Operetta Research Center » The Riviera Girl http://operetta-research-center.org The #1 Archive for Musical Theater Sat, 21 Mar 2026 17:23:50 +0000 en-US hourly 1 https://wordpress.org/?v=3.9.40 “The Csárdás Princess” In London: The World-Tour Continues http://operetta-research-center.org/csardas-princess-london-world-tour-continues/ http://operetta-research-center.org/csardas-princess-london-world-tour-continues/#comments Mon, 28 Nov 2016 09:57:07 +0000 http://operetta-research-center.org/?p=11336 Over 100 years after its world-premiere, Emmerich Kálmán’s The Csárdás Princess comes to London once more on 28 November 2016.

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]]> http://operetta-research-center.org/csardas-princess-london-world-tour-continues/feed/ 0 “Csardasfürstin” Conference in Budapest http://operetta-research-center.org/csardasfurstin-conference-budapest/ http://operetta-research-center.org/csardasfurstin-conference-budapest/#comments Sun, 25 Oct 2015 11:57:25 +0000 http://operetta-research-center.org/?p=8387 This week-end, the Budapest Operetta Theatre is hosting a conference on Die Csardasfürstin, to celebrate the 100th anniversary of that

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]]> http://operetta-research-center.org/csardasfurstin-conference-budapest/feed/ 0 “The Riviera Girl”: Kálmán on Broadway 1917 http://operetta-research-center.org/riviera-girl-kalman-broadway-1917/ http://operetta-research-center.org/riviera-girl-kalman-broadway-1917/#comments Sun, 13 Sep 2015 09:00:55 +0000 http://operetta-research-center.org/?p=8077 Emmerich Kálmán’s Csardasfürstin opened on Broadway, at the New Amsterdam Theater, on 24 September 1917 under the new American title

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]]> http://operetta-research-center.org/riviera-girl-kalman-broadway-1917/feed/ 1 Emmerich Kálmán’s “Die Csárdásfürstin”: A Historic Overview http://operetta-research-center.org/emmerich-kalmans-die-csardasfurstin-historic-overview/ http://operetta-research-center.org/emmerich-kalmans-die-csardasfurstin-historic-overview/#comments Sat, 05 Sep 2015 10:30:10 +0000 http://operetta-research-center.org/?p=8011 One of the most successful, and certainly the most widely enduring of Kálmán’s operettas, Die Csárdásfürstin was nevertheless composed to

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