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	<title>Operetta Research Center &#187; Henri Christine</title>
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		<title>Maurice Chevalier (1888-1972): Parisian Music-Hall Star &amp; Hollywood’s Singing Very-Frenchman</title>
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		<pubDate>Wed, 23 Sep 2020 10:37:27 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Albert Willemetz]]></category>
		<category><![CDATA[Ernst Lubitsch]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Frederick Loewe]]></category>
		<category><![CDATA[Henri Christine]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Jeanette MacDonald]]></category>
		<category><![CDATA[Maurice Chevalier]]></category>
		<category><![CDATA[Oscar Straus]]></category>

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		<description><![CDATA[<p>After an early career spent performing in cafés and suburban music halls, Maurice Chevalier (born in Ménilmontant on 12 September,</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/maurice-chevalier-1888-1972-parisian-music-hall-star-hollywoods-singing-frenchman/">Maurice Chevalier (1888-1972): Parisian Music-Hall Star &#038; Hollywood’s Singing Very-Frenchman</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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		<title>Die feinen Unterschiede in der französischen Operette der Zwischenkriegszeit: Henri Christiné – Maurice Yvain – Raoul Moretti</title>
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		<comments>http://operetta-research-center.org/die-feinen-unterschiede-der-franzosischen-operette-der-zwischenkriegszeit-henri-christine-maurice-yvain-raoul-moretti/#comments</comments>
		<pubDate>Thu, 19 Mar 2020 12:15:14 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[Albert Gier]]></category>
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		<category><![CDATA[Henri Christine]]></category>
		<category><![CDATA[Maurice Yvain]]></category>
		<category><![CDATA[Raoul Moretti]]></category>

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		<description><![CDATA[<p>Emmerich Kálmáns Graf Tassilo (Gräfin Mariza, Buch Julius Brammer / Alfred Grünwald) verkörpert einen Typus, den das Publikum der Uraufführung</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/die-feinen-unterschiede-der-franzosischen-operette-der-zwischenkriegszeit-henri-christine-maurice-yvain-raoul-moretti/">Die feinen Unterschiede in der französischen Operette der Zwischenkriegszeit: Henri Christiné – Maurice Yvain – Raoul Moretti</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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		<title>Have You Heard Of Henri Christine&#8217;s &#8220;Phi-Phi&#8221; (1918)?</title>
		<link>http://operetta-research-center.org/heard-henri-christines-phi-phi-1918/</link>
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		<pubDate>Fri, 02 Jan 2015 09:27:04 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[Bouffes-Parisiens]]></category>
		<category><![CDATA[Henri Christine]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>

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		<description><![CDATA[<p>Do you know Phi-Phi? Unless you are French or Hungarian and over 90 years of age, you won’t ever have</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/heard-henri-christines-phi-phi-1918/">Have You Heard Of Henri Christine&#8217;s &#8220;Phi-Phi&#8221; (1918)?</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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