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	<title>Operetta Research Center &#187; Gay &amp; Lesbian Studies</title>
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		<title>Pure Viagra: Pablo Luna’s “Benamor” Triumphs at Theater an der Wien</title>
		<link>http://operetta-research-center.org/real-queerness-pablo-lunas-benamor-triumphs-theater-der-wien/</link>
		<comments>http://operetta-research-center.org/real-queerness-pablo-lunas-benamor-triumphs-theater-der-wien/#comments</comments>
		<pubDate>Thu, 29 Jan 2026 15:42:04 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Cross Dressing]]></category>
		<category><![CDATA[Enrique Mejías García]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Roland Dippel]]></category>
		<category><![CDATA[Theater an der Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25818</guid>
		<description><![CDATA[<p>Like Berlin, Madrid in the Golden Twenties was a hotspot of nightlife and a queer mecca. On the evening of</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/real-queerness-pablo-lunas-benamor-triumphs-theater-der-wien/">Pure Viagra: Pablo Luna’s “Benamor” Triumphs at Theater an der Wien</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/real-queerness-pablo-lunas-benamor-triumphs-theater-der-wien/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Giorgio Madia: “Entertainment, that’s an insult!”</title>
		<link>http://operetta-research-center.org/operette-giorgio-madia-entertainment-thats-insult/</link>
		<comments>http://operetta-research-center.org/operette-giorgio-madia-entertainment-thats-insult/#comments</comments>
		<pubDate>Fri, 26 Dec 2025 10:26:40 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Italian Operetta]]></category>
		<category><![CDATA[Kiri te Kanawa]]></category>
		<category><![CDATA[Mörbisch]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25770</guid>
		<description><![CDATA[<p>Stage director and choreographer Giorgio Madia discusses operetta then and now, with a special focus on the Mörbisch festival years</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/operette-giorgio-madia-entertainment-thats-insult/">Giorgio Madia: “Entertainment, that’s an insult!”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/operette-giorgio-madia-entertainment-thats-insult/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>From Blue Danube to Rainbow Waltz: Yannick Nézet‑Séguin Leads Vienna’s New Year’s Concert</title>
		<link>http://operetta-research-center.org/yannick-nezet%e2%80%91seguin-neujahrskonzert-2026-rainbow-waltz/</link>
		<comments>http://operetta-research-center.org/yannick-nezet%e2%80%91seguin-neujahrskonzert-2026-rainbow-waltz/#comments</comments>
		<pubDate>Fri, 31 Oct 2025 12:08:43 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Franz von Suppé]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Josef Strauss]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25784</guid>
		<description><![CDATA[<p>It is not unfair to say that the Vienna New Year’s Concert, performed by the Vienna Philharmonic, has become something</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/yannick-nezet%e2%80%91seguin-neujahrskonzert-2026-rainbow-waltz/">From Blue Danube to Rainbow Waltz: Yannick Nézet‑Séguin Leads Vienna’s New Year’s Concert</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/yannick-nezet%e2%80%91seguin-neujahrskonzert-2026-rainbow-waltz/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Strauss in Sneakers: “Aschenbrödel&#8221; Steps Into the 21st Century</title>
		<link>http://operetta-research-center.org/strauss-aschenbrodels-traum-volksoper-ranisch-eisenreich-operette-queer/</link>
		<comments>http://operetta-research-center.org/strauss-aschenbrodels-traum-volksoper-ranisch-eisenreich-operette-queer/#comments</comments>
		<pubDate>Mon, 29 Sep 2025 09:41:00 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Axel Ranisch]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Vienna]]></category>
		<category><![CDATA[Volksoper Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25708</guid>
		<description><![CDATA[<p>It seems there is Aschenbrödel everywhere these days. The Landestheater Coburg is offering the 1901 “completed new version by Josef</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/strauss-aschenbrodels-traum-volksoper-ranisch-eisenreich-operette-queer/">Strauss in Sneakers: “Aschenbrödel&#8221; Steps Into the 21st Century</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/strauss-aschenbrodels-traum-volksoper-ranisch-eisenreich-operette-queer/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>„Eine Bühne wie keine andere“: Interview mit Wolfgang Jansen zur Geschichte des Friedrichstadt-Palast</title>
		<link>http://operetta-research-center.org/eine-buhne-wie-keine-andere-interview-mit-wolfgang-jansen-zur-geschichte-des-friedrichstadt-palast/</link>
		<comments>http://operetta-research-center.org/eine-buhne-wie-keine-andere-interview-mit-wolfgang-jansen-zur-geschichte-des-friedrichstadt-palast/#comments</comments>
		<pubDate>Sun, 15 Jun 2025 10:20:37 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Revue Operetta]]></category>
		<category><![CDATA[Wolfgang Jansen]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25563</guid>
		<description><![CDATA[<p>Der Theaterhistoriker Wolfgang Jansen widmet sich in seinem neuen Buch der Geschichte des Friedrichstadt-Palast in Berlin, in der Zeit 1945</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/eine-buhne-wie-keine-andere-interview-mit-wolfgang-jansen-zur-geschichte-des-friedrichstadt-palast/">„Eine Bühne wie keine andere“: Interview mit Wolfgang Jansen zur Geschichte des Friedrichstadt-Palast</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/eine-buhne-wie-keine-andere-interview-mit-wolfgang-jansen-zur-geschichte-des-friedrichstadt-palast/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Pocket Size Spectacle: Paul Lincke’s “Prinzess Rosine” Back in Berlin</title>
		<link>http://operetta-research-center.org/paul-linckes-prinzess-rosine-air-ballet-back-berlin/</link>
		<comments>http://operetta-research-center.org/paul-linckes-prinzess-rosine-air-ballet-back-berlin/#comments</comments>
		<pubDate>Wed, 02 Apr 2025 09:46:02 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Lillie Claus]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Paul Lincke]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25542</guid>
		<description><![CDATA[<p>You could say this is rather daring (and wonderful): bringing Paul Lincke’s 1905 extravaganza Prinzess Rosine – which includes a</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/paul-linckes-prinzess-rosine-air-ballet-back-berlin/">Pocket Size Spectacle: Paul Lincke’s “Prinzess Rosine” Back in Berlin</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/paul-linckes-prinzess-rosine-air-ballet-back-berlin/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“Princesa misteriosa”: Pablo Luna’s “Benamor” (1923)</title>
		<link>http://operetta-research-center.org/princesa-misteriosa-pablo-luna-benamor-1923-enrique-mejias-garcia-glitter-and-be-gay-reloaded/</link>
		<comments>http://operetta-research-center.org/princesa-misteriosa-pablo-luna-benamor-1923-enrique-mejias-garcia-glitter-and-be-gay-reloaded/#comments</comments>
		<pubDate>Mon, 17 Mar 2025 05:35:18 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[History]]></category>
		<category><![CDATA[Cross Dressing]]></category>
		<category><![CDATA[Enrique Mejías García]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Spain]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25509</guid>
		<description><![CDATA[<p>In the new edition of the book Glitter and be Gay: Reloaded Spanish musicologist Enrique Mejías García writes about the</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/princesa-misteriosa-pablo-luna-benamor-1923-enrique-mejias-garcia-glitter-and-be-gay-reloaded/">“Princesa misteriosa”: Pablo Luna’s “Benamor” (1923)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/princesa-misteriosa-pablo-luna-benamor-1923-enrique-mejias-garcia-glitter-and-be-gay-reloaded/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“Messeschlager Gisela” Revived in Cottbus – Without the Queer Elements</title>
		<link>http://operetta-research-center.org/messeschlager-gisela-revived-cottbus-without-queer-element/</link>
		<comments>http://operetta-research-center.org/messeschlager-gisela-revived-cottbus-without-queer-element/#comments</comments>
		<pubDate>Sun, 19 Jan 2025 14:50:09 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Cottbus]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Gerd Natschinski]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Peter Lund]]></category>
		<category><![CDATA[Queer Studies]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25641</guid>
		<description><![CDATA[<p>What was working life like in state-owned enterprises (Volkseigene Betriebe = VEB) in the DDR around 1960 – what dreams</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/messeschlager-gisela-revived-cottbus-without-queer-element/">“Messeschlager Gisela” Revived in Cottbus – Without the Queer Elements</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/messeschlager-gisela-revived-cottbus-without-queer-element/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Tragedy of Josepha and Leopold: “Im weißen Rössl“ in Braunschweig</title>
		<link>http://operetta-research-center.org/tragedy-josepha-leopold-im-weisen-rossl-braunschweig/</link>
		<comments>http://operetta-research-center.org/tragedy-josepha-leopold-im-weisen-rossl-braunschweig/#comments</comments>
		<pubDate>Sat, 11 Jan 2025 12:39:21 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Desirée Nick]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Jazz Operetta]]></category>
		<category><![CDATA[Ralph Benatzky]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25447</guid>
		<description><![CDATA[<p>In Braunschweig, Germany, a new production of Im weißen Rössl by stage director Immo Karaman is causing quite a bit</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/tragedy-josepha-leopold-im-weisen-rossl-braunschweig/">The Tragedy of Josepha and Leopold: “Im weißen Rössl“ in Braunschweig</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/tragedy-josepha-leopold-im-weisen-rossl-braunschweig/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Story of Julian Eltinge: America’s Greatest Female Impersonator</title>
		<link>http://operetta-research-center.org/story-julian-eltinge-americas-greatest-female-impersonator/</link>
		<comments>http://operetta-research-center.org/story-julian-eltinge-americas-greatest-female-impersonator/#comments</comments>
		<pubDate>Sun, 03 Nov 2024 14:01:47 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Cross Dressing]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Laurence Senelick]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25297</guid>
		<description><![CDATA[<p>It’s almost a quarter of a century ago that Laurence Senelick published his book The Changing Room: Sex, Drag and</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/story-julian-eltinge-americas-greatest-female-impersonator/">The Story of Julian Eltinge: America’s Greatest Female Impersonator</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/story-julian-eltinge-americas-greatest-female-impersonator/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ukrainian Operetta – Or, Popular Musical Theater in Times of War</title>
		<link>http://operetta-research-center.org/ukrainian-operetta-popular-musical-theater-times-war-kyiv/</link>
		<comments>http://operetta-research-center.org/ukrainian-operetta-popular-musical-theater-times-war-kyiv/#comments</comments>
		<pubDate>Fri, 01 Nov 2024 19:42:22 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Cross Dressing]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Kevin Clarke]]></category>
		<category><![CDATA[Sasha Regan]]></category>
		<category><![CDATA[Stefan Frey]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25391</guid>
		<description><![CDATA[<p>Yes, there is an institution called National Operetta of Ukraine. It has been situated in the National Academic Theater of</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/ukrainian-operetta-popular-musical-theater-times-war-kyiv/">Ukrainian Operetta – Or, Popular Musical Theater in Times of War</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/ukrainian-operetta-popular-musical-theater-times-war-kyiv/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The “Operette für zwei schwule Tenöre“ Goes to Poland</title>
		<link>http://operetta-research-center.org/operette-fur-zwei-schwule-tenore-goes-poland/</link>
		<comments>http://operetta-research-center.org/operette-fur-zwei-schwule-tenore-goes-poland/#comments</comments>
		<pubDate>Fri, 25 Oct 2024 12:08:22 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Florian Ludewig]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Johannes Kram]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25263</guid>
		<description><![CDATA[<p>Great news from the German operetta market: the 2021 Operette für zwei schwule Tenöre (“Operetta for two gay tenors&#8221;) is</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/operette-fur-zwei-schwule-tenore-goes-poland/">The “Operette für zwei schwule Tenöre“ Goes to Poland</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/operette-fur-zwei-schwule-tenore-goes-poland/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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