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	<title>Operetta Research Center &#187; Mihály Eisemann</title>
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		<title>&#8220;Me And My Little Brother&#8221;: A Gender-Bending Operetta By Mihály Eisemann From 1934</title>
		<link>http://operetta-research-center.org/little-brother-gender-bending-operetta-mihaly-eisemann-1934/</link>
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		<pubDate>Sun, 22 Mar 2015 10:29:20 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Budapesti Operettszínház]]></category>
		<category><![CDATA[Mihály Eisemann]]></category>
		<category><![CDATA[Paul Abraham]]></category>
		<category><![CDATA[Vincent Youmans]]></category>
		<category><![CDATA[Werner Richard Heymann]]></category>

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		<description><![CDATA[<p>Admittedly, you would not necessarily expect a “queer” operetta in Viktor Orban’s Hungary. But that’s exactly what you get in</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/little-brother-gender-bending-operetta-mihaly-eisemann-1934/">&#8220;Me And My Little Brother&#8221;: A Gender-Bending Operetta By Mihály Eisemann From 1934</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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