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	<title>Operetta Research Center &#187; Edmund Eysler</title>
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		<title>“The Pleasure Garden“: The LGBT History of the Vauxhall Pleasure Gardens as a Musical</title>
		<link>http://operetta-research-center.org/pleasure-garden-londons-gay-history-musical/</link>
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		<pubDate>Wed, 31 Aug 2022 10:36:52 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Edmund Eysler]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[Musical Comedy]]></category>
		<category><![CDATA[Sandy Wilson]]></category>
		<category><![CDATA[Wien Museum]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23774</guid>
		<description><![CDATA[<p>Back in 2004, the Wien Museum presented the exhibition Alt-Wien: Die Stadt, die niemals war. It examined the phenomenon that</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/pleasure-garden-londons-gay-history-musical/">“The Pleasure Garden“: The LGBT History of the Vauxhall Pleasure Gardens as a Musical</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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		<title>Die Operette mit &#8220;Herzton&#8221; als musikdramatisches Modell der Moderne. Edmund Eyslers &#8220;Künstlerblut&#8221; (1906)</title>
		<link>http://operetta-research-center.org/die-operette-mit-herzton-als-musikdramatisches-modell-der-moderne-edmund-eyslers-kunstlerblut-1906/</link>
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		<pubDate>Tue, 09 Jan 2018 10:21:50 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Edmund Eysler]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Marion Linhardt]]></category>
		<category><![CDATA[Oscar Straus]]></category>

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		<description><![CDATA[<p>Back in June 2012, Marion Linhardt from the University of Bayreuth presented a paper on the Eysler operetta Künstlerblut in</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/die-operette-mit-herzton-als-musikdramatisches-modell-der-moderne-edmund-eyslers-kunstlerblut-1906/">Die Operette mit &#8220;Herzton&#8221; als musikdramatisches Modell der Moderne. Edmund Eyslers &#8220;Künstlerblut&#8221; (1906)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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