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	<title>Comments on: Lehár&#8217;s New &#8220;Graf von Luxemburg&#8221; On OEHMS Classics</title>
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		<title>By: John Groves</title>
		<link>http://operetta-research-center.org/lehar-graf-von-luxemburg-oehms-classics/#comment-4610</link>
		<dc:creator><![CDATA[John Groves]]></dc:creator>
		<pubDate>Tue, 29 Aug 2017 08:18:57 +0000</pubDate>
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		<description><![CDATA[Fascinating! There is another version not mentioned above; that in English for the production at Daly&#039;s Theatre, London, which opened on 20 May 1911. This version by Basil Hood (Merrie England) and Adrian Ross was in two acts rather than three, and Lehar not only conducted the premiere, but also composed several new numbers including &quot;In Bohemia&quot;  and a duet &quot;Cousins of the Czar. In addition Lehar incorporated some music from Wiener Frauen, including the waltz theme sung to Angele by an unknown tenor admirer at the end of &quot;Daydreams, you must go&quot;. There is a recording with June Bronhill, conducted by Vilem Tausky, which also includes Max Schoenherr&#039;s overture.(Classics For Pleasure 724357599627).]]></description>
		<content:encoded><![CDATA[<p>Fascinating! There is another version not mentioned above; that in English for the production at Daly&#8217;s Theatre, London, which opened on 20 May 1911. This version by Basil Hood (Merrie England) and Adrian Ross was in two acts rather than three, and Lehar not only conducted the premiere, but also composed several new numbers including &#8220;In Bohemia&#8221;  and a duet &#8220;Cousins of the Czar. In addition Lehar incorporated some music from Wiener Frauen, including the waltz theme sung to Angele by an unknown tenor admirer at the end of &#8220;Daydreams, you must go&#8221;. There is a recording with June Bronhill, conducted by Vilem Tausky, which also includes Max Schoenherr&#8217;s overture.(Classics For Pleasure 724357599627).</p>
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