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	<title>Operetta Research Center &#187; Theater an der Wien</title>
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		<title>Pure Viagra: Pablo Luna’s “Benamor” Triumphs at Theater an der Wien</title>
		<link>http://operetta-research-center.org/real-queerness-pablo-lunas-benamor-triumphs-theater-der-wien/</link>
		<comments>http://operetta-research-center.org/real-queerness-pablo-lunas-benamor-triumphs-theater-der-wien/#comments</comments>
		<pubDate>Thu, 29 Jan 2026 15:42:04 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Cross Dressing]]></category>
		<category><![CDATA[Enrique Mejías García]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Roland Dippel]]></category>
		<category><![CDATA[Theater an der Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25818</guid>
		<description><![CDATA[<p>Like Berlin, Madrid in the Golden Twenties was a hotspot of nightlife and a queer mecca. On the evening of</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/real-queerness-pablo-lunas-benamor-triumphs-theater-der-wien/">Pure Viagra: Pablo Luna’s “Benamor” Triumphs at Theater an der Wien</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/real-queerness-pablo-lunas-benamor-triumphs-theater-der-wien/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The International Success of Johann Strauss’ “Das Spitzentuch der Königin“ (1880)</title>
		<link>http://operetta-research-center.org/johann-strauss-das-spitzentuch-der-konigin-1880/</link>
		<comments>http://operetta-research-center.org/johann-strauss-das-spitzentuch-der-konigin-1880/#comments</comments>
		<pubDate>Tue, 21 Jan 2025 10:46:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Richard Genée]]></category>
		<category><![CDATA[Staatsoperette Dresden]]></category>
		<category><![CDATA[Theater an der Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25481</guid>
		<description><![CDATA[<p>Following the notable success of Die Fledermaus, Johann Strauss had fared less well with Cagliostro in Wien and Prinz Methusalem</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/johann-strauss-das-spitzentuch-der-konigin-1880/">The International Success of Johann Strauss’ “Das Spitzentuch der Königin“ (1880)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/johann-strauss-das-spitzentuch-der-konigin-1880/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Bernsteins &#8220;Candide“ im Musiktheater an der Wien</title>
		<link>http://operetta-research-center.org/bernsteins-candide-musiktheater-an-der-wien/</link>
		<comments>http://operetta-research-center.org/bernsteins-candide-musiktheater-an-der-wien/#comments</comments>
		<pubDate>Tue, 06 Feb 2024 15:47:46 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Gärtnerplatz Theater]]></category>
		<category><![CDATA[Leonard Bernstein]]></category>
		<category><![CDATA[Stefan Herheim]]></category>
		<category><![CDATA[Theater an der Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25022</guid>
		<description><![CDATA[<p>Zu Beginn seiner Amtszeit hatte der neue Intendant des Musiktheaters an der Wien, Stefan Herheim, programmatisch verkündet, dass er jedes</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/bernsteins-candide-musiktheater-an-der-wien/">Bernsteins &#8220;Candide“ im Musiktheater an der Wien</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/bernsteins-candide-musiktheater-an-der-wien/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Aus Perspektive eines Operettennostalgikers: „Rebecca“ und „Glöckner“ in Wien</title>
		<link>http://operetta-research-center.org/rebecca-und-der-glockner-von-notre-dame-in-wien-aus-operettenperspektive/</link>
		<comments>http://operetta-research-center.org/rebecca-und-der-glockner-von-notre-dame-in-wien-aus-operettenperspektive/#comments</comments>
		<pubDate>Tue, 07 Feb 2023 10:31:25 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Baden bei Wien]]></category>
		<category><![CDATA[Mörbisch]]></category>
		<category><![CDATA[Theater an der Wien]]></category>
		<category><![CDATA[Volksoper Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24231</guid>
		<description><![CDATA[<p>Operettenfreunde in Österreich haben derzeit einen schweren Stand. Im sogenannten „Mekka der Operette“ in Mörbisch wird, seit Altbeau Alfons Haider</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/rebecca-und-der-glockner-von-notre-dame-in-wien-aus-operettenperspektive/">Aus Perspektive eines Operettennostalgikers: „Rebecca“ und „Glöckner“ in Wien</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/rebecca-und-der-glockner-von-notre-dame-in-wien-aus-operettenperspektive/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Zwei Offenbach-Premieren in Wien: &#8220;Orpheus in der Unterwelt&#8221; und &#8220;La Périchole&#8221;</title>
		<link>http://operetta-research-center.org/offenbach-premieren-wien-der-unterwelt-und-peru/</link>
		<comments>http://operetta-research-center.org/offenbach-premieren-wien-der-unterwelt-und-peru/#comments</comments>
		<pubDate>Fri, 03 Feb 2023 17:07:51 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Lotte de Beer]]></category>
		<category><![CDATA[Opéra-bouffe]]></category>
		<category><![CDATA[Theater an der Wien]]></category>
		<category><![CDATA[Volksoper Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24220</guid>
		<description><![CDATA[<p>Wien war einst Jacques Offenbachs „zweites Paris“. 89 seiner Werke wurden hier aufgeführt, einige davon sogar uraufgeführt. Diese Tradition (ja</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/offenbach-premieren-wien-der-unterwelt-und-peru/">Zwei Offenbach-Premieren in Wien: &#8220;Orpheus in der Unterwelt&#8221; und &#8220;La Périchole&#8221;</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/offenbach-premieren-wien-der-unterwelt-und-peru/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“Nanon, die Wirtin vom Goldenen Lamm“: Richard Genée‘s 1877 Hit Revisited</title>
		<link>http://operetta-research-center.org/nanon-richard-genee-1877/</link>
		<comments>http://operetta-research-center.org/nanon-richard-genee-1877/#comments</comments>
		<pubDate>Sun, 07 Nov 2021 10:06:38 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Hubert Marischka]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Richard Genée]]></category>
		<category><![CDATA[Theater an der Wien]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=22922</guid>
		<description><![CDATA[<p>This operette in 3 acts by F Zell is based on the comédie-vaudeville Nanon, Ninon et Madame de Maintenon by</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/nanon-richard-genee-1877/">“Nanon, die Wirtin vom Goldenen Lamm“: Richard Genée‘s 1877 Hit Revisited</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/nanon-richard-genee-1877/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>“I Would Like To See More Women Writing About Operetta”: Micaela Baranello Discusses Her Book “The Operetta Empire”</title>
		<link>http://operetta-research-center.org/micaela-baranello-discusses-new-book-operetta-empire/</link>
		<comments>http://operetta-research-center.org/micaela-baranello-discusses-new-book-operetta-empire/#comments</comments>
		<pubDate>Sat, 29 May 2021 09:25:35 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Gender Studies]]></category>
		<category><![CDATA[Jonas Kaufmann]]></category>
		<category><![CDATA[Leo Fall]]></category>
		<category><![CDATA[Piotr Beczala]]></category>
		<category><![CDATA[Richard Tauber]]></category>
		<category><![CDATA[Richard Traubner]]></category>
		<category><![CDATA[Theater an der Wien]]></category>
		<category><![CDATA[Volker Klotz]]></category>
		<category><![CDATA[Volksoper Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21918</guid>
		<description><![CDATA[<p>The US-American musicologist Micaela Baranello joined the Department of Music at the University of Arkansas in 2017 and has recently</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/micaela-baranello-discusses-new-book-operetta-empire/">“I Would Like To See More Women Writing About Operetta”: Micaela Baranello Discusses Her Book “The Operetta Empire”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/micaela-baranello-discusses-new-book-operetta-empire/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>The Royal Voice of Betty Fischer On Truesound Transfers</title>
		<link>http://operetta-research-center.org/royal-voice-betty-fischer-truesound-transfers/</link>
		<comments>http://operetta-research-center.org/royal-voice-betty-fischer-truesound-transfers/#comments</comments>
		<pubDate>Thu, 11 Jun 2020 16:42:35 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Erich Wolfgang Korngold]]></category>
		<category><![CDATA[Hubert Marischka]]></category>
		<category><![CDATA[Oscar Straus]]></category>
		<category><![CDATA[Ralph Benatzky]]></category>
		<category><![CDATA[Robert Stolz]]></category>
		<category><![CDATA[Theater an der Wien]]></category>
		<category><![CDATA[Theatermuseum Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=19756</guid>
		<description><![CDATA[<p>In 1924 Betty Fischer created one of the greatest operetta roles of the 20th century: Gräfin Mariza in Emmerich Kálmán’s</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/royal-voice-betty-fischer-truesound-transfers/">The Royal Voice of Betty Fischer On Truesound Transfers</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/royal-voice-betty-fischer-truesound-transfers/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Remembering Will Marion Cook, Composer Of &#8220;In Dahomey&#8221; And The Cakewalk</title>
		<link>http://operetta-research-center.org/remembering-will-marion-cook-composer-dahomey-cakewalk/</link>
		<comments>http://operetta-research-center.org/remembering-will-marion-cook-composer-dahomey-cakewalk/#comments</comments>
		<pubDate>Thu, 11 Jun 2020 12:00:34 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Theater an der Wien]]></category>
		<category><![CDATA[West End]]></category>
		<category><![CDATA[Will Marion Cook]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=19744</guid>
		<description><![CDATA[<p>Will Marion Cook was born in Washington, DC, on 27 January, 1869. The son of a well-off and well-educated family,</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/remembering-will-marion-cook-composer-dahomey-cakewalk/">Remembering Will Marion Cook, Composer Of &#8220;In Dahomey&#8221; And The Cakewalk</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/remembering-will-marion-cook-composer-dahomey-cakewalk/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Listening To The Berlin Recordings Of Josef Josephi. Or: The &#8220;Elitekorps der Operette&#8221;</title>
		<link>http://operetta-research-center.org/josef-josephi-berlin-recordings-truesound-transfers/</link>
		<comments>http://operetta-research-center.org/josef-josephi-berlin-recordings-truesound-transfers/#comments</comments>
		<pubDate>Sat, 23 May 2020 10:29:56 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Carl Millöcker]]></category>
		<category><![CDATA[Franz von Suppé]]></category>
		<category><![CDATA[Fritzi Massary]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Metropol Theater]]></category>
		<category><![CDATA[Theater an der Wien]]></category>
		<category><![CDATA[Truesoundtranfers]]></category>
		<category><![CDATA[Victor Hollaender]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=19635</guid>
		<description><![CDATA[<p>I’ve been on a bit of a Truesound Transfers trip these past few days. You know, that small Berlin based</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/josef-josephi-berlin-recordings-truesound-transfers/">Listening To The Berlin Recordings Of Josef Josephi. Or: The &#8220;Elitekorps der Operette&#8221;</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/josef-josephi-berlin-recordings-truesound-transfers/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>World-Premiere Recording of Strauss&#8217; &#8220;Blindekuh&#8221; (1878) On Naxos</title>
		<link>http://operetta-research-center.org/world-premiere-recording-strauss-blindekuh-1878/</link>
		<comments>http://operetta-research-center.org/world-premiere-recording-strauss-blindekuh-1878/#comments</comments>
		<pubDate>Tue, 31 Mar 2020 15:28:34 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Dario Salvi]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Theater an der Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=19356</guid>
		<description><![CDATA[<p>When it comes to Naxos and operetta, and Johann Strauss shows in particular, the famous budget label has a rather</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/world-premiere-recording-strauss-blindekuh-1878/">World-Premiere Recording of Strauss&#8217; &#8220;Blindekuh&#8221; (1878) On Naxos</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/world-premiere-recording-strauss-blindekuh-1878/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>World Premiere Recording Of Johann Strauss&#8217; &#8220;Blindekuh&#8221; On Naxos</title>
		<link>http://operetta-research-center.org/world-premiere-recording-johann-strauss-blindekuh-naxos/</link>
		<comments>http://operetta-research-center.org/world-premiere-recording-johann-strauss-blindekuh-naxos/#comments</comments>
		<pubDate>Sat, 01 Feb 2020 06:28:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Dario Salvi]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Theater an der Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=18928</guid>
		<description><![CDATA[<p>As part of their Johann Strauss “rediscovery series” the label Naxos is releasing the 1878 operetta Blindekuh which premiered at</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/world-premiere-recording-johann-strauss-blindekuh-naxos/">World Premiere Recording Of Johann Strauss&#8217; &#8220;Blindekuh&#8221; On Naxos</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/world-premiere-recording-johann-strauss-blindekuh-naxos/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
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