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	<title>Operetta Research Center &#187; Johann Strauss</title>
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		<title>Johann Strauss II’s “Waldmeister”: A Quirky Comedy of Errors Live</title>
		<link>http://operetta-research-center.org/cpo-johann-strauss-ii-waldmeister-gartnerplatztheater-munchen-cd-live/</link>
		<comments>http://operetta-research-center.org/cpo-johann-strauss-ii-waldmeister-gartnerplatztheater-munchen-cd-live/#comments</comments>
		<pubDate>Sun, 23 Nov 2025 13:26:53 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[CPO]]></category>
		<category><![CDATA[Dario Salvi]]></category>
		<category><![CDATA[Gärtnerplatz Theater]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Josef E. Köpplinger]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25692</guid>
		<description><![CDATA[<p>The world—including the music world—celebrates Johann Strauss II’s 200th birthday in 2025. Exhibitions, new books such as the crime novel</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/cpo-johann-strauss-ii-waldmeister-gartnerplatztheater-munchen-cd-live/">Johann Strauss II’s “Waldmeister”: A Quirky Comedy of Errors Live</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>From Blue Danube to Rainbow Waltz: Yannick Nézet‑Séguin Leads Vienna’s New Year’s Concert</title>
		<link>http://operetta-research-center.org/yannick-nezet%e2%80%91seguin-neujahrskonzert-2026-rainbow-waltz/</link>
		<comments>http://operetta-research-center.org/yannick-nezet%e2%80%91seguin-neujahrskonzert-2026-rainbow-waltz/#comments</comments>
		<pubDate>Fri, 31 Oct 2025 12:08:43 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Franz von Suppé]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Josef Strauss]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25784</guid>
		<description><![CDATA[<p>It is not unfair to say that the Vienna New Year’s Concert, performed by the Vienna Philharmonic, has become something</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/yannick-nezet%e2%80%91seguin-neujahrskonzert-2026-rainbow-waltz/">From Blue Danube to Rainbow Waltz: Yannick Nézet‑Séguin Leads Vienna’s New Year’s Concert</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/yannick-nezet%e2%80%91seguin-neujahrskonzert-2026-rainbow-waltz/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Strauss in Sneakers: “Aschenbrödel&#8221; Steps Into the 21st Century</title>
		<link>http://operetta-research-center.org/strauss-aschenbrodels-traum-volksoper-ranisch-eisenreich-operette-queer/</link>
		<comments>http://operetta-research-center.org/strauss-aschenbrodels-traum-volksoper-ranisch-eisenreich-operette-queer/#comments</comments>
		<pubDate>Mon, 29 Sep 2025 09:41:00 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Axel Ranisch]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Vienna]]></category>
		<category><![CDATA[Volksoper Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25708</guid>
		<description><![CDATA[<p>It seems there is Aschenbrödel everywhere these days. The Landestheater Coburg is offering the 1901 “completed new version by Josef</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/strauss-aschenbrodels-traum-volksoper-ranisch-eisenreich-operette-queer/">Strauss in Sneakers: “Aschenbrödel&#8221; Steps Into the 21st Century</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/strauss-aschenbrodels-traum-volksoper-ranisch-eisenreich-operette-queer/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>The International Success of Johann Strauss’ “Das Spitzentuch der Königin“ (1880)</title>
		<link>http://operetta-research-center.org/johann-strauss-das-spitzentuch-der-konigin-1880/</link>
		<comments>http://operetta-research-center.org/johann-strauss-das-spitzentuch-der-konigin-1880/#comments</comments>
		<pubDate>Tue, 21 Jan 2025 10:46:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Richard Genée]]></category>
		<category><![CDATA[Staatsoperette Dresden]]></category>
		<category><![CDATA[Theater an der Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25481</guid>
		<description><![CDATA[<p>Following the notable success of Die Fledermaus, Johann Strauss had fared less well with Cagliostro in Wien and Prinz Methusalem</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/johann-strauss-das-spitzentuch-der-konigin-1880/">The International Success of Johann Strauss’ “Das Spitzentuch der Königin“ (1880)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/johann-strauss-das-spitzentuch-der-konigin-1880/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>“For the Drama”: Strauss’ “Fledermaus” as Real-Life-Fiction on TV</title>
		<link>http://operetta-research-center.org/drama-strauss-fledermaus-real-life-fiction-german-tv/</link>
		<comments>http://operetta-research-center.org/drama-strauss-fledermaus-real-life-fiction-german-tv/#comments</comments>
		<pubDate>Mon, 24 Jun 2024 12:56:45 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On Screen]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Diana Damrau]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Queer Studies]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25116</guid>
		<description><![CDATA[<p>This 3-part German mini-series called For the Drama is remarkable in many ways. It tells the story of two singers</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/drama-strauss-fledermaus-real-life-fiction-german-tv/">“For the Drama”: Strauss’ “Fledermaus” as Real-Life-Fiction on TV</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/drama-strauss-fledermaus-real-life-fiction-german-tv/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Berlin’s “Theater des Volkes”: The Dark Side of Germany’s Entertainment Industry</title>
		<link>http://operetta-research-center.org/theater-des-volkes-berlin-history-new-book-sabine-schneller-guido-herrmann/</link>
		<comments>http://operetta-research-center.org/theater-des-volkes-berlin-history-new-book-sabine-schneller-guido-herrmann/#comments</comments>
		<pubDate>Sun, 01 Jan 2023 16:56:58 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Franz von Suppé]]></category>
		<category><![CDATA[Jazz Operetta]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Paul Lincke]]></category>
		<category><![CDATA[Revue Operetta]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24370</guid>
		<description><![CDATA[<p>The history of Berliner Großes Schauspielhaus – birthplace of the great 1920s Eric Charell revues and especially of Im weißen</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/theater-des-volkes-berlin-history-new-book-sabine-schneller-guido-herrmann/">Berlin’s “Theater des Volkes”: The Dark Side of Germany’s Entertainment Industry</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/theater-des-volkes-berlin-history-new-book-sabine-schneller-guido-herrmann/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>75 Years of Setting Operetta Standards: The Komische Oper Jubilee</title>
		<link>http://operetta-research-center.org/75-years-komische-oper-jubilee/</link>
		<comments>http://operetta-research-center.org/75-years-komische-oper-jubilee/#comments</comments>
		<pubDate>Sat, 24 Dec 2022 11:08:20 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Dagmar Manzel]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Max Hopp]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24145</guid>
		<description><![CDATA[<p>When the Komische Oper opened its doors on 23 December 1947 – in the Soviet controlled section of Berlin –</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/75-years-komische-oper-jubilee/">75 Years of Setting Operetta Standards: The Komische Oper Jubilee</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/75-years-komische-oper-jubilee/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>First Full Recording of Suppé’s “Reise um die Erde in 80 Tagen“ on Naxos</title>
		<link>http://operetta-research-center.org/suppe-dario-salvi-reise-um-die-erde-80-tagen-naxos/</link>
		<comments>http://operetta-research-center.org/suppe-dario-salvi-reise-um-die-erde-80-tagen-naxos/#comments</comments>
		<pubDate>Sun, 25 Sep 2022 16:01:46 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Dario Salvi]]></category>
		<category><![CDATA[Franz von Suppé]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23821</guid>
		<description><![CDATA[<p>In recent years we have seen a splendid series of recordings brought forth &#8211; in England, France, Italy &#8211; of</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/suppe-dario-salvi-reise-um-die-erde-80-tagen-naxos/">First Full Recording of Suppé’s “Reise um die Erde in 80 Tagen“ on Naxos</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/suppe-dario-salvi-reise-um-die-erde-80-tagen-naxos/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>&#8220;Indigo und die 40 Räuber“: Gratuitous Nudity at Amtshaus Hietzing?</title>
		<link>http://operetta-research-center.org/indigo-und-die-40-rauber-strauss-amtshaus-hietzing/</link>
		<comments>http://operetta-research-center.org/indigo-und-die-40-rauber-strauss-amtshaus-hietzing/#comments</comments>
		<pubDate>Fri, 26 Aug 2022 13:55:17 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Uncategorized]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Marie Geistinger]]></category>
		<category><![CDATA[Richard Genée]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23832</guid>
		<description><![CDATA[<p>When Johann Strauss presented his first operetta Indigo und die 40 Räuber in 1871 – as a Thousand-and-One-Nights-spectacle written with</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/indigo-und-die-40-rauber-strauss-amtshaus-hietzing/">&#8220;Indigo und die 40 Räuber“: Gratuitous Nudity at Amtshaus Hietzing?</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/indigo-und-die-40-rauber-strauss-amtshaus-hietzing/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Homage to Carl Michael Ziehrer: The Vienna Philharmonic New Year’s Concert 2022</title>
		<link>http://operetta-research-center.org/homage-carl-michael-ziehrer-vienna-philharmonic-new-years-concert-2022/</link>
		<comments>http://operetta-research-center.org/homage-carl-michael-ziehrer-vienna-philharmonic-new-years-concert-2022/#comments</comments>
		<pubDate>Tue, 28 Dec 2021 11:33:52 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On Screen]]></category>
		<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Carl Michael Ziehrer]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Vienna]]></category>
		<category><![CDATA[Wiener Philharmoniker]]></category>
		<category><![CDATA[Willi Forst]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23148</guid>
		<description><![CDATA[<p>It’s only a few days now, and the Vienna Philharmonic Orchestra will be at their exercise again. Their 1 January</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/homage-carl-michael-ziehrer-vienna-philharmonic-new-years-concert-2022/">Homage to Carl Michael Ziehrer: The Vienna Philharmonic New Year’s Concert 2022</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/homage-carl-michael-ziehrer-vienna-philharmonic-new-years-concert-2022/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>“Le Photographe” By Meilhac &amp; Halévy: The Template for “La Vie Parisienne”?</title>
		<link>http://operetta-research-center.org/le-photographe-meilhac-halevy-template-la-vie-parisienne/</link>
		<comments>http://operetta-research-center.org/le-photographe-meilhac-halevy-template-la-vie-parisienne/#comments</comments>
		<pubDate>Tue, 07 Dec 2021 18:53:56 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Palazzetto Bru Zane]]></category>
		<category><![CDATA[Richard Genée]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23178</guid>
		<description><![CDATA[<p>In the latest newsletter of the Jacques Offenbach Society (No. 98), there is a reprint of the full Meilhac &#38;</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/le-photographe-meilhac-halevy-template-la-vie-parisienne/">“Le Photographe” By Meilhac &#038; Halévy: The Template for “La Vie Parisienne”?</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/le-photographe-meilhac-halevy-template-la-vie-parisienne/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>First Full Recording Of Johann Strauss&#8217; &#8220;Waldmeister&#8221; (1895)</title>
		<link>http://operetta-research-center.org/first-full-recording-johann-strauss-waldmeister-1895/</link>
		<comments>http://operetta-research-center.org/first-full-recording-johann-strauss-waldmeister-1895/#comments</comments>
		<pubDate>Wed, 28 Jul 2021 11:07:08 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Dario Salvi]]></category>
		<category><![CDATA[Johann Strauss]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=22599</guid>
		<description><![CDATA[<p>The label Naxos is continuing its Johann Strauss series with a new recording of late operetta Waldmeister, which originally premiered</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/first-full-recording-johann-strauss-waldmeister-1895/">First Full Recording Of Johann Strauss&#8217; &#8220;Waldmeister&#8221; (1895)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/first-full-recording-johann-strauss-waldmeister-1895/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
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