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	<title>Operetta Research Center &#187; Arthur Sullivan</title>
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		<title>Ohio Light Opera 2025 – A Survey of the Highlights</title>
		<link>http://operetta-research-center.org/ohio-light-opera-2025-survey-highlights-harry-forbes/</link>
		<comments>http://operetta-research-center.org/ohio-light-opera-2025-survey-highlights-harry-forbes/#comments</comments>
		<pubDate>Fri, 25 Apr 2025 10:46:14 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Eduard Künneke]]></category>
		<category><![CDATA[Frederick Loewe]]></category>
		<category><![CDATA[George Gershwin]]></category>
		<category><![CDATA[Harry Forbes]]></category>
		<category><![CDATA[Noël Coward]]></category>
		<category><![CDATA[Ohio Light Opera]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25610</guid>
		<description><![CDATA[<p>Where else but at the Ohio Light Opera in Wooster could you find such a wonderfully varied season of musicals</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/ohio-light-opera-2025-survey-highlights-harry-forbes/">Ohio Light Opera 2025 – A Survey of the Highlights</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/ohio-light-opera-2025-survey-highlights-harry-forbes/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“Strike Up the Band”: Gershwin Mixed with Gilbert &amp; Sullivan</title>
		<link>http://operetta-research-center.org/strike-band-gershwin-mixed-gilbert-sullivan/</link>
		<comments>http://operetta-research-center.org/strike-band-gershwin-mixed-gilbert-sullivan/#comments</comments>
		<pubDate>Sun, 03 Nov 2024 10:50:08 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[George Gershwin]]></category>
		<category><![CDATA[Harry Forbes]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25274</guid>
		<description><![CDATA[<p>Director/conductor Ted Sperling has again done George and Ira Gershwin proud with his one-night performance of the first of the</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/strike-band-gershwin-mixed-gilbert-sullivan/">“Strike Up the Band”: Gershwin Mixed with Gilbert &#038; Sullivan</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/strike-band-gershwin-mixed-gilbert-sullivan/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Ohio Light Opera: The 2024 Saison in Wooster</title>
		<link>http://operetta-research-center.org/2024-saison-ohio-light-opera-harry-forbes/</link>
		<comments>http://operetta-research-center.org/2024-saison-ohio-light-opera-harry-forbes/#comments</comments>
		<pubDate>Tue, 13 Aug 2024 10:27:53 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Harry Forbes]]></category>
		<category><![CDATA[Michael Miller]]></category>
		<category><![CDATA[Ohio Light Opera]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25201</guid>
		<description><![CDATA[<p>In the decade or so that I’ve been attending Ohio Light Opera’s summer season of operettas and musicals, I continue</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/2024-saison-ohio-light-opera-harry-forbes/">Ohio Light Opera: The 2024 Saison in Wooster</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/2024-saison-ohio-light-opera-harry-forbes/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Routlegde’s “Genre Beyond Borders: Reassessing Operetta”</title>
		<link>http://operetta-research-center.org/routlegdes-genre-beyond-borders-reassessing-operetta/</link>
		<comments>http://operetta-research-center.org/routlegdes-genre-beyond-borders-reassessing-operetta/#comments</comments>
		<pubDate>Mon, 15 Jul 2024 08:35:48 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Derek B. Scott]]></category>
		<category><![CDATA[Gender Studies]]></category>
		<category><![CDATA[Jerome Kern]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[University of Leeds]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25145</guid>
		<description><![CDATA[<p>Back in the year 2019, the University of Leeds hosted an conference put together by Derek B. Scott and Anastasia</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/routlegdes-genre-beyond-borders-reassessing-operetta/">Routlegde’s “Genre Beyond Borders: Reassessing Operetta”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/routlegdes-genre-beyond-borders-reassessing-operetta/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“The Sorcerer” at Wilton&#8217;s Music Hall in London</title>
		<link>http://operetta-research-center.org/sorcerer-wiltons-music-hall-london-charles-court-opera/</link>
		<comments>http://operetta-research-center.org/sorcerer-wiltons-music-hall-london-charles-court-opera/#comments</comments>
		<pubDate>Fri, 14 Jun 2024 10:25:03 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[John Groves]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25106</guid>
		<description><![CDATA[<p>Gilbert and Sullivan&#8217;s &#8216;comic opera&#8217; The Sorcerer is a comparatively early work, coming between Trial By Jury and HMS Pinafore and</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/sorcerer-wiltons-music-hall-london-charles-court-opera/">“The Sorcerer” at Wilton&#8217;s Music Hall in London</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/sorcerer-wiltons-music-hall-london-charles-court-opera/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“Iolanthe”: Betting Dollars to Donuts on These Fairies At Carnegie Hall</title>
		<link>http://operetta-research-center.org/iolanthe-new-york-city-fairies-carnegie-hall-mastervoices/</link>
		<comments>http://operetta-research-center.org/iolanthe-new-york-city-fairies-carnegie-hall-mastervoices/#comments</comments>
		<pubDate>Sat, 06 May 2023 08:56:03 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Harry Forbes]]></category>
		<category><![CDATA[New York]]></category>
		<category><![CDATA[Savoy Operas]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24521</guid>
		<description><![CDATA[<p>It’s only May, but I’m betting dollars to donuts that this starry production of Gilbert and Sullivan’s seventh comic opera</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/iolanthe-new-york-city-fairies-carnegie-hall-mastervoices/">“Iolanthe”: Betting Dollars to Donuts on These Fairies At Carnegie Hall</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/iolanthe-new-york-city-fairies-carnegie-hall-mastervoices/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Stanislavsky and “The Mikado”</title>
		<link>http://operetta-research-center.org/stanislavsky-mikado-moscow-first-russian-production-laurence-senelick/</link>
		<comments>http://operetta-research-center.org/stanislavsky-mikado-moscow-first-russian-production-laurence-senelick/#comments</comments>
		<pubDate>Thu, 13 Apr 2023 10:20:12 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Laurence Senelick]]></category>
		<category><![CDATA[Savoy Operas]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24431</guid>
		<description><![CDATA[<p>Operetta was one of the most successful forms of theatre to go transglobal in the 19th and early 20th century.</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/stanislavsky-mikado-moscow-first-russian-production-laurence-senelick/">Stanislavsky and “The Mikado”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/stanislavsky-mikado-moscow-first-russian-production-laurence-senelick/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Gilbert &amp; Sullivan: Is Sexual Innuendo Imbedded in “HMS Pinafore”?</title>
		<link>http://operetta-research-center.org/sexual-innuendo-imbedded-h-m-s-pinafore/</link>
		<comments>http://operetta-research-center.org/sexual-innuendo-imbedded-h-m-s-pinafore/#comments</comments>
		<pubDate>Wed, 01 Mar 2023 14:47:52 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Laurence Senelick]]></category>
		<category><![CDATA[Savoy Operas]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24337</guid>
		<description><![CDATA[<p>It is an accepted notion that Gilbert and Sullivan were careful to exclude anything in their comic operas that could</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/sexual-innuendo-imbedded-h-m-s-pinafore/">Gilbert &#038; Sullivan: Is Sexual Innuendo Imbedded in “HMS Pinafore”?</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/sexual-innuendo-imbedded-h-m-s-pinafore/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Welcome to the Fifties: “The Yeomen of the Guard” at ENO</title>
		<link>http://operetta-research-center.org/yeomen-of-the-guard-eno-production-set-in-the-fifties/</link>
		<comments>http://operetta-research-center.org/yeomen-of-the-guard-eno-production-set-in-the-fifties/#comments</comments>
		<pubDate>Tue, 04 Oct 2022 10:15:31 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[English National Opera]]></category>
		<category><![CDATA[John Groves]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23941</guid>
		<description><![CDATA[<p>Forever branded as Gilbert and Sullivan’s “serious” comic opera, The Yeomen of the Guard is in fact a skilful blend</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/yeomen-of-the-guard-eno-production-set-in-the-fifties/">Welcome to the Fifties: “The Yeomen of the Guard” at ENO</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/yeomen-of-the-guard-eno-production-set-in-the-fifties/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>G&amp;S’s “Patience” Presented by Charles Court Opera in an Updated Version</title>
		<link>http://operetta-research-center.org/gss-patience-presented-charles-court-opera-updated-version/</link>
		<comments>http://operetta-research-center.org/gss-patience-presented-charles-court-opera-updated-version/#comments</comments>
		<pubDate>Thu, 25 Aug 2022 12:17:36 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[John Groves]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23769</guid>
		<description><![CDATA[<p>Charles Court Opera has been described as one of the leading and most versatile chamber music theatre companies in the</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/gss-patience-presented-charles-court-opera-updated-version/">G&#038;S’s “Patience” Presented by Charles Court Opera in an Updated Version</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/gss-patience-presented-charles-court-opera-updated-version/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Revisiting the Emily Soldene Biography. Or: the Postscripta of Publication</title>
		<link>http://operetta-research-center.org/revisiting-emily-soldene-biography-postscripta-publication/</link>
		<comments>http://operetta-research-center.org/revisiting-emily-soldene-biography-postscripta-publication/#comments</comments>
		<pubDate>Sun, 14 Aug 2022 08:45:43 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Emily Soldene]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23727</guid>
		<description><![CDATA[<p>When you have spent more than 20 years researching and writing a book, when you have lived and breathed the</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/revisiting-emily-soldene-biography-postscripta-publication/">Revisiting the Emily Soldene Biography. Or: the Postscripta of Publication</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/revisiting-emily-soldene-biography-postscripta-publication/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“The Grand Duke of Gerolstein”: A Milanese Byblow of the Grand Duchess</title>
		<link>http://operetta-research-center.org/grand-duke-gerolstein-byblow-grand-duchess/</link>
		<comments>http://operetta-research-center.org/grand-duke-gerolstein-byblow-grand-duchess/#comments</comments>
		<pubDate>Mon, 25 Jul 2022 14:43:44 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Hortense Schneider]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[kauf]]></category>
		<category><![CDATA[Laurence Senelick]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23697</guid>
		<description><![CDATA[<p>La Grande Duchesse de Gérolstein was, arguably, Offenbach’s first truly transglobal success. It benefitted from opening during the Exposition universelle</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/grand-duke-gerolstein-byblow-grand-duchess/">“The Grand Duke of Gerolstein”: A Milanese Byblow of the Grand Duchess</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>1</slash:comments>
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