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	<title>Comments on: &#8220;The Golden Apple&#8221;: A Holy Grail For Musical Theatre Buffs</title>
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		<title>By: Larry Moore</title>
		<link>http://operetta-research-center.org/golden-apple-holy-grail-musical-theatre-buffs/#comment-11351</link>
		<dc:creator><![CDATA[Larry Moore]]></dc:creator>
		<pubDate>Fri, 02 Jun 2023 19:16:35 +0000</pubDate>
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		<description><![CDATA[As editor of the published vocal score, I am offended by conductor Jay Diaz&#039; refusal to follow Moross vocal rhythms and his cutting of the second verse of &quot;We&#039;re Doomed, doomed, doomed.]]></description>
		<content:encoded><![CDATA[<p>As editor of the published vocal score, I am offended by conductor Jay Diaz&#8217; refusal to follow Moross vocal rhythms and his cutting of the second verse of &#8220;We&#8217;re Doomed, doomed, doomed.</p>
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		<title>By: John Jowett</title>
		<link>http://operetta-research-center.org/golden-apple-holy-grail-musical-theatre-buffs/#comment-9327</link>
		<dc:creator><![CDATA[John Jowett]]></dc:creator>
		<pubDate>Wed, 21 Apr 2021 11:01:49 +0000</pubDate>
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		<description><![CDATA[I completely agree with the above review. &#039;The Golden Apple&#039; is now one of my favourite musicals.]]></description>
		<content:encoded><![CDATA[<p>I completely agree with the above review. &#8216;The Golden Apple&#8217; is now one of my favourite musicals.</p>
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