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	<title>Operetta Research Center &#187; David Savran</title>
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		<title>“Linie 1”: Revising Berlin’s Legendary Subway Musical at GRIPS Theater</title>
		<link>http://operetta-research-center.org/grips-linie-1-new-production-berlin/</link>
		<comments>http://operetta-research-center.org/grips-linie-1-new-production-berlin/#comments</comments>
		<pubDate>Wed, 12 Apr 2023 09:46:16 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Christian Weise]]></category>
		<category><![CDATA[David Savran]]></category>

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		<description><![CDATA[<p>When Linie 1 premiered in West-Berlin back in 1986, three years before the wall came down and East and West</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/grips-linie-1-new-production-berlin/">“Linie 1”: Revising Berlin’s Legendary Subway Musical at GRIPS Theater</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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		<title>New Art is True Art: Kurt Weill’s “One Touch of Venus”</title>
		<link>http://operetta-research-center.org/new-art-true-art-kurt-weills-one-touch-venus/</link>
		<comments>http://operetta-research-center.org/new-art-true-art-kurt-weills-one-touch-venus/#comments</comments>
		<pubDate>Tue, 08 Dec 2020 18:19:41 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
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		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Cole Porter]]></category>
		<category><![CDATA[David Savran]]></category>
		<category><![CDATA[George Gershwin]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Mary Martin]]></category>
		<category><![CDATA[Staatsoperette Dresden]]></category>

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		<description><![CDATA[<p>When Staatsoperette Dresden presented Kurt Weill’s One Touch of Venus as part of their “Broadway in Dresden” series, in a</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/new-art-true-art-kurt-weills-one-touch-venus/">New Art is True Art: Kurt Weill’s “One Touch of Venus”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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		<title>&#8220;Follies&#8221; Set In Socialist East Germany: Sondheim At Staatsoperette Dresden</title>
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		<comments>http://operetta-research-center.org/sondheims-follies-staatsoperette-dresden/#comments</comments>
		<pubDate>Wed, 11 Dec 2019 10:56:38 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[David Savran]]></category>
		<category><![CDATA[Staatsoperette Dresden]]></category>
		<category><![CDATA[Stephen Sondheim]]></category>

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		<description><![CDATA[<p>Stephen Sondheim’s Follies is the Mt. Everest of US-American musical theatre, his most searching and self-reflexive study of the genre</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/sondheims-follies-staatsoperette-dresden/">&#8220;Follies&#8221; Set In Socialist East Germany: Sondheim At Staatsoperette Dresden</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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		<title>“Nothing More Than This?”: Bernstein&#8217;s &#8220;Candide&#8221; as Existential Vaudeville in Barrie Kosky&#8217;s Berlin Production</title>
		<link>http://operetta-research-center.org/nothing-candide-existential-vaudeville/</link>
		<comments>http://operetta-research-center.org/nothing-candide-existential-vaudeville/#comments</comments>
		<pubDate>Sun, 17 Mar 2019 11:46:38 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[David Savran]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Leonard Bernstein]]></category>

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		<description><![CDATA[<p>Imagine a world that persistently rewards the rich and powerful while immiserating the masses. Imagine an international paternalist cartel that</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/nothing-candide-existential-vaudeville/">“Nothing More Than This?”: Bernstein&#8217;s &#8220;Candide&#8221; as Existential Vaudeville in Barrie Kosky&#8217;s Berlin Production</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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