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	<title>Comments on: Who Will Be The Savior of Operetta in the 21st Century: Volker Klotz Or Barrie Kosky?</title>
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		<title>By: Gisela Schewe</title>
		<link>http://operetta-research-center.org/savior-operetta-21st-century-new-book-volker-klotz/#comment-1504</link>
		<dc:creator><![CDATA[Gisela Schewe]]></dc:creator>
		<pubDate>Wed, 25 Nov 2015 14:26:33 +0000</pubDate>
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		<description><![CDATA[Who on earth believes that the cover of a book (made by people who not necessarily know what the book deals with) stands for its content? It is significant that in the introduction to the book &quot;Operette zwischen Bravour und Banalität&quot; the Operetten-Handbuch of Volker Klotz is not even mentioned. It is so easy to push old kings off the throne after having benefited of their ideas and pioneer work.]]></description>
		<content:encoded><![CDATA[<p>Who on earth believes that the cover of a book (made by people who not necessarily know what the book deals with) stands for its content? It is significant that in the introduction to the book &#8220;Operette zwischen Bravour und Banalität&#8221; the Operetten-Handbuch of Volker Klotz is not even mentioned. It is so easy to push old kings off the throne after having benefited of their ideas and pioneer work.</p>
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		<title>By: Karel</title>
		<link>http://operetta-research-center.org/savior-operetta-21st-century-new-book-volker-klotz/#comment-590</link>
		<dc:creator><![CDATA[Karel]]></dc:creator>
		<pubDate>Fri, 10 Oct 2014 01:23:08 +0000</pubDate>
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		<description><![CDATA[Much as I truly admire Volker Klotz&#039;s writing and intellectually stimulating analysis of operetta, in general, the cover of the new book if a reactionary nightmare. If that is his idea of looking back at the glorious past of the art form, I am shocked. Where is the subversive side of operetta he holds so dear?]]></description>
		<content:encoded><![CDATA[<p>Much as I truly admire Volker Klotz&#8217;s writing and intellectually stimulating analysis of operetta, in general, the cover of the new book if a reactionary nightmare. If that is his idea of looking back at the glorious past of the art form, I am shocked. Where is the subversive side of operetta he holds so dear?</p>
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