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	<title>Operetta Research Center &#187; Erik Charell</title>
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	<description>The #1 Archive for Musical Theater</description>
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		<title>Helmut G. Asper’s “Music in the Air: The German Musical Film Comedy in Exile”</title>
		<link>http://operetta-research-center.org/helmut-g-asper-music-air-die-deutsche-musikfilm-komodie-im-exil/</link>
		<comments>http://operetta-research-center.org/helmut-g-asper-music-air-die-deutsche-musikfilm-komodie-im-exil/#comments</comments>
		<pubDate>Wed, 18 Feb 2026 15:02:17 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Tonfilmoperette]]></category>
		<category><![CDATA[UFA]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25828</guid>
		<description><![CDATA[<p>In the introduction to his new book “Music in the Air”. The German Musical Film Comedy in Exile 1933–1950, Helmut</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/helmut-g-asper-music-air-die-deutsche-musikfilm-komodie-im-exil/">Helmut G. Asper’s “Music in the Air: The German Musical Film Comedy in Exile”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/helmut-g-asper-music-air-die-deutsche-musikfilm-komodie-im-exil/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Return of “Ennobled” Operetta: Lehár, Thielemann, and an Unlearned Lesson</title>
		<link>http://operetta-research-center.org/staatsoper-unter-den-linden-neujahrskonzert-christian-thielemann-lehar/</link>
		<comments>http://operetta-research-center.org/staatsoper-unter-den-linden-neujahrskonzert-christian-thielemann-lehar/#comments</comments>
		<pubDate>Fri, 02 Jan 2026 11:01:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Christian Thielemann]]></category>
		<category><![CDATA[Christian Weise]]></category>
		<category><![CDATA[Dagmar Manzel]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Jonas Dassler]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Richard Tauber]]></category>
		<category><![CDATA[Tipi Zelt am Kanzleramt]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25792</guid>
		<description><![CDATA[<p>Berlin was—and in many ways still is—a center of operetta innovation. A reminder: in the 1920s, crucial impulses for renewing</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/staatsoper-unter-den-linden-neujahrskonzert-christian-thielemann-lehar/">The Return of “Ennobled” Operetta: Lehár, Thielemann, and an Unlearned Lesson</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/staatsoper-unter-den-linden-neujahrskonzert-christian-thielemann-lehar/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>„Eine Bühne wie keine andere“: Interview mit Wolfgang Jansen zur Geschichte des Friedrichstadt-Palast</title>
		<link>http://operetta-research-center.org/eine-buhne-wie-keine-andere-interview-mit-wolfgang-jansen-zur-geschichte-des-friedrichstadt-palast/</link>
		<comments>http://operetta-research-center.org/eine-buhne-wie-keine-andere-interview-mit-wolfgang-jansen-zur-geschichte-des-friedrichstadt-palast/#comments</comments>
		<pubDate>Sun, 15 Jun 2025 10:20:37 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Revue Operetta]]></category>
		<category><![CDATA[Wolfgang Jansen]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25563</guid>
		<description><![CDATA[<p>Der Theaterhistoriker Wolfgang Jansen widmet sich in seinem neuen Buch der Geschichte des Friedrichstadt-Palast in Berlin, in der Zeit 1945</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/eine-buhne-wie-keine-andere-interview-mit-wolfgang-jansen-zur-geschichte-des-friedrichstadt-palast/">„Eine Bühne wie keine andere“: Interview mit Wolfgang Jansen zur Geschichte des Friedrichstadt-Palast</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/eine-buhne-wie-keine-andere-interview-mit-wolfgang-jansen-zur-geschichte-des-friedrichstadt-palast/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Tragedy of Josepha and Leopold: “Im weißen Rössl“ in Braunschweig</title>
		<link>http://operetta-research-center.org/tragedy-josepha-leopold-im-weisen-rossl-braunschweig/</link>
		<comments>http://operetta-research-center.org/tragedy-josepha-leopold-im-weisen-rossl-braunschweig/#comments</comments>
		<pubDate>Sat, 11 Jan 2025 12:39:21 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Desirée Nick]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Jazz Operetta]]></category>
		<category><![CDATA[Ralph Benatzky]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25447</guid>
		<description><![CDATA[<p>In Braunschweig, Germany, a new production of Im weißen Rössl by stage director Immo Karaman is causing quite a bit</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/tragedy-josepha-leopold-im-weisen-rossl-braunschweig/">The Tragedy of Josepha and Leopold: “Im weißen Rössl“ in Braunschweig</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/tragedy-josepha-leopold-im-weisen-rossl-braunschweig/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Musical Students of Osnabrück Make This “Rössl” Shine</title>
		<link>http://operetta-research-center.org/rossl-osnabruck-tobias-bonn-musical-students-hochschule/</link>
		<comments>http://operetta-research-center.org/rossl-osnabruck-tobias-bonn-musical-students-hochschule/#comments</comments>
		<pubDate>Tue, 26 Dec 2023 12:11:01 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Geschwister Pfister]]></category>
		<category><![CDATA[Ralph Benatzky]]></category>
		<category><![CDATA[Revue Operetta]]></category>
		<category><![CDATA[Tobias Bonn]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24877</guid>
		<description><![CDATA[<p>At the Theater Osnabrück a new production of Im weißen Rössl is currently playing, a staging by Tobias Bonn of</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/rossl-osnabruck-tobias-bonn-musical-students-hochschule/">The Musical Students of Osnabrück Make This “Rössl” Shine</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/rossl-osnabruck-tobias-bonn-musical-students-hochschule/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Berlin’s “Theater des Volkes”: The Dark Side of Germany’s Entertainment Industry</title>
		<link>http://operetta-research-center.org/theater-des-volkes-berlin-history-new-book-sabine-schneller-guido-herrmann/</link>
		<comments>http://operetta-research-center.org/theater-des-volkes-berlin-history-new-book-sabine-schneller-guido-herrmann/#comments</comments>
		<pubDate>Sun, 01 Jan 2023 16:56:58 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Franz von Suppé]]></category>
		<category><![CDATA[Jazz Operetta]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Paul Lincke]]></category>
		<category><![CDATA[Revue Operetta]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24370</guid>
		<description><![CDATA[<p>The history of Berliner Großes Schauspielhaus – birthplace of the great 1920s Eric Charell revues and especially of Im weißen</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/theater-des-volkes-berlin-history-new-book-sabine-schneller-guido-herrmann/">Berlin’s “Theater des Volkes”: The Dark Side of Germany’s Entertainment Industry</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/theater-des-volkes-berlin-history-new-book-sabine-schneller-guido-herrmann/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Turning &#8220;Die lustige Witwe&#8221; into a 1920s Revue in Dortmund</title>
		<link>http://operetta-research-center.org/turning-die-lustige-witwe-1920s-revue-operetta-dortmund/</link>
		<comments>http://operetta-research-center.org/turning-die-lustige-witwe-1920s-revue-operetta-dortmund/#comments</comments>
		<pubDate>Mon, 31 Jan 2022 16:12:33 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Bad Ischl]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Fritzi Massary]]></category>
		<category><![CDATA[Hagedorn & Grimminger]]></category>
		<category><![CDATA[Jazz Operetta]]></category>
		<category><![CDATA[Thomas Enzinger]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23300</guid>
		<description><![CDATA[<p>At Theater Dortmund a new version of Die lustige Witwe presents the Lehár show as “a revue operetta” with a</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/turning-die-lustige-witwe-1920s-revue-operetta-dortmund/">Turning &#8220;Die lustige Witwe&#8221; into a 1920s Revue in Dortmund</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/turning-die-lustige-witwe-1920s-revue-operetta-dortmund/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Declaration of Bankruptcy? “L’Auberge du Cheval blanc” from the Opéra de Lausanne</title>
		<link>http://operetta-research-center.org/declaration-bankruptcy-lauberge-du-cheval-blanc-lopera-de-lausanne/</link>
		<comments>http://operetta-research-center.org/declaration-bankruptcy-lauberge-du-cheval-blanc-lopera-de-lausanne/#comments</comments>
		<pubDate>Sat, 22 Jan 2022 10:50:28 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On Screen]]></category>
		<category><![CDATA[arte]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Hans Müller]]></category>
		<category><![CDATA[Max Hansen]]></category>
		<category><![CDATA[Ralph Benatzky]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23217</guid>
		<description><![CDATA[<p>Encountering Im weißen Rössl in its French version can be a joy, as anyone knows who has ever heard Bourvil</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/declaration-bankruptcy-lauberge-du-cheval-blanc-lopera-de-lausanne/">Declaration of Bankruptcy? “L’Auberge du Cheval blanc” from the Opéra de Lausanne</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/declaration-bankruptcy-lauberge-du-cheval-blanc-lopera-de-lausanne/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Paul O’Montis: Biography Of A “Vortragskünstler” Adored By Elderly Ladies &amp; Young Gentlemen</title>
		<link>http://operetta-research-center.org/paul-omontis-biography-vortragskunstler-adored-elderly-ladies-young-gentlemen/</link>
		<comments>http://operetta-research-center.org/paul-omontis-biography-vortragskunstler-adored-elderly-ladies-young-gentlemen/#comments</comments>
		<pubDate>Wed, 11 Aug 2021 10:19:22 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Cultural Politics after 1933]]></category>
		<category><![CDATA[In Print]]></category>
		<category><![CDATA[Cabaret]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Paul O'Montis]]></category>
		<category><![CDATA[Weimar Republic]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=22488</guid>
		<description><![CDATA[<p>Most operetta fans will know Paul O’Montis because he made a famous recording of “Was kann der Sigismund dafür, dass</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/paul-omontis-biography-vortragskunstler-adored-elderly-ladies-young-gentlemen/">Paul O’Montis: Biography Of A “Vortragskünstler” Adored By Elderly Ladies &#038; Young Gentlemen</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/paul-omontis-biography-vortragskunstler-adored-elderly-ladies-young-gentlemen/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Charell’s “Casanova” &amp; Spoliansky’s “Zwei Krawatten“ Come To Staatsoperette Dresden</title>
		<link>http://operetta-research-center.org/charells-casanova-spolianskys-zwei-krawatten-come-dresden/</link>
		<comments>http://operetta-research-center.org/charells-casanova-spolianskys-zwei-krawatten-come-dresden/#comments</comments>
		<pubDate>Sun, 18 Jul 2021 18:20:31 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Judith Wiemers]]></category>
		<category><![CDATA[Mischa Spoliansky]]></category>
		<category><![CDATA[Ralph Benatzky]]></category>
		<category><![CDATA[Revue Operetta]]></category>
		<category><![CDATA[Staatsoperette Dresden]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=22395</guid>
		<description><![CDATA[<p>Using the famous line “Die ganze Welt ist himmelblau,” the artistic director of Staatsoperette Dresden, Kathrin Kondaurow, has presented her</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/charells-casanova-spolianskys-zwei-krawatten-come-dresden/">Charell’s “Casanova” &#038; Spoliansky’s “Zwei Krawatten“ Come To Staatsoperette Dresden</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Arnold Bennett Discusses Operettas &amp; Musicals: Journal Entries 1897-1928</title>
		<link>http://operetta-research-center.org/arnold-bennett-journal-entries-1897-1928/</link>
		<comments>http://operetta-research-center.org/arnold-bennett-journal-entries-1897-1928/#comments</comments>
		<pubDate>Thu, 01 Jul 2021 10:47:38 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Historical articles & reviews]]></category>
		<category><![CDATA[Arnold Bennett]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[George Gershwin]]></category>
		<category><![CDATA[Laurence Senelick]]></category>
		<category><![CDATA[The Merry Widow]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=22202</guid>
		<description><![CDATA[<p>The English author Arnold Bennett (1867-1931) is best known as a novelist and playwright. He also kept a journal in</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/arnold-bennett-journal-entries-1897-1928/">Arnold Bennett Discusses Operettas &#038; Musicals: Journal Entries 1897-1928</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/arnold-bennett-journal-entries-1897-1928/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>RSC: Reconstructing Erik Charell&#8217;s Shakespeare Adaptation &#8220;Swingin&#8217; the Dream&#8221;</title>
		<link>http://operetta-research-center.org/rsc-brings-erik-charells-shakespeare-adaptation-swingin-dream-back-concert/</link>
		<comments>http://operetta-research-center.org/rsc-brings-erik-charells-shakespeare-adaptation-swingin-dream-back-concert/#comments</comments>
		<pubDate>Fri, 01 Jan 2021 13:01:21 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Cultural Politics after 1933]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Black Lives Matter]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Fritzi Massary]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Jazz Operetta]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[Royal Shakespeare Company]]></category>
		<category><![CDATA[Schwules Museum*]]></category>
		<category><![CDATA[Weimar Republic]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21264</guid>
		<description><![CDATA[<p>When the Shakespeare adaptation Swingin‘ the Dream opened on Broadway in 1939 it followed Erik Charell’s earlier XXL-sized Broadway hit</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/rsc-brings-erik-charells-shakespeare-adaptation-swingin-dream-back-concert/">RSC: Reconstructing Erik Charell&#8217;s Shakespeare Adaptation &#8220;Swingin&#8217; the Dream&#8221;</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
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