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	<title>Comments on: &#8220;Die Afrikareise&#8221;: Rediscovering Suppé&#8217;s 1883 Blockbuster</title>
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		<title>By: kevin</title>
		<link>http://operetta-research-center.org/die-afrikareise-franz-von-suppe/#comment-1758</link>
		<dc:creator><![CDATA[kevin]]></dc:creator>
		<pubDate>Sat, 27 Feb 2016 11:53:49 +0000</pubDate>
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		<description><![CDATA[BOCCACCIO was the greatest Vienna operetta hit of them all, in the 19th century. FLEDERMAUS and all the other Strauss titles did not even come close. And for some reason Suppé got this image of being a &quot;boring old fart&quot; compared to the more &quot;funky&quot; Strauss Jr. But that&#039;s not true. Any composer who sleeps in a coffin and has skulls on his wallpaper is not &quot;boring.&quot; Strangely, noone wants to rediscover Suppé as a truly modern and extravagant man, and play his operettas accordingly. Is it the long shadow of Nazi times? (After all, it&#039;s due to films such as OPERETTE by Willi Forst that Suppé got this dusty image.)]]></description>
		<content:encoded><![CDATA[<p>BOCCACCIO was the greatest Vienna operetta hit of them all, in the 19th century. FLEDERMAUS and all the other Strauss titles did not even come close. And for some reason Suppé got this image of being a &#8220;boring old fart&#8221; compared to the more &#8220;funky&#8221; Strauss Jr. But that&#8217;s not true. Any composer who sleeps in a coffin and has skulls on his wallpaper is not &#8220;boring.&#8221; Strangely, noone wants to rediscover Suppé as a truly modern and extravagant man, and play his operettas accordingly. Is it the long shadow of Nazi times? (After all, it&#8217;s due to films such as OPERETTE by Willi Forst that Suppé got this dusty image.)</p>
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		<title>By: Chris Weber</title>
		<link>http://operetta-research-center.org/die-afrikareise-franz-von-suppe/#comment-1757</link>
		<dc:creator><![CDATA[Chris Weber]]></dc:creator>
		<pubDate>Sat, 27 Feb 2016 11:47:04 +0000</pubDate>
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		<description><![CDATA[I&#039;ve long thought Suppe was underrated and the run of Boccacio at the Volksoper in the 70s and 80s was a gem in all aspects. 
Kurt Ganzl tells me that the later production was a big let-down, however. They had almost stopped believing in it.]]></description>
		<content:encoded><![CDATA[<p>I&#8217;ve long thought Suppe was underrated and the run of Boccacio at the Volksoper in the 70s and 80s was a gem in all aspects.<br />
Kurt Ganzl tells me that the later production was a big let-down, however. They had almost stopped believing in it.</p>
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