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	<title>Operetta Research Center &#187; News</title>
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	<description>The #1 Archive for Musical Theater</description>
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		<title>Tulip Town: Offenbach Recycled as a Punk Spectacle</title>
		<link>http://operetta-research-center.org/tulip-town-offenbach-punk-operetta-steef-de-jong/</link>
		<comments>http://operetta-research-center.org/tulip-town-offenbach-punk-operetta-steef-de-jong/#comments</comments>
		<pubDate>Sun, 27 Sep 2026 11:27:57 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Gender Studies]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Netherlands]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25898</guid>
		<description><![CDATA[<p>Jacques Offenbach’s L’île de Tulipatan, first performed in 1868, is proving to be remarkably contemporary and up to date. The</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/tulip-town-offenbach-punk-operetta-steef-de-jong/">Tulip Town: Offenbach Recycled as a Punk Spectacle</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<item>
		<title>&#8220;Eine Datsche auf Tahiti&#8221;: DDR Hits Rediscovered in Nordhausen</title>
		<link>http://operetta-research-center.org/eine-datsche-auf-tahiti-ddr-operette-nordhausen/</link>
		<comments>http://operetta-research-center.org/eine-datsche-auf-tahiti-ddr-operette-nordhausen/#comments</comments>
		<pubDate>Sat, 12 Sep 2026 09:02:02 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Axel Ranisch]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[Gerd Natschinski]]></category>
		<category><![CDATA[Guido Masanetz]]></category>
		<category><![CDATA[Komische Oper]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25884</guid>
		<description><![CDATA[<p>One can only marvel: the rediscovery of East German operetta, forgotten for decades – or, perhaps more accurately, ignored –</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/eine-datsche-auf-tahiti-ddr-operette-nordhausen/">&#8220;Eine Datsche auf Tahiti&#8221;: DDR Hits Rediscovered in Nordhausen</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/eine-datsche-auf-tahiti-ddr-operette-nordhausen/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Can “Boccaccio” Still Shock? Bad Ischl Says No</title>
		<link>http://operetta-research-center.org/can-boccaccio-still-shock-bad-ischl-says/</link>
		<comments>http://operetta-research-center.org/can-boccaccio-still-shock-bad-ischl-says/#comments</comments>
		<pubDate>Sun, 12 Jul 2026 09:17:22 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Bad Ischl]]></category>
		<category><![CDATA[Christian Weise]]></category>
		<category><![CDATA[Franz von Suppé]]></category>
		<category><![CDATA[Richard Genée]]></category>
		<category><![CDATA[Stefan Frey]]></category>
		<category><![CDATA[Thomas Enzinger]]></category>
		<category><![CDATA[tutti d*amore]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25871</guid>
		<description><![CDATA[<p>The 2026 edition of the Lehár Festival turns its attention to medieval Florence, opening on 11 July 2026 with Franz</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/can-boccaccio-still-shock-bad-ischl-says/">Can “Boccaccio” Still Shock? Bad Ischl Says No</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/can-boccaccio-still-shock-bad-ischl-says/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Beyond Castanet Kitsch: &#8220;Gran Gala de Zarzuela&#8221; at Deutsche Oper Berlin</title>
		<link>http://operetta-research-center.org/christof-loy-beyond-castanet-kitsch-gran-gala-de-zarzuela-deutsche-oper-berlin/</link>
		<comments>http://operetta-research-center.org/christof-loy-beyond-castanet-kitsch-gran-gala-de-zarzuela-deutsche-oper-berlin/#comments</comments>
		<pubDate>Thu, 02 Jul 2026 14:14:37 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Deutsche Oper Berlin]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Hungarian Operetta]]></category>
		<category><![CDATA[Spain]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25844</guid>
		<description><![CDATA[<p>Director Christof Loy brings his company Los Paladines to Deutsche Oper Berlin to present zarzuela—the Spanish sister of operetta—in a</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/christof-loy-beyond-castanet-kitsch-gran-gala-de-zarzuela-deutsche-oper-berlin/">Beyond Castanet Kitsch: &#8220;Gran Gala de Zarzuela&#8221; at Deutsche Oper Berlin</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/christof-loy-beyond-castanet-kitsch-gran-gala-de-zarzuela-deutsche-oper-berlin/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Erik Charell: Germany’s Greatest Showman Rediscovered</title>
		<link>http://operetta-research-center.org/erik-charell-germanys-greatest-showman-rediscovered/</link>
		<comments>http://operetta-research-center.org/erik-charell-germanys-greatest-showman-rediscovered/#comments</comments>
		<pubDate>Tue, 12 May 2026 09:25:24 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Hans Müller]]></category>
		<category><![CDATA[Ralph Benatzky]]></category>
		<category><![CDATA[Tonfilmoperette]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25889</guid>
		<description><![CDATA[<p>With Bühne der Träume, Markus Hagel presents the first revue devoted to the life and work of theatre director and</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/erik-charell-germanys-greatest-showman-rediscovered/">Erik Charell: Germany’s Greatest Showman Rediscovered</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/erik-charell-germanys-greatest-showman-rediscovered/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“Hopsa” – Paul Burkhard’s Breakthrough and the Birth of the Swiss Musical</title>
		<link>http://operetta-research-center.org/hopsa-paul-burkhard-buhne-burhaschi-swiss-musical/</link>
		<comments>http://operetta-research-center.org/hopsa-paul-burkhard-buhne-burhaschi-swiss-musical/#comments</comments>
		<pubDate>Sat, 21 Mar 2026 17:23:27 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Paul Burkhard]]></category>
		<category><![CDATA[Robert Gilbert]]></category>
		<category><![CDATA[Switzerland]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25833</guid>
		<description><![CDATA[<p>The Bühne Burgäschi has announced a new production of Hopsa for summer 2026, bringing renewed attention to the work with</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/hopsa-paul-burkhard-buhne-burhaschi-swiss-musical/">“Hopsa” – Paul Burkhard’s Breakthrough and the Birth of the Swiss Musical</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/hopsa-paul-burkhard-buhne-burhaschi-swiss-musical/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Family Reunion: &#8220;Mein Freund Bunbury&#8221; in Annaberg-Buchholz</title>
		<link>http://operetta-research-center.org/family-reunion-mein-freund-bunbury-annaberg-buchholz/</link>
		<comments>http://operetta-research-center.org/family-reunion-mein-freund-bunbury-annaberg-buchholz/#comments</comments>
		<pubDate>Wed, 21 Jan 2026 09:27:18 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[Gerd Natschinski]]></category>
		<category><![CDATA[Oscar Wilde]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25806</guid>
		<description><![CDATA[<p>The revival cycle of DDR operettas continues. After the Komische Oper Berlin recently cancelled its planned production of Gerd Natschinski’s</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/family-reunion-mein-freund-bunbury-annaberg-buchholz/">A Family Reunion: &#8220;Mein Freund Bunbury&#8221; in Annaberg-Buchholz</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/family-reunion-mein-freund-bunbury-annaberg-buchholz/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Unwelcome Genre: The Comeback of DDR Operettas</title>
		<link>http://operetta-research-center.org/unwelcome-genre-ddr-operetten-revivall/</link>
		<comments>http://operetta-research-center.org/unwelcome-genre-ddr-operetten-revivall/#comments</comments>
		<pubDate>Sun, 14 Dec 2025 11:11:07 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[Gerd Natschinski]]></category>
		<category><![CDATA[Guido Masanetz]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Musikalische Komödie Leipzig]]></category>
		<category><![CDATA[Staatsoperette Dresden]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25762</guid>
		<description><![CDATA[<p>At long last, there is some movement in the engagement with “Heiteres Musiktheater”. In the German Democratic Republic (GDR), this</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/unwelcome-genre-ddr-operetten-revivall/">The Unwelcome Genre: The Comeback of DDR Operettas</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/unwelcome-genre-ddr-operetten-revivall/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Bold New “Sissy”: Gender-Reversed Kreisler Triumphs in Bremen</title>
		<link>http://operetta-research-center.org/frank-hilbrich-bold-new-sissy-gender-reversed-operetta-triumphs-bremen/</link>
		<comments>http://operetta-research-center.org/frank-hilbrich-bold-new-sissy-gender-reversed-operetta-triumphs-bremen/#comments</comments>
		<pubDate>Tue, 02 Dec 2025 06:47:57 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Frank Hilbrich]]></category>
		<category><![CDATA[Fritz Kreisler]]></category>
		<category><![CDATA[Gender Studies]]></category>
		<category><![CDATA[Hubert Marischka]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25747</guid>
		<description><![CDATA[<p>When the Theater am Goetheplatz unveiled its new production of Sissy, the 1932 operetta by violin virtuoso–turned–composer Fritz Kreisler with</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/frank-hilbrich-bold-new-sissy-gender-reversed-operetta-triumphs-bremen/">A Bold New “Sissy”: Gender-Reversed Kreisler Triumphs in Bremen</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/frank-hilbrich-bold-new-sissy-gender-reversed-operetta-triumphs-bremen/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Rediscovering a Forgotten Gem: “Die gelbe Lilie” in Annaberg-Buchholz</title>
		<link>http://operetta-research-center.org/christian-von-gotz-annaberg-die-gelbe-lilie-operetta-von-michael-krasznay-krausz/</link>
		<comments>http://operetta-research-center.org/christian-von-gotz-annaberg-die-gelbe-lilie-operetta-von-michael-krasznay-krausz/#comments</comments>
		<pubDate>Sat, 29 Nov 2025 12:03:17 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Cross Dressing]]></category>
		<category><![CDATA[Fritzi Massary]]></category>
		<category><![CDATA[Hungarian Operetta]]></category>
		<category><![CDATA[Nazi Operetta]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25732</guid>
		<description><![CDATA[<p>A long-lost musical treasure is coming back to life. On December 13, 2025, the little theater in Annaberg-Buchholz will premiere</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/christian-von-gotz-annaberg-die-gelbe-lilie-operetta-von-michael-krasznay-krausz/">Rediscovering a Forgotten Gem: “Die gelbe Lilie” in Annaberg-Buchholz</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/christian-von-gotz-annaberg-die-gelbe-lilie-operetta-von-michael-krasznay-krausz/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Farewell, Yvonne Kálmán (1937-2025)</title>
		<link>http://operetta-research-center.org/farewell-yvonne-kalman-1936-2025/</link>
		<comments>http://operetta-research-center.org/farewell-yvonne-kalman-1936-2025/#comments</comments>
		<pubDate>Sat, 08 Nov 2025 10:58:58 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Charles Kálmán]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Michael Miller]]></category>
		<category><![CDATA[Ohio Light Opera]]></category>
		<category><![CDATA[Yvonne Kálmán]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25665</guid>
		<description><![CDATA[<p>Yvonne Kálmán, youngest daughter of the celebrated Austro-Hungarian composer Emmerich Kálmán, passed away peacefully on Friday, 7 November 2025, at</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/farewell-yvonne-kalman-1936-2025/">Farewell, Yvonne Kálmán (1937-2025)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/farewell-yvonne-kalman-1936-2025/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Strauss in Sneakers: “Aschenbrödel&#8221; Steps Into the 21st Century</title>
		<link>http://operetta-research-center.org/strauss-aschenbrodels-traum-volksoper-ranisch-eisenreich-operette-queer/</link>
		<comments>http://operetta-research-center.org/strauss-aschenbrodels-traum-volksoper-ranisch-eisenreich-operette-queer/#comments</comments>
		<pubDate>Mon, 29 Sep 2025 09:41:00 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Axel Ranisch]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Vienna]]></category>
		<category><![CDATA[Volksoper Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25708</guid>
		<description><![CDATA[<p>It seems there is Aschenbrödel everywhere these days. The Landestheater Coburg is offering the 1901 “completed new version by Josef</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/strauss-aschenbrodels-traum-volksoper-ranisch-eisenreich-operette-queer/">Strauss in Sneakers: “Aschenbrödel&#8221; Steps Into the 21st Century</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>2</slash:comments>
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