039;s part&quot; and of the &quot;fixed middle part&quot; (what means fixed middle parts??) ah okkk the newspaper said this...and we have to trust them. (PS: Strauss family belongs to the Juden). If Strauss was &quot;the most Arian of the composers&quot; why VPO did not refuse at all and forever to the NYC?? for money? I&#039;d like to read Clarke&#039;s (even technical) writing AFTER the 1st january 2020, not only before this date ;) 3) Harnoncout 2001 performed ONLY 85% the (so called) original version (I prefer to call it &quot;the not lost archetyp&quot; to avoid great and unacceptable misunderstandings originated by the word &quot;original version&quot;)! I can list the differencies (not small) 2001 vs. &quot;original&quot; restored by Rubey 1999 (but published only in 2004!). It were much better that VPO players may want to take much more cares in performing the Danube waltz that has been performed very bad. Who will now explain to the Juden Conductors Barenboim (and Maazel and Kleiber) the fact that their conducted and very enjoied a &quot;nazi march&quot; arranged in...1914????]]></description>
		<content:encoded><![CDATA[<p>1) no one knows Weninger&#8217;s 1914 arrangement since it has been strongly modified after Krips 1946; so you can knows this arrangement only if you have access to VPO archive or you have recordings 1928-1946; 2) what EXACTLY the differencies march 2020 vs. march 2019-2018-2017&#8230;??? (except ONE small thing that we heard in&#8230;1992!). In other words what are the effects of the efforts made by the distinguished new arrangers of VPO?? Please post a copy of the &#8220;special drum&#8217;s part&#8221; and of the &#8220;fixed middle part&#8221; (what means fixed middle parts??) ah okkk the newspaper said this&#8230;and we have to trust them. (PS: Strauss family belongs to the Juden). If Strauss was &#8220;the most Arian of the composers&#8221; why VPO did not refuse at all and forever to the NYC?? for money? I&#8217;d like to read Clarke&#8217;s (even technical) writing AFTER the 1st january 2020, not only before this date ;) 3) Harnoncout 2001 performed ONLY 85% the (so called) original version (I prefer to call it &#8220;the not lost archetyp&#8221; to avoid great and unacceptable misunderstandings originated by the word &#8220;original version&#8221;)! I can list the differencies (not small) 2001 vs. &#8220;original&#8221; restored by Rubey 1999 (but published only in 2004!). It were much better that VPO players may want to take much more cares in performing the Danube waltz that has been performed very bad. Who will now explain to the Juden Conductors Barenboim (and Maazel and Kleiber) the fact that their conducted and very enjoied a &#8220;nazi march&#8221; arranged in&#8230;1914????</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Oliver Richters</title>
		<link>http://operetta-research-center.org/de-nazifying-radetzky-march-2020/#comment-7795</link>
		<dc:creator><![CDATA[Oliver Richters]]></dc:creator>
		<pubDate>Sun, 05 Jan 2020 13:10:44 +0000</pubDate>
		<guid isPermaLink="false">http://operetta-research-center.org/?p=18789#comment-7795</guid>
		<description><![CDATA[Did they play the new arrangement?
For me it sounded same like every year.
The original version, that Harnoncourt conducted is really different from the well known.]]></description>
		<content:encoded><![CDATA[<p>Did they play the new arrangement?<br />
For me it sounded same like every year.<br />
The original version, that Harnoncourt conducted is really different from the well known.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Derek Scott</title>
		<link>http://operetta-research-center.org/de-nazifying-radetzky-march-2020/#comment-7781</link>
		<dc:creator><![CDATA[Derek Scott]]></dc:creator>
		<pubDate>Thu, 02 Jan 2020 11:42:02 +0000</pubDate>
		<guid isPermaLink="false">http://operetta-research-center.org/?p=18789#comment-7781</guid>
		<description><![CDATA[As one of the editors of the Cambridge Companion to Operetta I&#039;d like to put on record that I have never claimed the &#039;Golden Age&#039; is superior to the &#039;Silver Age&#039; in that book or elsewhere. I do, however, acknowledge the historical use of those terms.]]></description>
		<content:encoded><![CDATA[<p>As one of the editors of the Cambridge Companion to Operetta I&#8217;d like to put on record that I have never claimed the &#8216;Golden Age&#8217; is superior to the &#8216;Silver Age&#8217; in that book or elsewhere. I do, however, acknowledge the historical use of those terms.</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Martin Malissa</title>
		<link>http://operetta-research-center.org/de-nazifying-radetzky-march-2020/#comment-7780</link>
		<dc:creator><![CDATA[Martin Malissa]]></dc:creator>
		<pubDate>Thu, 02 Jan 2020 10:10:41 +0000</pubDate>
		<guid isPermaLink="false">http://operetta-research-center.org/?p=18789#comment-7780</guid>
		<description><![CDATA[So who cares? Music is music is music. Another useless article and,,, &quot;Nazi&quot; always makes a good headline...]]></description>
		<content:encoded><![CDATA[<p>So who cares? Music is music is music. Another useless article and,,, &#8220;Nazi&#8221; always makes a good headline&#8230;</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Béatrice Beer</title>
		<link>http://operetta-research-center.org/de-nazifying-radetzky-march-2020/#comment-7779</link>
		<dc:creator><![CDATA[Béatrice Beer]]></dc:creator>
		<pubDate>Thu, 02 Jan 2020 07:48:58 +0000</pubDate>
		<guid isPermaLink="false">http://operetta-research-center.org/?p=18789#comment-7779</guid>
		<description><![CDATA[Awesome article, thanks for sharing this amazing fact unknown to most, Kevin, vielen Dank and congratulations!!!]]></description>
		<content:encoded><![CDATA[<p>Awesome article, thanks for sharing this amazing fact unknown to most, Kevin, vielen Dank and congratulations!!!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Harold Coldman</title>
		<link>http://operetta-research-center.org/de-nazifying-radetzky-march-2020/#comment-7774</link>
		<dc:creator><![CDATA[Harold Coldman]]></dc:creator>
		<pubDate>Wed, 01 Jan 2020 22:36:11 +0000</pubDate>
		<guid isPermaLink="false">http://operetta-research-center.org/?p=18789#comment-7774</guid>
		<description><![CDATA[I suggest next we should disinfect the building of the Musikverein  from roof to cellar because once upon a time Nazis have trod it, used it and sat in the seats too. Strong chemical substance ought to be used for that to be absolutely sure that the building is free from any Nazi influence. You can&#039;t be strict enough (after 75 years)!]]></description>
		<content:encoded><![CDATA[<p>I suggest next we should disinfect the building of the Musikverein  from roof to cellar because once upon a time Nazis have trod it, used it and sat in the seats too. Strong chemical substance ought to be used for that to be absolutely sure that the building is free from any Nazi influence. You can&#8217;t be strict enough (after 75 years)!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: David Conway</title>
		<link>http://operetta-research-center.org/de-nazifying-radetzky-march-2020/#comment-7772</link>
		<dc:creator><![CDATA[David Conway]]></dc:creator>
		<pubDate>Wed, 01 Jan 2020 14:54:48 +0000</pubDate>
		<guid isPermaLink="false">http://operetta-research-center.org/?p=18789#comment-7772</guid>
		<description><![CDATA[Rather over the top! JS2 was himself a quarter Jewish and proud of it. So Weininger made an arrangement of the tune? So what!]]></description>
		<content:encoded><![CDATA[<p>Rather over the top! JS2 was himself a quarter Jewish and proud of it. So Weininger made an arrangement of the tune? So what!</p>
]]></content:encoded>
	</item>
	<item>
		<title>By: Gabriel Alexe</title>
		<link>http://operetta-research-center.org/de-nazifying-radetzky-march-2020/#comment-7769</link>
		<dc:creator><![CDATA[Gabriel Alexe]]></dc:creator>
		<pubDate>Wed, 01 Jan 2020 10:32:14 +0000</pubDate>
		<guid isPermaLink="false">http://operetta-research-center.org/?p=18789#comment-7769</guid>
		<description><![CDATA[I had no idea that this wonderful composition was nazi. I listen for it for almost five decades. On the other hand, The International, the hymn of those who killed 100 millions of people, is interpreted on the streets of European Capitals. Now I understand where we go. I need to prepare my five children to the worst. Not Happy New Year, just Shame On You!]]></description>
		<content:encoded><![CDATA[<p>I had no idea that this wonderful composition was nazi. I listen for it for almost five decades. On the other hand, The International, the hymn of those who killed 100 millions of people, is interpreted on the streets of European Capitals. Now I understand where we go. I need to prepare my five children to the worst. Not Happy New Year, just Shame On You!</p>
]]></content:encoded>
	</item>
</channel>
</rss>
