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	<title>Comments on: Erich von Stroheim’s &#8220;The Merry Widow&#8221; At The Staatsoperette Dresden</title>
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		<title>By: Kevin Clarke</title>
		<link>http://operetta-research-center.org/erich-von-stroheims-merry-widow-staatsoperette_dresden/#comment-2554</link>
		<dc:creator><![CDATA[Kevin Clarke]]></dc:creator>
		<pubDate>Thu, 25 Aug 2016 19:44:40 +0000</pubDate>
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		<description><![CDATA[For me, this MERRY WIDOW - with the new score by Maud Nelissen - was one of the most exciting operetta experiences of my life, when I saw it in Utrecht and Amsterdam. The chamber music version and these lush visuals were a great combination, and Stroheim&#039;s vision of decadent operetta, with all its perversities, is unsurpassed. In this case I have to say that not even Lubitsch made a better version of &quot;Lustige Witwe.&quot; There are scenes here which - once seen - you&#039;ll never forget, because they are so outstanding. The stars are outstanding. And Maud&#039;s music is also outstanding, I&#039;m glad to hear this film is getting new attention in Germany. Fully deserved.]]></description>
		<content:encoded><![CDATA[<p>For me, this MERRY WIDOW &#8211; with the new score by Maud Nelissen &#8211; was one of the most exciting operetta experiences of my life, when I saw it in Utrecht and Amsterdam. The chamber music version and these lush visuals were a great combination, and Stroheim&#8217;s vision of decadent operetta, with all its perversities, is unsurpassed. In this case I have to say that not even Lubitsch made a better version of &#8220;Lustige Witwe.&#8221; There are scenes here which &#8211; once seen &#8211; you&#8217;ll never forget, because they are so outstanding. The stars are outstanding. And Maud&#8217;s music is also outstanding, I&#8217;m glad to hear this film is getting new attention in Germany. Fully deserved.</p>
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