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	<title>Operetta Research Center &#187; The Merry Widow</title>
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		<title>Arnold Bennett Discusses Operettas &amp; Musicals: Journal Entries 1897-1928</title>
		<link>http://operetta-research-center.org/arnold-bennett-journal-entries-1897-1928/</link>
		<comments>http://operetta-research-center.org/arnold-bennett-journal-entries-1897-1928/#comments</comments>
		<pubDate>Thu, 01 Jul 2021 10:47:38 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Historical articles & reviews]]></category>
		<category><![CDATA[Arnold Bennett]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[George Gershwin]]></category>
		<category><![CDATA[Laurence Senelick]]></category>
		<category><![CDATA[The Merry Widow]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=22202</guid>
		<description><![CDATA[<p>The English author Arnold Bennett (1867-1931) is best known as a novelist and playwright. He also kept a journal in</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/arnold-bennett-journal-entries-1897-1928/">Arnold Bennett Discusses Operettas &#038; Musicals: Journal Entries 1897-1928</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
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		<title>Constance Drever: Creating “La Veuve joyeuse” With A Strong English Accent</title>
		<link>http://operetta-research-center.org/constance-drever-creating-la-veuve-joyeuse-strong-english-accent/</link>
		<comments>http://operetta-research-center.org/constance-drever-creating-la-veuve-joyeuse-strong-english-accent/#comments</comments>
		<pubDate>Fri, 28 May 2021 09:04:46 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Weekly Column]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Oscar Straus]]></category>
		<category><![CDATA[The Merry Widow]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21914</guid>
		<description><![CDATA[<p>The history of Die lustige Witwe has fascinated us, here at the Operetta Research Center, immensely over the past months.</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/constance-drever-creating-la-veuve-joyeuse-strong-english-accent/">Constance Drever: Creating “La Veuve joyeuse” With A Strong English Accent</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<title>The Night Nicole Kidman Went To See &#8220;The Merry Widow&#8221; And Got Swatted</title>
		<link>http://operetta-research-center.org/night-nicole-kidman-went-see-merry-widow-sydney-opera-house/</link>
		<comments>http://operetta-research-center.org/night-nicole-kidman-went-see-merry-widow-sydney-opera-house/#comments</comments>
		<pubDate>Tue, 16 Feb 2021 12:04:31 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[The Merry Widow]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21439</guid>
		<description><![CDATA[<p>Who said that operettas don’t make headlines anymore? And that super stars from Hollywood wouldn’t be interested in the genre</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/night-nicole-kidman-went-see-merry-widow-sydney-opera-house/">The Night Nicole Kidman Went To See &#8220;The Merry Widow&#8221; And Got Swatted</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<title>Erich von Stroheim’s &#8220;The Merry Widow&#8221; At The Staatsoperette Dresden</title>
		<link>http://operetta-research-center.org/erich-von-stroheims-merry-widow-staatsoperette_dresden/</link>
		<comments>http://operetta-research-center.org/erich-von-stroheims-merry-widow-staatsoperette_dresden/#comments</comments>
		<pubDate>Mon, 05 Sep 2016 10:00:58 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On Screen]]></category>
		<category><![CDATA[Erich von Stroheim]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[John Gilbert]]></category>
		<category><![CDATA[Mae Murray]]></category>
		<category><![CDATA[Maud Nelissen]]></category>
		<category><![CDATA[Staatsoperette Dresden]]></category>
		<category><![CDATA[The Merry Widow]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=10760</guid>
		<description><![CDATA[<p>Some years ago I was asked by the former Dutch Film Museum (renamed Eye Film Institute today) to accompany The</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/erich-von-stroheims-merry-widow-staatsoperette_dresden/">Erich von Stroheim’s &#8220;The Merry Widow&#8221; At The Staatsoperette Dresden</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>1</slash:comments>
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		<item>
		<title>A Black &#8220;Merry Widow of Malagawi&#8221;: Re-Imagining A Classic</title>
		<link>http://operetta-research-center.org/black-merry-widow-malagawi-re-imagining-classic/</link>
		<comments>http://operetta-research-center.org/black-merry-widow-malagawi-re-imagining-classic/#comments</comments>
		<pubDate>Tue, 14 Jul 2015 09:25:37 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[The Merry Widow]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=7513</guid>
		<description><![CDATA[<p>Another Merry Widow? Yeah, we hear you. (And you’re right.) It’s probably the most over-produced operetta in operetta history, together</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/black-merry-widow-malagawi-re-imagining-classic/">A Black &#8220;Merry Widow of Malagawi&#8221;: Re-Imagining A Classic</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		</item>
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		<title>DIE LUSTIGE WITWE Operette in 3 acts</title>
		<link>http://operetta-research-center.org/die-lustige-witwe-operette-3-acts/</link>
		<comments>http://operetta-research-center.org/die-lustige-witwe-operette-3-acts/#comments</comments>
		<pubDate>Thu, 19 Jun 2008 11:30:26 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Encylodedia of the Musical Theatre]]></category>
		<category><![CDATA[Erich von Stroheim]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Henry Savage]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Louis Treumann]]></category>
		<category><![CDATA[Mizzi Günther]]></category>
		<category><![CDATA[The Merry Widow]]></category>
		<category><![CDATA[Victor Léon]]></category>
		<category><![CDATA[Wilhelm Karczag]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/orca/?p=2214</guid>
		<description><![CDATA[<p>Henri Meilhac&#8217;s play L’Attaché d&#8217;ambassade, produced at Paris&#8217;s Théâtre du Vaudeville in 1861, was not a success. It was played</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/die-lustige-witwe-operette-3-acts/">DIE LUSTIGE WITWE Operette in 3 acts</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
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		<item>
		<title>THE RED WIDOW Musical play in 3 acts</title>
		<link>http://operetta-research-center.org/red-widow-musical-play-3-acts/</link>
		<comments>http://operetta-research-center.org/red-widow-musical-play-3-acts/#comments</comments>
		<pubDate>Wed, 01 Aug 2001 11:50:38 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[George M Cohan]]></category>
		<category><![CDATA[John Barrymore]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[The Merry Widow]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=3347</guid>
		<description><![CDATA[<p>Colonel Savage&#8217;s enormously successful novel His Official Wife was leaped upon by a horde of theatrical adapters, filmed by Hollywood</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/red-widow-musical-play-3-acts/">THE RED WIDOW Musical play in 3 acts</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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