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	<title>Operetta Research Center &#187; The Situation after 1945</title>
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	<link>http://operetta-research-center.org</link>
	<description>The #1 Archive for Musical Theater</description>
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		<title>The Memoirs of Gerd Natschinski. Or: Whatever Happened To DDR Operettas?</title>
		<link>http://operetta-research-center.org/gerd-natschinski-ddr-operettas/</link>
		<comments>http://operetta-research-center.org/gerd-natschinski-ddr-operettas/#comments</comments>
		<pubDate>Sat, 01 Jun 2024 11:59:25 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[The Situation after 1945]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[dippel]]></category>
		<category><![CDATA[Gerd Natschinski]]></category>
		<category><![CDATA[Guido Masanetz]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=11881</guid>
		<description><![CDATA[<p>It’s a sad fact that the West-German publishers Schott and Bärenreiter – who took over the performance material for many</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/gerd-natschinski-ddr-operettas/">The Memoirs of Gerd Natschinski. Or: Whatever Happened To DDR Operettas?</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/gerd-natschinski-ddr-operettas/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Operette und Musicals in der DDR: Ein Gespräch mit Werner P. Seiferth vom Metropoltheater</title>
		<link>http://operetta-research-center.org/operette-und-musicals-der-ddr-ein-gesprach-mit-dem-metropoltheater-intendanten-werner-p-seiferth/</link>
		<comments>http://operetta-research-center.org/operette-und-musicals-der-ddr-ein-gesprach-mit-dem-metropoltheater-intendanten-werner-p-seiferth/#comments</comments>
		<pubDate>Mon, 01 Apr 2024 06:26:12 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[The Situation after 1945]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Gerd Natschinski]]></category>
		<category><![CDATA[Guido Masanetz]]></category>
		<category><![CDATA[Musical Comedy]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Roland Dippel]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21387</guid>
		<description><![CDATA[<p>Übers Thema Operette in der DDR wird in letzter Zeit wieder mehr gesprochen. 2012 gab es in der Ausstellung Welt</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/operette-und-musicals-der-ddr-ein-gesprach-mit-dem-metropoltheater-intendanten-werner-p-seiferth/">Operette und Musicals in der DDR: Ein Gespräch mit Werner P. Seiferth vom Metropoltheater</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/operette-und-musicals-der-ddr-ein-gesprach-mit-dem-metropoltheater-intendanten-werner-p-seiferth/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“Czech Operetta and Its Transnational Context”: A Conference in Prague</title>
		<link>http://operetta-research-center.org/czech-operetta-transnational-context-conference-prague/</link>
		<comments>http://operetta-research-center.org/czech-operetta-transnational-context-conference-prague/#comments</comments>
		<pubDate>Sat, 25 Feb 2023 12:48:15 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[The Situation after 1945]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Daniel Molnar]]></category>
		<category><![CDATA[David Vondráček]]></category>
		<category><![CDATA[Frank Kafka]]></category>
		<category><![CDATA[Micaela Baranello]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Oskar Nebdal]]></category>
		<category><![CDATA[Rudolf Friml]]></category>
		<category><![CDATA[Stefan Schmidl]]></category>
		<category><![CDATA[Vojtěch Frank]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24304</guid>
		<description><![CDATA[<p>In March 2023 there’s a three-day conference in Prague devoted to the question of “Czech Operetta and Its Transnational Context”.</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/czech-operetta-transnational-context-conference-prague/">“Czech Operetta and Its Transnational Context”: A Conference in Prague</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/czech-operetta-transnational-context-conference-prague/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ernst Theis Conducts “Tonfilmschlager” from Nazi Times</title>
		<link>http://operetta-research-center.org/ernst-theis-conducts-tonfilmschlager-nazi-times/</link>
		<comments>http://operetta-research-center.org/ernst-theis-conducts-tonfilmschlager-nazi-times/#comments</comments>
		<pubDate>Thu, 28 Jul 2022 14:56:31 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[The Situation after 1945]]></category>
		<category><![CDATA[Ernst Theis]]></category>
		<category><![CDATA[Franz Grothe]]></category>
		<category><![CDATA[Friedrich Schröder]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Theo Mackeben]]></category>
		<category><![CDATA[Werner Richard Heymann]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23716</guid>
		<description><![CDATA[<p>“Can music be innocent?“ That‘s the first sentence in the booklet to this new CD of the Münchner Rundfunkorchester and</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/ernst-theis-conducts-tonfilmschlager-nazi-times/">Ernst Theis Conducts “Tonfilmschlager” from Nazi Times</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/ernst-theis-conducts-tonfilmschlager-nazi-times/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Coming-out als Operettenrettung? Interview zum Queer Reading des „Dreimäderlhaus“</title>
		<link>http://operetta-research-center.org/ein-schwuler-schubert-als-rettung-interview-zum-queer-reading-des-dreimaderlhaus-landestheater-linz/</link>
		<comments>http://operetta-research-center.org/ein-schwuler-schubert-als-rettung-interview-zum-queer-reading-des-dreimaderlhaus-landestheater-linz/#comments</comments>
		<pubDate>Sun, 28 Feb 2021 10:30:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[The Situation after 1945]]></category>
		<category><![CDATA[Franz Schubert]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Heinrich Berté]]></category>
		<category><![CDATA[Landestheater Linz]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Queer Studies]]></category>
		<category><![CDATA[Richard Tauber]]></category>
		<category><![CDATA[Volker Klotz]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21494</guid>
		<description><![CDATA[<p>Als das Dreimäderlhaus am 15. Januar 1916 im Wiener Raimundtheater in Premiere ging waren die Kritiken gespalten. Denn Komponist Heinrich</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/ein-schwuler-schubert-als-rettung-interview-zum-queer-reading-des-dreimaderlhaus-landestheater-linz/">Coming-out als Operettenrettung? Interview zum Queer Reading des „Dreimäderlhaus“</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/ein-schwuler-schubert-als-rettung-interview-zum-queer-reading-des-dreimaderlhaus-landestheater-linz/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Is The Gold &amp; Silver Terminology Nothing More Than Camouflaged Anti-Semitism?</title>
		<link>http://operetta-research-center.org/gold-silver-terminology-nothing-camouflaged-anti-semitism/</link>
		<comments>http://operetta-research-center.org/gold-silver-terminology-nothing-camouflaged-anti-semitism/#comments</comments>
		<pubDate>Wed, 27 Jan 2021 18:16:43 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[The Situation after 1945]]></category>
		<category><![CDATA[Derek B. Scott]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Jazz Operetta]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Nazi Operetta]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21348</guid>
		<description><![CDATA[<p>On 27 January, 1945 the Nazi concentration in Auschwitz was liberated by the Soviet Army. Memorial speeches all over the</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/gold-silver-terminology-nothing-camouflaged-anti-semitism/">Is The Gold &#038; Silver Terminology Nothing More Than Camouflaged Anti-Semitism?</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/gold-silver-terminology-nothing-camouflaged-anti-semitism/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>A Revived Interest In &#8220;Heiteres Musiktheater der DDR&#8221;? It&#8217;s Not Just About Nostalgia</title>
		<link>http://operetta-research-center.org/heiteres-musiktheater-der-ddr-interview-maria-malle-metropoltheater/</link>
		<comments>http://operetta-research-center.org/heiteres-musiktheater-der-ddr-interview-maria-malle-metropoltheater/#comments</comments>
		<pubDate>Mon, 28 Dec 2020 12:08:46 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[The Situation after 1945]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[Gerd Natschinski]]></category>
		<category><![CDATA[Guido Masanetz]]></category>
		<category><![CDATA[Maria Mallé]]></category>
		<category><![CDATA[Mörbisch]]></category>
		<category><![CDATA[Musikalische Komödie Leipzig]]></category>
		<category><![CDATA[Rene Kollo]]></category>
		<category><![CDATA[Semperoper Dresden]]></category>
		<category><![CDATA[Staatsoperette Dresden]]></category>
		<category><![CDATA[Wolfgang Jansen]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21140</guid>
		<description><![CDATA[<p>Recently, Wolfgang Jansen published a collection of essays dealing with &#8220;Popular Music Theater under Socialism,” an aspect of 20th century</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/heiteres-musiktheater-der-ddr-interview-maria-malle-metropoltheater/">A Revived Interest In &#8220;Heiteres Musiktheater der DDR&#8221;? It&#8217;s Not Just About Nostalgia</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/heiteres-musiktheater-der-ddr-interview-maria-malle-metropoltheater/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Wolfgang Jansen&#8217;s New Book About Musicals Vs. Operetta: An Interview With The Author</title>
		<link>http://operetta-research-center.org/wolfgang-jansens-new-book-musicals-vs-operetta-interview-author/</link>
		<comments>http://operetta-research-center.org/wolfgang-jansens-new-book-musicals-vs-operetta-interview-author/#comments</comments>
		<pubDate>Sat, 12 Dec 2020 17:25:43 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[The Situation after 1945]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Jonas Dassler]]></category>
		<category><![CDATA[UdK]]></category>
		<category><![CDATA[Wolfgang Jansen]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21036</guid>
		<description><![CDATA[<p>Wolfgang Jansen has published many books: on the history of revues and revue operettas in the Weimar Republic, on Broadway</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/wolfgang-jansens-new-book-musicals-vs-operetta-interview-author/">Wolfgang Jansen&#8217;s New Book About Musicals Vs. Operetta: An Interview With The Author</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/wolfgang-jansens-new-book-musicals-vs-operetta-interview-author/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Bretter, die die die Welt bedeuten“: The DDR Musical Returns To Musikalische Komödie Leipzig</title>
		<link>http://operetta-research-center.org/bretter-die-die-die-welt-bedeuten-ddr-musical-returns-musikalische-komodie-leipzig/</link>
		<comments>http://operetta-research-center.org/bretter-die-die-die-welt-bedeuten-ddr-musical-returns-musikalische-komodie-leipzig/#comments</comments>
		<pubDate>Sun, 20 Sep 2020 10:32:26 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[The Situation after 1945]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[Musikalische Komödie Leipzig]]></category>
		<category><![CDATA[Nico Dostal]]></category>
		<category><![CDATA[Roland Dippel]]></category>
		<category><![CDATA[Stefan Klingele]]></category>
		<category><![CDATA[Wolfgang Jansen]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20534</guid>
		<description><![CDATA[<p>Is this the start of something like “reparation” after an endless period of neglect? On 18 September 2020 Bretter, die</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/bretter-die-die-die-welt-bedeuten-ddr-musical-returns-musikalische-komodie-leipzig/">&#8220;Bretter, die die die Welt bedeuten“: The DDR Musical Returns To Musikalische Komödie Leipzig</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The New Online &#8220;Musicallexikon&#8221;: An Interview with Michael Fischer &amp; Wolfgang Jansen</title>
		<link>http://operetta-research-center.org/musicallexikon-freiburgs-center-popular-culture-music-interview-michael-fischer-wolfgang-jansen/</link>
		<comments>http://operetta-research-center.org/musicallexikon-freiburgs-center-popular-culture-music-interview-michael-fischer-wolfgang-jansen/#comments</comments>
		<pubDate>Wed, 22 Jul 2020 10:24:56 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[The Situation after 1945]]></category>
		<category><![CDATA[Wolfgang Jansen]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20040</guid>
		<description><![CDATA[<p>The University of Freiburg is home of the “Center for Popular Culture and Music.” They recently started the first online</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/musicallexikon-freiburgs-center-popular-culture-music-interview-michael-fischer-wolfgang-jansen/">The New Online &#8220;Musicallexikon&#8221;: An Interview with Michael Fischer &#038; Wolfgang Jansen</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Watch Out For The Red Fingernails: Two New &#8220;Zigeunerbaron&#8221; Productions In Magdeburg And Berlin</title>
		<link>http://operetta-research-center.org/watch-red-fingernails-two-new-zigeunerbaron-productions-magdeburg-berlin/</link>
		<comments>http://operetta-research-center.org/watch-red-fingernails-two-new-zigeunerbaron-productions-magdeburg-berlin/#comments</comments>
		<pubDate>Sun, 19 Jul 2020 10:34:17 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[The Situation after 1945]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Nikolaus Harnoncourt]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=19983</guid>
		<description><![CDATA[<p>How do you solve a problem like Zigeunerbaron? Some might ask: is there a problem with this 1885 show? Well,</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/watch-red-fingernails-two-new-zigeunerbaron-productions-magdeburg-berlin/">Watch Out For The Red Fingernails: Two New &#8220;Zigeunerbaron&#8221; Productions In Magdeburg And Berlin</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/watch-red-fingernails-two-new-zigeunerbaron-productions-magdeburg-berlin/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Focus On DDR Operetta: &#8220;Bretter, die die Welt bedeuten&#8221; At Musikalische Komödie Leipzig</title>
		<link>http://operetta-research-center.org/ddr-operetta-bretter-die-die-welt-bedeuten-musikalische-komodie-leipzig/</link>
		<comments>http://operetta-research-center.org/ddr-operetta-bretter-die-die-welt-bedeuten-musikalische-komodie-leipzig/#comments</comments>
		<pubDate>Sat, 18 Jul 2020 08:56:34 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[The Situation after 1945]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[Gerd Natschinski]]></category>
		<category><![CDATA[Maria Mallé]]></category>
		<category><![CDATA[Musikalische Komödie Leipzig]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=19972</guid>
		<description><![CDATA[<p>Various opera houses in German speaking countries have presented new or adapted programs for their fall season, with productions they</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/ddr-operetta-bretter-die-die-welt-bedeuten-musikalische-komodie-leipzig/">Focus On DDR Operetta: &#8220;Bretter, die die Welt bedeuten&#8221; At Musikalische Komödie Leipzig</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
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