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	<title>Operetta Research Center &#187; Theodor Adorno</title>
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		<title>&#8220;Kunst der Oberfläche. Operette zwischen Bravour und Banalität&#8221;</title>
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		<pubDate>Sat, 06 Jun 2020 09:15:48 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Albert Gier]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Christoph Marti]]></category>
		<category><![CDATA[Jazz Operetta]]></category>
		<category><![CDATA[Katharine Mehrling]]></category>
		<category><![CDATA[Komische Oper]]></category>
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		<category><![CDATA[Theodor Adorno]]></category>

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		<description><![CDATA[<p>Unter ihrem Intendanten Barrie Kosky hat die Komische Oper Berlin seit 2012 einen eigenen, unverwechselbaren Operettenstil gefunden: sehr bunt und</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/kunst-der-oberflache-operette-zwischen-bravour-und-banalitat/">&#8220;Kunst der Oberfläche. Operette zwischen Bravour und Banalität&#8221;</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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		<title>Gaiety, Glitz and Glamour? Conference at the University of Leeds 2019</title>
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		<pubDate>Sun, 29 Apr 2018 05:38:48 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
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		<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Theodor Adorno]]></category>

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		<description><![CDATA[<p>British researchers are continuing their conference series Gaiety, Glitz and Glamour. For the next installment at the School of Music,</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/gaiety-glitz-glamour-conference-university-leeds-2019/">Gaiety, Glitz and Glamour? Conference at the University of Leeds 2019</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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