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	<title>Operetta Research Center &#187; Henry E. Dixey</title>
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		<title>A Legendary American Burlesque: “Evangeline” (1874), Beautiful Country Girls &amp; A Dancing Heifer</title>
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		<pubDate>Sat, 03 Oct 2020 09:40:31 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
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		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Henry E. Dixey]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Lydia Thompson]]></category>

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		<description><![CDATA[<p>A burlesque of Longfellow’s poem of the same name, the extravaganza Evangeline followed the trials and tribulations of its heroine</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/legendary-american-burlesque-evangeline-1874/">A Legendary American Burlesque: “Evangeline” (1874), Beautiful Country Girls &#038; A Dancing Heifer</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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		<title>Ethel Jackson (1877-1957): Broadway&#8217;s First “Merry Widow”</title>
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		<pubDate>Fri, 18 Sep 2020 08:30:56 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
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		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Henry E. Dixey]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>

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		<description><![CDATA[<p>A descendant of the painter Henry Inman, Miss Jackson was born in New York on 3 February 1877. She studied</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/ethel-jackson-1877-1957-broadways-first-merry-widow/">Ethel Jackson (1877-1957): Broadway&#8217;s First “Merry Widow”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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		<title>Magic Mike Live. Or: What About The Objectification Of Men In Operetta?</title>
		<link>http://operetta-research-center.org/magic-mike-live-objectification-men-operetta/</link>
		<comments>http://operetta-research-center.org/magic-mike-live-objectification-men-operetta/#comments</comments>
		<pubDate>Tue, 21 Aug 2018 10:44:41 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Barihunks]]></category>
		<category><![CDATA[Emily Soldene]]></category>
		<category><![CDATA[Florenz Ziegfeld]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Gender Studies]]></category>
		<category><![CDATA[Henry E. Dixey]]></category>

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		<description><![CDATA[<p>In a recent article for The Times, Jamie Stoker reported on casting for London’s Magic Mike Live. The headline says</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/magic-mike-live-objectification-men-operetta/">Magic Mike Live. Or: What About The Objectification Of Men In Operetta?</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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		<title>Mr. Burlesque Himself: William B. Gill</title>
		<link>http://operetta-research-center.org/mr-burlesque-william-b-gill/</link>
		<comments>http://operetta-research-center.org/mr-burlesque-william-b-gill/#comments</comments>
		<pubDate>Sat, 16 Aug 2014 11:14:36 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Henry E. Dixey]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[William B. Gill]]></category>

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		<description><![CDATA[<p>Australia’s most successful ever international manufacturer of musical plays was born Trinity Bay, Newfoundland, Canada 10 May 1842. The grandson of</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/mr-burlesque-william-b-gill/">Mr. Burlesque Himself: William B. Gill</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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