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	<title>Operetta Research Center &#187; Racism</title>
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		<title>What’s The Use Of Rethinking “Der Zigeunerbaron” When Stefan Soltesz Delivers A Retro-Reading?</title>
		<link>http://operetta-research-center.org/rethinking-der-zigeunbaron-stefan-soltesz-conducts/</link>
		<comments>http://operetta-research-center.org/rethinking-der-zigeunbaron-stefan-soltesz-conducts/#comments</comments>
		<pubDate>Mon, 07 Jun 2021 12:29:25 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Racism]]></category>
		<category><![CDATA[Tobias Kratzer]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=22001</guid>
		<description><![CDATA[<p>With a delay of almost five months, the new production of Johann Strauss’ Der “Zigeuner“baron [sic] finally premiered at Komische</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/rethinking-der-zigeunbaron-stefan-soltesz-conducts/">What’s The Use Of Rethinking “Der Zigeunerbaron” When Stefan Soltesz Delivers A Retro-Reading?</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>How To Handle The Racism &amp; Sexism Of &#8220;Z*******&#8221;-Baron Today? A Conductor&#8217;s Response</title>
		<link>http://operetta-research-center.org/zigeunerbaron-racism-and-sexism-conversation-conductor-florian-ziemen/</link>
		<comments>http://operetta-research-center.org/zigeunerbaron-racism-and-sexism-conversation-conductor-florian-ziemen/#comments</comments>
		<pubDate>Tue, 16 Feb 2021 14:52:35 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Florian Ziemen]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Racism]]></category>
		<category><![CDATA[Tobias Kratzer]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21450</guid>
		<description><![CDATA[<p>Austrian author and feminist activist Marlene Streeruwitz spoke out against the patriotic “kitsch culture” in her homeland in an interview</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/zigeunerbaron-racism-and-sexism-conversation-conductor-florian-ziemen/">How To Handle The Racism &#038; Sexism Of &#8220;Z*******&#8221;-Baron Today? A Conductor&#8217;s Response</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/zigeunerbaron-racism-and-sexism-conversation-conductor-florian-ziemen/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>CHIN-CHIN, Or A Modern Aladdin Musical Fantasy (1914) With Music By Ivan Caryll</title>
		<link>http://operetta-research-center.org/chin-chin-modern-aladdin-musical-fantasy-music-ivan-caryll/</link>
		<comments>http://operetta-research-center.org/chin-chin-modern-aladdin-musical-fantasy-music-ivan-caryll/#comments</comments>
		<pubDate>Thu, 22 Oct 2020 08:07:19 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Ivan Caryll]]></category>
		<category><![CDATA[Racism]]></category>
		<category><![CDATA[Yellow Face]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20714</guid>
		<description><![CDATA[<p>An updated version of the Aladdin story, rewritten to feature the comedians Dave Montgomery and Fred Stone, Chin-Chin cast its</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/chin-chin-modern-aladdin-musical-fantasy-music-ivan-caryll/">CHIN-CHIN, Or A Modern Aladdin Musical Fantasy (1914) With Music By Ivan Caryll</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/chin-chin-modern-aladdin-musical-fantasy-music-ivan-caryll/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>“Swapping The Canon” To Dismantle Racism &amp; Hetero-Cis-Patriarchy? Proposals For Higher Education In The USA</title>
		<link>http://operetta-research-center.org/swapping-canon-ideological-debates-affecting-higher-eduation-usa/</link>
		<comments>http://operetta-research-center.org/swapping-canon-ideological-debates-affecting-higher-eduation-usa/#comments</comments>
		<pubDate>Wed, 21 Oct 2020 15:58:03 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Disney]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Evelin Förster]]></category>
		<category><![CDATA[Fred Raymond]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Nico Dostal]]></category>
		<category><![CDATA[Racism]]></category>
		<category><![CDATA[Ralph Benatzky]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20699</guid>
		<description><![CDATA[<p>There’s a lot happening in the world of theater right now, not just because of Corona and the ongoing lockdown</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/swapping-canon-ideological-debates-affecting-higher-eduation-usa/">“Swapping The Canon” To Dismantle Racism &#038; Hetero-Cis-Patriarchy? Proposals For Higher Education In The USA</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/swapping-canon-ideological-debates-affecting-higher-eduation-usa/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>How Is Our &#8220;Woke-Ass Culture&#8221; Dealing With The Supposed Racism Of &#8220;Zigeunerbaron&#8221;?</title>
		<link>http://operetta-research-center.org/woke-ass-culture-dealing-zigeunerbaron/</link>
		<comments>http://operetta-research-center.org/woke-ass-culture-dealing-zigeunerbaron/#comments</comments>
		<pubDate>Sun, 30 Aug 2020 10:29:42 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Weekly Column]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Racism]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20334</guid>
		<description><![CDATA[<p>There’s an increasingly firece discussion about supposed “racism” in operetta. Recently, a production of Franz Lehár’s Land des Lächelns at</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/woke-ass-culture-dealing-zigeunerbaron/">How Is Our &#8220;Woke-Ass Culture&#8221; Dealing With The Supposed Racism Of &#8220;Zigeunerbaron&#8221;?</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/woke-ass-culture-dealing-zigeunerbaron/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Colonialism &amp; Operetta. Or: What To Do With Leo Fall&#8217;s &#8220;Die Rose von Stambul&#8221;</title>
		<link>http://operetta-research-center.org/colonialism-operetta-leo-falls-die-rose-von-stambul/</link>
		<comments>http://operetta-research-center.org/colonialism-operetta-leo-falls-die-rose-von-stambul/#comments</comments>
		<pubDate>Sun, 19 Jan 2020 14:07:55 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Colonialism]]></category>
		<category><![CDATA[Franz von Suppé]]></category>
		<category><![CDATA[Frederic Norton]]></category>
		<category><![CDATA[Fritzi Massary]]></category>
		<category><![CDATA[Leo Fall]]></category>
		<category><![CDATA[Racism]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=18957</guid>
		<description><![CDATA[<p>At the end of March 2020, the Nationaltheater Weimar will host an international conference entitled “Musiktheater und Kolonialismus,” i.e. musical</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/colonialism-operetta-leo-falls-die-rose-von-stambul/">Colonialism &#038; Operetta. Or: What To Do With Leo Fall&#8217;s &#8220;Die Rose von Stambul&#8221;</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/colonialism-operetta-leo-falls-die-rose-von-stambul/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Offenbach&#8217;s &#8220;La Créole&#8221; And The Exhibition &#8220;Le Modèle Noir&#8221; At The Orsay Museum In Paris</title>
		<link>http://operetta-research-center.org/offenbachs-la-creole-exhibtion-le-modele-noir-orsay-museum-paris/</link>
		<comments>http://operetta-research-center.org/offenbachs-la-creole-exhibtion-le-modele-noir-orsay-museum-paris/#comments</comments>
		<pubDate>Sun, 28 Jul 2019 13:38:02 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Anna Judic]]></category>
		<category><![CDATA[Bouffes-Parisiens]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Josephine Baker]]></category>
		<category><![CDATA[Marie Geistinger]]></category>
		<category><![CDATA[Musée d'Orsay]]></category>
		<category><![CDATA[Racism]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=17916</guid>
		<description><![CDATA[<p>It is one of the more amazing developments of recent years that suddenly “entertainment” is included in major exhibitions dealing</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/offenbachs-la-creole-exhibtion-le-modele-noir-orsay-museum-paris/">Offenbach&#8217;s &#8220;La Créole&#8221; And The Exhibition &#8220;Le Modèle Noir&#8221; At The Orsay Museum In Paris</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/offenbachs-la-creole-exhibtion-le-modele-noir-orsay-museum-paris/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ethnic Exoticism &amp; Chinese Stereotypes. Or: Lehár&#8217;s “Das Land des Lächelns” At The Mörbisch Summer Festival 2019</title>
		<link>http://operetta-research-center.org/racism-chinese-stereotypes-das-land-des-lachelns-morbisch-summer-festival/</link>
		<comments>http://operetta-research-center.org/racism-chinese-stereotypes-das-land-des-lachelns-morbisch-summer-festival/#comments</comments>
		<pubDate>Mon, 15 Jul 2019 16:38:59 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Bad Ischl]]></category>
		<category><![CDATA[Baden bei Wien]]></category>
		<category><![CDATA[Derek B. Scott]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Harald Serafin]]></category>
		<category><![CDATA[John Rigby]]></category>
		<category><![CDATA[Mörbisch]]></category>
		<category><![CDATA[OEHMS Classics]]></category>
		<category><![CDATA[Ohio Light Opera]]></category>
		<category><![CDATA[Racism]]></category>
		<category><![CDATA[Richard Tauber]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=17871</guid>
		<description><![CDATA[<p>Bigger is not automatically better, some claim, and that’s especially true for operetta, or operetta festivals. So just because the</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/racism-chinese-stereotypes-das-land-des-lachelns-morbisch-summer-festival/">Ethnic Exoticism &#038; Chinese Stereotypes. Or: Lehár&#8217;s “Das Land des Lächelns” At The Mörbisch Summer Festival 2019</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/racism-chinese-stereotypes-das-land-des-lachelns-morbisch-summer-festival/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Offenbach&#8217;s &#8220;Black Venus&#8221;, Or: Examining &#8220;La Belle Hélène&#8221; As An Intersection Of Race And Operetta</title>
		<link>http://operetta-research-center.org/offenbachs-black-venus-belle-helene-intersection-race-operetta/</link>
		<comments>http://operetta-research-center.org/offenbachs-black-venus-belle-helene-intersection-race-operetta/#comments</comments>
		<pubDate>Thu, 20 Dec 2018 11:39:53 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[Bonnie Gordon]]></category>
		<category><![CDATA[Gender Studies]]></category>
		<category><![CDATA[Heiko Schon]]></category>
		<category><![CDATA[Hortense Schneider]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Jessye Norman]]></category>
		<category><![CDATA[Racism]]></category>
		<category><![CDATA[Ralf-Olivier Schwarz]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=16404</guid>
		<description><![CDATA[<p>Sometimes you read an operetta essay that deeply disturbs you – not because it is badly written or full of</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/offenbachs-black-venus-belle-helene-intersection-race-operetta/">Offenbach&#8217;s &#8220;Black Venus&#8221;, Or: Examining &#8220;La Belle Hélène&#8221; As An Intersection Of Race And Operetta</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/offenbachs-black-venus-belle-helene-intersection-race-operetta/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Operetta and Modernity: A New Book By Ethel Matala de Mazza</title>
		<link>http://operetta-research-center.org/operetta-modernity-new-book-ethel-matala-de-mazza/</link>
		<comments>http://operetta-research-center.org/operetta-modernity-new-book-ethel-matala-de-mazza/#comments</comments>
		<pubDate>Tue, 20 Nov 2018 11:17:17 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Ethel Matala de Mazza]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Gender Studies]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Racism]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=16226</guid>
		<description><![CDATA[<p>When I first heard of this book I got really excited: the famous S. Fischer publishing house would release a</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/operetta-modernity-new-book-ethel-matala-de-mazza/">Operetta and Modernity: A New Book By Ethel Matala de Mazza</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/operetta-modernity-new-book-ethel-matala-de-mazza/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Racism In Operetta? An Overdue Debate About &#8220;Land des Lächelns&#8221; &amp; Co.</title>
		<link>http://operetta-research-center.org/racism-operetta-debate-land-des-lachelns/</link>
		<comments>http://operetta-research-center.org/racism-operetta-debate-land-des-lachelns/#comments</comments>
		<pubDate>Wed, 10 Oct 2018 09:54:43 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Bad Ischl]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Ohio Light Opera]]></category>
		<category><![CDATA[Oper Wuppertal]]></category>
		<category><![CDATA[Oper Zürich]]></category>
		<category><![CDATA[Opera Canada]]></category>
		<category><![CDATA[Piotr Beczala]]></category>
		<category><![CDATA[Racism]]></category>
		<category><![CDATA[Richard Traubner]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=15979</guid>
		<description><![CDATA[<p>Recently, a review of a new Land des Lächelns production by Guy Montavon at Oper Wuppertal sparked a debate about</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/racism-operetta-debate-land-des-lachelns/">Racism In Operetta? An Overdue Debate About &#8220;Land des Lächelns&#8221; &#038; Co.</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/racism-operetta-debate-land-des-lachelns/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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