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	<title>Operetta Research Center &#187; Alexander Girardi</title>
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		<title>&#8220;Der arme Jonathan&#8221;: Operette in 3 acts by Carl Millöker</title>
		<link>http://operetta-research-center.org/der-arme-jonathan-operette-3-acts-carl-milloker/</link>
		<comments>http://operetta-research-center.org/der-arme-jonathan-operette-3-acts-carl-milloker/#comments</comments>
		<pubDate>Tue, 02 Jan 2024 20:49:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Carl Millöcker]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24916</guid>
		<description><![CDATA[<p>Hugo Wittmann and Julius Bauer based their libretto on Les Deux Anglais by P-F Merville, Carl Millöcker wrote the music. Their show, Der</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/der-arme-jonathan-operette-3-acts-carl-milloker/">&#8220;Der arme Jonathan&#8221;: Operette in 3 acts by Carl Millöker</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>First Full Recording Of Johann Strauss&#8217; &#8220;Waldmeister&#8221; (1895)</title>
		<link>http://operetta-research-center.org/first-full-recording-johann-strauss-waldmeister-1895/</link>
		<comments>http://operetta-research-center.org/first-full-recording-johann-strauss-waldmeister-1895/#comments</comments>
		<pubDate>Wed, 28 Jul 2021 11:07:08 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Dario Salvi]]></category>
		<category><![CDATA[Johann Strauss]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=22599</guid>
		<description><![CDATA[<p>The label Naxos is continuing its Johann Strauss series with a new recording of late operetta Waldmeister, which originally premiered</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/first-full-recording-johann-strauss-waldmeister-1895/">First Full Recording Of Johann Strauss&#8217; &#8220;Waldmeister&#8221; (1895)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Watch Out For The Red Fingernails: Two New &#8220;Zigeunerbaron&#8221; Productions In Magdeburg And Berlin</title>
		<link>http://operetta-research-center.org/watch-red-fingernails-two-new-zigeunerbaron-productions-magdeburg-berlin/</link>
		<comments>http://operetta-research-center.org/watch-red-fingernails-two-new-zigeunerbaron-productions-magdeburg-berlin/#comments</comments>
		<pubDate>Sun, 19 Jul 2020 10:34:17 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[The Situation after 1945]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Nikolaus Harnoncourt]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=19983</guid>
		<description><![CDATA[<p>How do you solve a problem like Zigeunerbaron? Some might ask: is there a problem with this 1885 show? Well,</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/watch-red-fingernails-two-new-zigeunerbaron-productions-magdeburg-berlin/">Watch Out For The Red Fingernails: Two New &#8220;Zigeunerbaron&#8221; Productions In Magdeburg And Berlin</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/watch-red-fingernails-two-new-zigeunerbaron-productions-magdeburg-berlin/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>World-Premiere Recording of Strauss&#8217; &#8220;Blindekuh&#8221; (1878) On Naxos</title>
		<link>http://operetta-research-center.org/world-premiere-recording-strauss-blindekuh-1878/</link>
		<comments>http://operetta-research-center.org/world-premiere-recording-strauss-blindekuh-1878/#comments</comments>
		<pubDate>Tue, 31 Mar 2020 15:28:34 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Dario Salvi]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Theater an der Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=19356</guid>
		<description><![CDATA[<p>When it comes to Naxos and operetta, and Johann Strauss shows in particular, the famous budget label has a rather</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/world-premiere-recording-strauss-blindekuh-1878/">World-Premiere Recording of Strauss&#8217; &#8220;Blindekuh&#8221; (1878) On Naxos</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/world-premiere-recording-strauss-blindekuh-1878/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>World Premiere Recording Of Johann Strauss&#8217; &#8220;Blindekuh&#8221; On Naxos</title>
		<link>http://operetta-research-center.org/world-premiere-recording-johann-strauss-blindekuh-naxos/</link>
		<comments>http://operetta-research-center.org/world-premiere-recording-johann-strauss-blindekuh-naxos/#comments</comments>
		<pubDate>Sat, 01 Feb 2020 06:28:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Dario Salvi]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Theater an der Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=18928</guid>
		<description><![CDATA[<p>As part of their Johann Strauss “rediscovery series” the label Naxos is releasing the 1878 operetta Blindekuh which premiered at</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/world-premiere-recording-johann-strauss-blindekuh-naxos/">World Premiere Recording Of Johann Strauss&#8217; &#8220;Blindekuh&#8221; On Naxos</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/world-premiere-recording-johann-strauss-blindekuh-naxos/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
		<item>
		<title>Leo Fall&#8217;s &#8220;Brüderlein fein&#8221;: The Problem With The Cologne Broadcasts</title>
		<link>http://operetta-research-center.org/leo-falls-bruderlein-fein-cologne-broadcasts/</link>
		<comments>http://operetta-research-center.org/leo-falls-bruderlein-fein-cologne-broadcasts/#comments</comments>
		<pubDate>Tue, 06 Mar 2018 11:26:01 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Cabaret]]></category>
		<category><![CDATA[CPO]]></category>
		<category><![CDATA[Franz Marszalek]]></category>
		<category><![CDATA[Leo Fall]]></category>
		<category><![CDATA[Stefan Frey]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=14249</guid>
		<description><![CDATA[<p>Leo Fall’s one-act operetta Brüderlein fein premiered in the notorious basement cabaret of the Theater an der Wien, called “Die</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/leo-falls-bruderlein-fein-cologne-broadcasts/">Leo Fall&#8217;s &#8220;Brüderlein fein&#8221;: The Problem With The Cologne Broadcasts</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/leo-falls-bruderlein-fein-cologne-broadcasts/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Johann Strauss’ moderne &#8220;Journalisten-Operetten&#8221;: &#8220;Fürstin Ninetta&#8221; &amp; &#8220;Waldmeister&#8221;</title>
		<link>http://operetta-research-center.org/johann-strauss-moderne-journalisten-operetten-furstin-ninetta-waldmeister/</link>
		<comments>http://operetta-research-center.org/johann-strauss-moderne-journalisten-operetten-furstin-ninetta-waldmeister/#comments</comments>
		<pubDate>Sat, 20 Jan 2018 11:15:19 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Marion Linhardt]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=13845</guid>
		<description><![CDATA[<p>Nach der Uraufführung von Fürstin Ninetta am 10. Jänner 1893 schrieb die Tageszeitung Die Presse: „Die Musik der Operette ist</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/johann-strauss-moderne-journalisten-operetten-furstin-ninetta-waldmeister/">Johann Strauss’ moderne &#8220;Journalisten-Operetten&#8221;: &#8220;Fürstin Ninetta&#8221; &#038; &#8220;Waldmeister&#8221;</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/johann-strauss-moderne-journalisten-operetten-furstin-ninetta-waldmeister/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Die Operette mit &#8220;Herzton&#8221; als musikdramatisches Modell der Moderne. Edmund Eyslers &#8220;Künstlerblut&#8221; (1906)</title>
		<link>http://operetta-research-center.org/die-operette-mit-herzton-als-musikdramatisches-modell-der-moderne-edmund-eyslers-kunstlerblut-1906/</link>
		<comments>http://operetta-research-center.org/die-operette-mit-herzton-als-musikdramatisches-modell-der-moderne-edmund-eyslers-kunstlerblut-1906/#comments</comments>
		<pubDate>Tue, 09 Jan 2018 10:21:50 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Edmund Eysler]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Marion Linhardt]]></category>
		<category><![CDATA[Oscar Straus]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=13746</guid>
		<description><![CDATA[<p>Back in June 2012, Marion Linhardt from the University of Bayreuth presented a paper on the Eysler operetta Künstlerblut in</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/die-operette-mit-herzton-als-musikdramatisches-modell-der-moderne-edmund-eyslers-kunstlerblut-1906/">Die Operette mit &#8220;Herzton&#8221; als musikdramatisches Modell der Moderne. Edmund Eyslers &#8220;Künstlerblut&#8221; (1906)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/die-operette-mit-herzton-als-musikdramatisches-modell-der-moderne-edmund-eyslers-kunstlerblut-1906/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Pop Art Meets Carl Zeller: &#8220;Der Vogelhändler&#8221; From The 2017 Mörbisch Festival</title>
		<link>http://operetta-research-center.org/der-vogelhandler-2017-morbisch-festival/</link>
		<comments>http://operetta-research-center.org/der-vogelhandler-2017-morbisch-festival/#comments</comments>
		<pubDate>Sun, 06 Aug 2017 10:35:11 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Carl Zeller]]></category>
		<category><![CDATA[Dagmar Schellenberger]]></category>
		<category><![CDATA[Mörbisch]]></category>
		<category><![CDATA[Paul Abraham]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=12766</guid>
		<description><![CDATA[<p>You could call this year’s Vogelhändler at the Mörbisch Festival a kick-ass production – or an erect middle-finger in the</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/der-vogelhandler-2017-morbisch-festival/">Pop Art Meets Carl Zeller: &#8220;Der Vogelhändler&#8221; From The 2017 Mörbisch Festival</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/der-vogelhandler-2017-morbisch-festival/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>First Modern Recording of Franz Lehár&#8217;s Feminist &#8220;Die Juxheirat&#8221;</title>
		<link>http://operetta-research-center.org/first-modern-recording-franz-lehars-feminist-die-juxheirat/</link>
		<comments>http://operetta-research-center.org/first-modern-recording-franz-lehars-feminist-die-juxheirat/#comments</comments>
		<pubDate>Thu, 15 Jun 2017 07:12:18 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Bad Ischl]]></category>
		<category><![CDATA[Cross Dressing]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Julius Bauer]]></category>
		<category><![CDATA[Michael Lakner]]></category>
		<category><![CDATA[Theater an der Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=12408</guid>
		<description><![CDATA[<p>Julius Bauer (1854-1941) was, like many Viennese operetta librettists, a highly cultured and witty man. He studied medicine and then</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/first-modern-recording-franz-lehars-feminist-die-juxheirat/">First Modern Recording of Franz Lehár&#8217;s Feminist &#8220;Die Juxheirat&#8221;</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/first-modern-recording-franz-lehars-feminist-die-juxheirat/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;A Trip To Africa&#8221;: Franz von Suppé&#8217;s Oriental Operetta In English</title>
		<link>http://operetta-research-center.org/trip-africa-operetta-recording/</link>
		<comments>http://operetta-research-center.org/trip-africa-operetta-recording/#comments</comments>
		<pubDate>Tue, 02 May 2017 09:38:05 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Dario Salvi]]></category>
		<category><![CDATA[Franz von Suppé]]></category>
		<category><![CDATA[Theater an der Wien]]></category>
		<category><![CDATA[US Operetta]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=12122</guid>
		<description><![CDATA[<p>It’s quite a miracle: a full cast album of Franz von Suppé’s exotic Die Afrikareise, recorded live and in an</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/trip-africa-operetta-recording/">&#8220;A Trip To Africa&#8221;: Franz von Suppé&#8217;s Oriental Operetta In English</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/trip-africa-operetta-recording/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Re-Visiting The Villas Of Bad Ischl: Marie-Theres Arnbom&#8217;s New Book</title>
		<link>http://operetta-research-center.org/re-visiting-villas-bad-ischl-marie-theres-arnboms-new-book/</link>
		<comments>http://operetta-research-center.org/re-visiting-villas-bad-ischl-marie-theres-arnboms-new-book/#comments</comments>
		<pubDate>Sun, 09 Apr 2017 09:06:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Bad Ischl]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Johann Nestroy]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Marie-Theres Arnbom]]></category>
		<category><![CDATA[Oscar Straus]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=11944</guid>
		<description><![CDATA[<p>Anyone who is even remotely interested in the history of German language operetta knows that Bad Ischl – a kind</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/re-visiting-villas-bad-ischl-marie-theres-arnboms-new-book/">Re-Visiting The Villas Of Bad Ischl: Marie-Theres Arnbom&#8217;s New Book</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/re-visiting-villas-bad-ischl-marie-theres-arnboms-new-book/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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