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	<title>Operetta Research Center &#187; Landestheater Linz</title>
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		<title>Linz &amp; Wien: Zweimal „Gräfin Mariza“ von Thomas Enzinger</title>
		<link>http://operetta-research-center.org/graefin-mariza-linz-volksoper-wien-thomas-enzinger/</link>
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		<pubDate>Tue, 02 May 2023 13:45:41 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Jazz Operetta]]></category>
		<category><![CDATA[Landestheater Linz]]></category>
		<category><![CDATA[Volksoper Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24493</guid>
		<description><![CDATA[<p>Kálmáns Gräfin Mariza ist (neben der Csardasfürstin) eine seiner perfektesten, beliebtesten und daher zu Recht jahrein jahraus, landauf landab, im</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/graefin-mariza-linz-volksoper-wien-thomas-enzinger/">Linz &#038; Wien: Zweimal „Gräfin Mariza“ von Thomas Enzinger</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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		<title>Coming-out als Operettenrettung? Interview zum Queer Reading des „Dreimäderlhaus“</title>
		<link>http://operetta-research-center.org/ein-schwuler-schubert-als-rettung-interview-zum-queer-reading-des-dreimaderlhaus-landestheater-linz/</link>
		<comments>http://operetta-research-center.org/ein-schwuler-schubert-als-rettung-interview-zum-queer-reading-des-dreimaderlhaus-landestheater-linz/#comments</comments>
		<pubDate>Sun, 28 Feb 2021 10:30:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[The Situation after 1945]]></category>
		<category><![CDATA[Franz Schubert]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Heinrich Berté]]></category>
		<category><![CDATA[Landestheater Linz]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Queer Studies]]></category>
		<category><![CDATA[Richard Tauber]]></category>
		<category><![CDATA[Volker Klotz]]></category>

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		<description><![CDATA[<p>Als das Dreimäderlhaus am 15. Januar 1916 im Wiener Raimundtheater in Premiere ging waren die Kritiken gespalten. Denn Komponist Heinrich</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/ein-schwuler-schubert-als-rettung-interview-zum-queer-reading-des-dreimaderlhaus-landestheater-linz/">Coming-out als Operettenrettung? Interview zum Queer Reading des „Dreimäderlhaus“</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<title>From Dingsda To The Mississipi: Bumping Into Alen Hodzovic Again</title>
		<link>http://operetta-research-center.org/dingsda-mississipi-bunping-alen-hodzovic/</link>
		<comments>http://operetta-research-center.org/dingsda-mississipi-bunping-alen-hodzovic/#comments</comments>
		<pubDate>Sat, 27 Dec 2014 13:46:24 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Weekly Column]]></category>
		<category><![CDATA[Alen Hodzovic]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Kai Tietje]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Landestheater Linz]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=5372</guid>
		<description><![CDATA[<p>Perhaps you know that feeling: you see a super-duper operetta performer one day, and the next he’s vanished. Or so</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/dingsda-mississipi-bunping-alen-hodzovic/">From Dingsda To The Mississipi: Bumping Into Alen Hodzovic Again</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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