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	<title>Operetta Research Center &#187; Lydia Thompson</title>
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		<title>A Legendary American Burlesque: “Evangeline” (1874), Beautiful Country Girls &amp; A Dancing Heifer</title>
		<link>http://operetta-research-center.org/legendary-american-burlesque-evangeline-1874/</link>
		<comments>http://operetta-research-center.org/legendary-american-burlesque-evangeline-1874/#comments</comments>
		<pubDate>Sat, 03 Oct 2020 09:40:31 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Henry E. Dixey]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Lydia Thompson]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20636</guid>
		<description><![CDATA[<p>A burlesque of Longfellow’s poem of the same name, the extravaganza Evangeline followed the trials and tribulations of its heroine</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/legendary-american-burlesque-evangeline-1874/">A Legendary American Burlesque: “Evangeline” (1874), Beautiful Country Girls &#038; A Dancing Heifer</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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		<title>F. C. Burnand&#8217;s &#8220;Ixion&#8221;: The Original British Burlesque Hit Of 1863</title>
		<link>http://operetta-research-center.org/ixion-burlesque-hit-1863/</link>
		<comments>http://operetta-research-center.org/ixion-burlesque-hit-1863/#comments</comments>
		<pubDate>Fri, 27 Sep 2019 09:08:44 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Francis Burnand]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Lydia Thompson]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=18398</guid>
		<description><![CDATA[<p>I first came seriously in contact with F. C. Burnand’s burlesque, Ixion, when working on my biography of burlesque megastar,</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/ixion-burlesque-hit-1863/">F. C. Burnand&#8217;s &#8220;Ixion&#8221;: The Original British Burlesque Hit Of 1863</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>1</slash:comments>
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		<title>The History of Jacques Offenbach&#8217;s &#8220;La Princesse de Trébizonde&#8221;</title>
		<link>http://operetta-research-center.org/la-princesse-de-trebizonde-opera-bouffe-2-acts-jacques-offenbach/</link>
		<comments>http://operetta-research-center.org/la-princesse-de-trebizonde-opera-bouffe-2-acts-jacques-offenbach/#comments</comments>
		<pubDate>Sat, 05 Jan 2019 09:08:04 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[Edmond Audran]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Josefine Gallmeyer]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Lydia Thompson]]></category>
		<category><![CDATA[Opéra-bouffe]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=15410</guid>
		<description><![CDATA[<p>Originally produced at Baden-Baden during the 1869 summer season, with the young Mdlle Périer in its principal travesty rôle, La</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/la-princesse-de-trebizonde-opera-bouffe-2-acts-jacques-offenbach/">The History of Jacques Offenbach&#8217;s &#8220;La Princesse de Trébizonde&#8221;</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>3</slash:comments>
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		<title>High Kicks, Or: The History Of The CanCan In English-Language Theater</title>
		<link>http://operetta-research-center.org/history-cancan-english-language-theater/</link>
		<comments>http://operetta-research-center.org/history-cancan-english-language-theater/#comments</comments>
		<pubDate>Sat, 01 Dec 2018 11:30:05 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[Emily Soldene]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Lydia Thompson]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=16205</guid>
		<description><![CDATA[<p>To say precisely who were the first English dancers to perform the cancan in the English-language theatre is pretty impossible.</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/history-cancan-english-language-theater/">High Kicks, Or: The History Of The CanCan In English-Language Theater</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>4</slash:comments>
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		<item>
		<title>The History Of A Burlesque Blonde: Belle Land</title>
		<link>http://operetta-research-center.org/history-burlesque-blonde-belle-land/</link>
		<comments>http://operetta-research-center.org/history-burlesque-blonde-belle-land/#comments</comments>
		<pubDate>Sat, 01 Jul 2017 20:38:22 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Weekly Column]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Lydia Thompson]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=12707</guid>
		<description><![CDATA[<p>Last night, I was researching in ancient texts, trying to track down the history of a burlesque blonde who went</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/history-burlesque-blonde-belle-land/">The History Of A Burlesque Blonde: Belle Land</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Lydia Thompson, the &#8220;Father of All Drag Kings&#8221;?</title>
		<link>http://operetta-research-center.org/lydia-thompson-father-drag-kings/</link>
		<comments>http://operetta-research-center.org/lydia-thompson-father-drag-kings/#comments</comments>
		<pubDate>Tue, 26 Aug 2014 05:59:21 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Cross Dressing]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Lydia Thompson]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=3914</guid>
		<description><![CDATA[<p>Lydia Thompson [Eliza Hodges Thompson] is one of the theatre&#8217;s ‘legends’, and as in the case of other such legendary</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/lydia-thompson-father-drag-kings/">Lydia Thompson, the &#8220;Father of All Drag Kings&#8221;?</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>2</slash:comments>
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		<item>
		<title>&#8220;Horrible Prettiness or Satanic Subversiveness&#8221;?</title>
		<link>http://operetta-research-center.org/horrible-prettiness-gender-studies-operetta/</link>
		<comments>http://operetta-research-center.org/horrible-prettiness-gender-studies-operetta/#comments</comments>
		<pubDate>Thu, 19 Jun 2014 08:58:11 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Cross Dressing]]></category>
		<category><![CDATA[Franz von Suppé]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Gender Studies]]></category>
		<category><![CDATA[Hortense Schneider]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Lydia Thompson]]></category>
		<category><![CDATA[Ohio Light Opera]]></category>
		<category><![CDATA[Opéra-bouffe]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/orca/?p=2153</guid>
		<description><![CDATA[<p>&#8220;Gender Studies&#8221; are something on everyone’s lips these days. Yet, somewhat surprisingly, the operetta world has hardly taken note of</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/horrible-prettiness-gender-studies-operetta/">&#8220;Horrible Prettiness or Satanic Subversiveness&#8221;?</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
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