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	<title>Operetta Research Center &#187; Burlesque</title>
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		<title>Why oh why oh why oh! Burleycue in Ohio: &#8220;The Bandbox Revue&#8221; Of 1922</title>
		<link>http://operetta-research-center.org/oh-oh-oh-burleycue-ohio/</link>
		<comments>http://operetta-research-center.org/oh-oh-oh-burleycue-ohio/#comments</comments>
		<pubDate>Thu, 26 Nov 2020 14:31:34 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Weekly Column]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Revue Operetta]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20889</guid>
		<description><![CDATA[<p>This picture looked to me like a rather nice American girlie entertainment from the Twenties. Wonder what it is, thought</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/oh-oh-oh-burleycue-ohio/">Why oh why oh why oh! Burleycue in Ohio: &#8220;The Bandbox Revue&#8221; Of 1922</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Legendary American Burlesque: “Evangeline” (1874), Beautiful Country Girls &amp; A Dancing Heifer</title>
		<link>http://operetta-research-center.org/legendary-american-burlesque-evangeline-1874/</link>
		<comments>http://operetta-research-center.org/legendary-american-burlesque-evangeline-1874/#comments</comments>
		<pubDate>Sat, 03 Oct 2020 09:40:31 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Henry E. Dixey]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Lydia Thompson]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20636</guid>
		<description><![CDATA[<p>A burlesque of Longfellow’s poem of the same name, the extravaganza Evangeline followed the trials and tribulations of its heroine</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/legendary-american-burlesque-evangeline-1874/">A Legendary American Burlesque: “Evangeline” (1874), Beautiful Country Girls &#038; A Dancing Heifer</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Revival Of Burlesque In Times Of Gender Debates: &#8220;Die 5 Glorreichen Sieben&#8221;</title>
		<link>http://operetta-research-center.org/burlesque-die-5-glorreichen-sieben/</link>
		<comments>http://operetta-research-center.org/burlesque-die-5-glorreichen-sieben/#comments</comments>
		<pubDate>Sun, 29 Sep 2019 11:27:56 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Bar jeder Vernunft]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Cross Dressing]]></category>
		<category><![CDATA[Gender Studies]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=18449</guid>
		<description><![CDATA[<p>They are certainly five magnificent cowboys, but with a twist. The fact that they dance an Offenbach pas de deux</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/burlesque-die-5-glorreichen-sieben/">The Revival Of Burlesque In Times Of Gender Debates: &#8220;Die 5 Glorreichen Sieben&#8221;</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/burlesque-die-5-glorreichen-sieben/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>F. C. Burnand&#8217;s &#8220;Ixion&#8221;: The Original British Burlesque Hit Of 1863</title>
		<link>http://operetta-research-center.org/ixion-burlesque-hit-1863/</link>
		<comments>http://operetta-research-center.org/ixion-burlesque-hit-1863/#comments</comments>
		<pubDate>Fri, 27 Sep 2019 09:08:44 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Francis Burnand]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Lydia Thompson]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=18398</guid>
		<description><![CDATA[<p>I first came seriously in contact with F. C. Burnand’s burlesque, Ixion, when working on my biography of burlesque megastar,</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/ixion-burlesque-hit-1863/">F. C. Burnand&#8217;s &#8220;Ixion&#8221;: The Original British Burlesque Hit Of 1863</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Amy Sheridan: Royal Milkmaid, Queen Of Burlesque, And Concubine</title>
		<link>http://operetta-research-center.org/amy-sheridan-royal-milkmaid-queen-burlesque-concubine/</link>
		<comments>http://operetta-research-center.org/amy-sheridan-royal-milkmaid-queen-burlesque-concubine/#comments</comments>
		<pubDate>Sat, 28 Jul 2018 09:13:41 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[Amy Sheridan]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Emily Soldene]]></category>
		<category><![CDATA[Gender Studies]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=15309</guid>
		<description><![CDATA[<p>Amy Sheridan was something of a phenomenon. When she died, in 1878, at a Brighton boarding house, aged 39, of</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/amy-sheridan-royal-milkmaid-queen-burlesque-concubine/">Amy Sheridan: Royal Milkmaid, Queen Of Burlesque, And Concubine</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/amy-sheridan-royal-milkmaid-queen-burlesque-concubine/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>George W. Chadwick’s Burlesque Opera &#8220;Tabasco&#8221; Shakes Up New Orleans</title>
		<link>http://operetta-research-center.org/chadwicks-tabasco-shakes-new-orleans/</link>
		<comments>http://operetta-research-center.org/chadwicks-tabasco-shakes-new-orleans/#comments</comments>
		<pubDate>Wed, 10 Jan 2018 09:35:04 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[George W. Chadwick]]></category>
		<category><![CDATA[Steven Ledbetter]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=13961</guid>
		<description><![CDATA[<p>A fortunate series of simultaneous anniversaries—the 300th of the founding of New Orleans, the 75th of the New Orleans Opera,</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/chadwicks-tabasco-shakes-new-orleans/">George W. Chadwick’s Burlesque Opera &#8220;Tabasco&#8221; Shakes Up New Orleans</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/chadwicks-tabasco-shakes-new-orleans/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Bring On The (1860s) Dancing Girls</title>
		<link>http://operetta-research-center.org/bring-1860s-dancing-girls/</link>
		<comments>http://operetta-research-center.org/bring-1860s-dancing-girls/#comments</comments>
		<pubDate>Sun, 10 Sep 2017 10:29:28 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Weekly Column]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[The Black Crook]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=12982</guid>
		<description><![CDATA[<p>Today I got led (via my blonde burlesque ladies) into the world of the ‘spectacular theatre’. You know, those shows</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/bring-1860s-dancing-girls/">Bring On The (1860s) Dancing Girls</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/bring-1860s-dancing-girls/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The History Of A Burlesque Blonde: Belle Land</title>
		<link>http://operetta-research-center.org/history-burlesque-blonde-belle-land/</link>
		<comments>http://operetta-research-center.org/history-burlesque-blonde-belle-land/#comments</comments>
		<pubDate>Sat, 01 Jul 2017 20:38:22 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Weekly Column]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Lydia Thompson]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=12707</guid>
		<description><![CDATA[<p>Last night, I was researching in ancient texts, trying to track down the history of a burlesque blonde who went</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/history-burlesque-blonde-belle-land/">The History Of A Burlesque Blonde: Belle Land</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/history-burlesque-blonde-belle-land/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Girls With No Clothes To Speak Of”: Broadway-Operetta Then And Now</title>
		<link>http://operetta-research-center.org/girls-clothes-speak-operetta-broadway-now/</link>
		<comments>http://operetta-research-center.org/girls-clothes-speak-operetta-broadway-now/#comments</comments>
		<pubDate>Tue, 02 Jun 2015 00:13:30 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Florenz Ziegfeld]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Musical Comedy]]></category>
		<category><![CDATA[Richard C. Norton]]></category>
		<category><![CDATA[Rudolf Friml]]></category>
		<category><![CDATA[Sigmund Romberg]]></category>
		<category><![CDATA[Vaudeville]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=7117</guid>
		<description><![CDATA[<p>There is a renewed interest in operetta internationally, not just the French and Austrian variety of the genre, but also</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/girls-clothes-speak-operetta-broadway-now/">&#8220;Girls With No Clothes To Speak Of”: Broadway-Operetta Then And Now</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/girls-clothes-speak-operetta-broadway-now/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lydia Thompson, the &#8220;Father of All Drag Kings&#8221;?</title>
		<link>http://operetta-research-center.org/lydia-thompson-father-drag-kings/</link>
		<comments>http://operetta-research-center.org/lydia-thompson-father-drag-kings/#comments</comments>
		<pubDate>Tue, 26 Aug 2014 05:59:21 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Cross Dressing]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Lydia Thompson]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=3914</guid>
		<description><![CDATA[<p>Lydia Thompson [Eliza Hodges Thompson] is one of the theatre&#8217;s ‘legends’, and as in the case of other such legendary</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/lydia-thompson-father-drag-kings/">Lydia Thompson, the &#8220;Father of All Drag Kings&#8221;?</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Another Rainbow Over Berlin?</title>
		<link>http://operetta-research-center.org/rainbow-berlin/</link>
		<comments>http://operetta-research-center.org/rainbow-berlin/#comments</comments>
		<pubDate>Mon, 18 Aug 2014 10:01:20 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[The Situation after 1945]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Wintergarten Varieté]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=3775</guid>
		<description><![CDATA[<p>We have been talking about burlesque and boylesque a lot here, lately. But have you ever heard of “Berlinesque”? And,</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/rainbow-berlin/">Another Rainbow Over Berlin?</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/rainbow-berlin/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Mr. Burlesque Himself: William B. Gill</title>
		<link>http://operetta-research-center.org/mr-burlesque-william-b-gill/</link>
		<comments>http://operetta-research-center.org/mr-burlesque-william-b-gill/#comments</comments>
		<pubDate>Sat, 16 Aug 2014 11:14:36 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Henry E. Dixey]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[William B. Gill]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=3747</guid>
		<description><![CDATA[<p>Australia’s most successful ever international manufacturer of musical plays was born Trinity Bay, Newfoundland, Canada 10 May 1842. The grandson of</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/mr-burlesque-william-b-gill/">Mr. Burlesque Himself: William B. Gill</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
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