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	<title>Operetta Research Center &#187; Kurt Gänzl</title>
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		<title>The International Success of Johann Strauss’ “Das Spitzentuch der Königin“ (1880)</title>
		<link>http://operetta-research-center.org/johann-strauss-das-spitzentuch-der-konigin-1880/</link>
		<comments>http://operetta-research-center.org/johann-strauss-das-spitzentuch-der-konigin-1880/#comments</comments>
		<pubDate>Tue, 21 Jan 2025 10:46:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Richard Genée]]></category>
		<category><![CDATA[Staatsoperette Dresden]]></category>
		<category><![CDATA[Theater an der Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25481</guid>
		<description><![CDATA[<p>Following the notable success of Die Fledermaus, Johann Strauss had fared less well with Cagliostro in Wien and Prinz Methusalem</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/johann-strauss-das-spitzentuch-der-konigin-1880/">The International Success of Johann Strauss’ “Das Spitzentuch der Königin“ (1880)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The New &#8220;La Vie parisienne&#8221; from Palazzetto Bru Zane</title>
		<link>http://operetta-research-center.org/waiting-new-la-vie-parisienne-palazzetto-bru-zane/</link>
		<comments>http://operetta-research-center.org/waiting-new-la-vie-parisienne-palazzetto-bru-zane/#comments</comments>
		<pubDate>Tue, 19 Nov 2024 08:38:39 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[La Fille de Madame Angot]]></category>
		<category><![CDATA[Palazzetto Bru Zane]]></category>
		<category><![CDATA[Zulma Bouffar]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25347</guid>
		<description><![CDATA[<p>Yesterday a long-awaited recording arrived on my desk-top. &#8216;Long-awaited&#8217;? Of course. The latest from the firm of Bru Zane, the</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/waiting-new-la-vie-parisienne-palazzetto-bru-zane/">The New &#8220;La Vie parisienne&#8221; from Palazzetto Bru Zane</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/waiting-new-la-vie-parisienne-palazzetto-bru-zane/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Roger’s “Joséphine Vendue Par Ses Soeurs” Returns to Paris</title>
		<link>http://operetta-research-center.org/victor-rogers-opera-bouffe-josephine-vendue-par-ses-soeurs/</link>
		<comments>http://operetta-research-center.org/victor-rogers-opera-bouffe-josephine-vendue-par-ses-soeurs/#comments</comments>
		<pubDate>Thu, 24 Oct 2024 16:53:47 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[Bouffes-Parisiens]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[paris]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25247</guid>
		<description><![CDATA[<p>In January 2025 the Compagnie Fortunio is bringing the opéra-bouffe Joséphine Vendue Par Ses Soeurs back to Paris, for a</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/victor-rogers-opera-bouffe-josephine-vendue-par-ses-soeurs/">Roger’s “Joséphine Vendue Par Ses Soeurs” Returns to Paris</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/victor-rogers-opera-bouffe-josephine-vendue-par-ses-soeurs/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Routlegde’s “Genre Beyond Borders: Reassessing Operetta”</title>
		<link>http://operetta-research-center.org/routlegdes-genre-beyond-borders-reassessing-operetta/</link>
		<comments>http://operetta-research-center.org/routlegdes-genre-beyond-borders-reassessing-operetta/#comments</comments>
		<pubDate>Mon, 15 Jul 2024 08:35:48 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Derek B. Scott]]></category>
		<category><![CDATA[Gender Studies]]></category>
		<category><![CDATA[Jerome Kern]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[University of Leeds]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25145</guid>
		<description><![CDATA[<p>Back in the year 2019, the University of Leeds hosted an conference put together by Derek B. Scott and Anastasia</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/routlegdes-genre-beyond-borders-reassessing-operetta/">Routlegde’s “Genre Beyond Borders: Reassessing Operetta”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/routlegdes-genre-beyond-borders-reassessing-operetta/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Social Evil&#8221;: The Girards and Offenbach&#8217;s &#8220;Princess of Trebizonde&#8221; in Melbourne</title>
		<link>http://operetta-research-center.org/girards-offenbachs-princess-trebizonde-melbourne-court-case-social-evil/</link>
		<comments>http://operetta-research-center.org/girards-offenbachs-princess-trebizonde-melbourne-court-case-social-evil/#comments</comments>
		<pubDate>Wed, 31 Jan 2024 10:42:46 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Jean-Claude Yon]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Laurence Senelick]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24975</guid>
		<description><![CDATA[<p>Recently, Offenbach researchers have started looking a little beyond the usual boundaries of “established” source material, one of them is</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/girards-offenbachs-princess-trebizonde-melbourne-court-case-social-evil/">&#8220;Social Evil&#8221;: The Girards and Offenbach&#8217;s &#8220;Princess of Trebizonde&#8221; in Melbourne</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/girards-offenbachs-princess-trebizonde-melbourne-court-case-social-evil/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Carl Millöcker (b. Vienna, 29 April 1842; d. Baden bei Wien, 31 December 1899)</title>
		<link>http://operetta-research-center.org/carl-millocker-vienna-29-april-1842-baden-bei-wien-31-december-1899/</link>
		<comments>http://operetta-research-center.org/carl-millocker-vienna-29-april-1842-baden-bei-wien-31-december-1899/#comments</comments>
		<pubDate>Tue, 02 Jan 2024 21:16:57 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Carl Millöcker]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24928</guid>
		<description><![CDATA[<p>Carl Millöcker was one of the trio of Viennese composers who were responsible for the bulk of the outstanding Operetten</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/carl-millocker-vienna-29-april-1842-baden-bei-wien-31-december-1899/">Carl Millöcker (b. Vienna, 29 April 1842; d. Baden bei Wien, 31 December 1899)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/carl-millocker-vienna-29-april-1842-baden-bei-wien-31-december-1899/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Der arme Jonathan&#8221;: Operette in 3 acts by Carl Millöker</title>
		<link>http://operetta-research-center.org/der-arme-jonathan-operette-3-acts-carl-milloker/</link>
		<comments>http://operetta-research-center.org/der-arme-jonathan-operette-3-acts-carl-milloker/#comments</comments>
		<pubDate>Tue, 02 Jan 2024 20:49:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Carl Millöcker]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24916</guid>
		<description><![CDATA[<p>Hugo Wittmann and Julius Bauer based their libretto on Les Deux Anglais by P-F Merville, Carl Millöcker wrote the music. Their show, Der</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/der-arme-jonathan-operette-3-acts-carl-milloker/">&#8220;Der arme Jonathan&#8221;: Operette in 3 acts by Carl Millöker</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/der-arme-jonathan-operette-3-acts-carl-milloker/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>First Full Cast Recording of Gustave Kerker’s “The Belle of New York”</title>
		<link>http://operetta-research-center.org/cpo-first-full-cast-recording-gustave-kerker-the-belle-new-york/</link>
		<comments>http://operetta-research-center.org/cpo-first-full-cast-recording-gustave-kerker-the-belle-new-york/#comments</comments>
		<pubDate>Thu, 07 Dec 2023 11:29:18 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Burkhard Schmilgun]]></category>
		<category><![CDATA[CPO]]></category>
		<category><![CDATA[Dario Salvi]]></category>
		<category><![CDATA[Florian Ziemen]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24805</guid>
		<description><![CDATA[<p>As everyone who’s currently watching season 2 of The Gilded Age knows: marriage in New York City among the super-rich</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/cpo-first-full-cast-recording-gustave-kerker-the-belle-new-york/">First Full Cast Recording of Gustave Kerker’s “The Belle of New York”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/cpo-first-full-cast-recording-gustave-kerker-the-belle-new-york/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>&#8220;Camelot&#8221; Returns With A New Broadway Cast Album</title>
		<link>http://operetta-research-center.org/camelot-returns-new-broadway-cast-album/</link>
		<comments>http://operetta-research-center.org/camelot-returns-new-broadway-cast-album/#comments</comments>
		<pubDate>Fri, 09 Jun 2023 12:13:30 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Alan Jay Lerner]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Frederick Loewe]]></category>
		<category><![CDATA[Julie Andrews]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24568</guid>
		<description><![CDATA[<p>I have always liked 90 percent of Camelot. And 100 percent of its delicious source material. I am, yes, too</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/camelot-returns-new-broadway-cast-album/">&#8220;Camelot&#8221; Returns With A New Broadway Cast Album</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/camelot-returns-new-broadway-cast-album/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Rodgers &amp; Hammerstein Revisited: &#8220;The King and I&#8221; &amp; &#8220;South Pacific&#8221; on Jay Records</title>
		<link>http://operetta-research-center.org/rodgers-hammerstein-revisited-the-king-and-i-south-pacific-jay-records/</link>
		<comments>http://operetta-research-center.org/rodgers-hammerstein-revisited-the-king-and-i-south-pacific-jay-records/#comments</comments>
		<pubDate>Tue, 02 May 2023 12:55:02 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Oscar Hammerstein]]></category>
		<category><![CDATA[Richard Rodgers]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24475</guid>
		<description><![CDATA[<p>This morning I had an interesting package on my desktop. Complete recordings of The King and I (1994) and South</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/rodgers-hammerstein-revisited-the-king-and-i-south-pacific-jay-records/">Rodgers &#038; Hammerstein Revisited: &#8220;The King and I&#8221; &#038; &#8220;South Pacific&#8221; on Jay Records</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/rodgers-hammerstein-revisited-the-king-and-i-south-pacific-jay-records/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>“Offenbach, Musicien Européen” Or, Put Away the Sellotape</title>
		<link>http://operetta-research-center.org/offenbach-musician-europeen-review-kurt-ganzl-put-away-sellotape/</link>
		<comments>http://operetta-research-center.org/offenbach-musician-europeen-review-kurt-ganzl-put-away-sellotape/#comments</comments>
		<pubDate>Sun, 20 Nov 2022 09:21:05 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Jean-Claude Yon]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Palazzetto Bru Zane]]></category>
		<category><![CDATA[Porn]]></category>
		<category><![CDATA[Ralf-Olivier Schwarz]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24006</guid>
		<description><![CDATA[<p>In the summer of 2019 researchers from all around the world gathered for a double conference in Cologne and Paris,</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/offenbach-musician-europeen-review-kurt-ganzl-put-away-sellotape/">“Offenbach, Musicien Européen” Or, Put Away the Sellotape</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/offenbach-musician-europeen-review-kurt-ganzl-put-away-sellotape/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Blackface and Crossdressing: The Great Minstrel &#8216;Prima Donnas&#8217;</title>
		<link>http://operetta-research-center.org/blackface-crossdressing-great-minstrel-prima-donne/</link>
		<comments>http://operetta-research-center.org/blackface-crossdressing-great-minstrel-prima-donne/#comments</comments>
		<pubDate>Wed, 19 Oct 2022 09:33:38 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Cross Dressing]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Minstrel Shows]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23923</guid>
		<description><![CDATA[<p>In the 21st century, when it is considered oh-so-trendy for boys to dress up as girls, the trendy ones (and</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/blackface-crossdressing-great-minstrel-prima-donne/">Blackface and Crossdressing: The Great Minstrel &#8216;Prima Donnas&#8217;</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/blackface-crossdressing-great-minstrel-prima-donne/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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