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	<title>Operetta Research Center &#187; Ades Zabel</title>
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		<title>“Frau Luna” Returns as a Glittering Utopia</title>
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		<pubDate>Sun, 25 Jan 2026 11:26:48 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Ades Zabel]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Bernd Mottl]]></category>
		<category><![CDATA[Geschwister Pfister]]></category>
		<category><![CDATA[Paul Lincke]]></category>
		<category><![CDATA[Tipi Zelt am Kanzleramt]]></category>

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		<description><![CDATA[<p>When this production of Paul Lincke’s classic Frau Luna opened in Berlin ten years ago, it was one among many</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/frau-luna-returns-glittering-utopia/">“Frau Luna” Returns as a Glittering Utopia</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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		<title>Les chevaliers du Ciel: Das Neuköllnical &#8220;Fly, Edith, Fly&#8221; im BKA</title>
		<link>http://operetta-research-center.org/fly-edith-fly-bka/</link>
		<comments>http://operetta-research-center.org/fly-edith-fly-bka/#comments</comments>
		<pubDate>Mon, 18 Sep 2017 20:24:43 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Ades Zabel]]></category>
		<category><![CDATA[Cross Dressing]]></category>
		<category><![CDATA[Mischa Spoliansky]]></category>

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		<description><![CDATA[<p>Ja, es gibt Menschen die Dragqueens als Wegbereiterinnen des modernen queeren Lebens sehen und damit auch als Vorkämpferinnen einer offeneren</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/fly-edith-fly-bka/">Les chevaliers du Ciel: Das Neuköllnical &#8220;Fly, Edith, Fly&#8221; im BKA</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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		<title>The Very Model of a Modern-Day Burlesque</title>
		<link>http://operetta-research-center.org/modern-day-burlesquers-berlin/</link>
		<comments>http://operetta-research-center.org/modern-day-burlesquers-berlin/#comments</comments>
		<pubDate>Mon, 30 Jun 2014 11:55:05 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[The Situation after 1945]]></category>
		<category><![CDATA[Ades Zabel]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Gender Studies]]></category>
		<category><![CDATA[Opéra-bouffe]]></category>

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		<description><![CDATA[<p>If you like Burlesque – in its historical form – you might enjoy Hostel Hermannstraße as performed by Ades Zabel</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/modern-day-burlesquers-berlin/">The Very Model of a Modern-Day Burlesque</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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