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	<title>Operetta Research Center &#187; Revue Operetta</title>
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		<title>„Eine Bühne wie keine andere“: Interview mit Wolfgang Jansen zur Geschichte des Friedrichstadt-Palast</title>
		<link>http://operetta-research-center.org/eine-buhne-wie-keine-andere-interview-mit-wolfgang-jansen-zur-geschichte-des-friedrichstadt-palast/</link>
		<comments>http://operetta-research-center.org/eine-buhne-wie-keine-andere-interview-mit-wolfgang-jansen-zur-geschichte-des-friedrichstadt-palast/#comments</comments>
		<pubDate>Sun, 15 Jun 2025 10:20:37 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Revue Operetta]]></category>
		<category><![CDATA[Wolfgang Jansen]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25563</guid>
		<description><![CDATA[<p>Der Theaterhistoriker Wolfgang Jansen widmet sich in seinem neuen Buch der Geschichte des Friedrichstadt-Palast in Berlin, in der Zeit 1945</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/eine-buhne-wie-keine-andere-interview-mit-wolfgang-jansen-zur-geschichte-des-friedrichstadt-palast/">„Eine Bühne wie keine andere“: Interview mit Wolfgang Jansen zur Geschichte des Friedrichstadt-Palast</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/eine-buhne-wie-keine-andere-interview-mit-wolfgang-jansen-zur-geschichte-des-friedrichstadt-palast/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Musical Students of Osnabrück Make This “Rössl” Shine</title>
		<link>http://operetta-research-center.org/rossl-osnabruck-tobias-bonn-musical-students-hochschule/</link>
		<comments>http://operetta-research-center.org/rossl-osnabruck-tobias-bonn-musical-students-hochschule/#comments</comments>
		<pubDate>Tue, 26 Dec 2023 12:11:01 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Geschwister Pfister]]></category>
		<category><![CDATA[Ralph Benatzky]]></category>
		<category><![CDATA[Revue Operetta]]></category>
		<category><![CDATA[Tobias Bonn]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24877</guid>
		<description><![CDATA[<p>At the Theater Osnabrück a new production of Im weißen Rössl is currently playing, a staging by Tobias Bonn of</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/rossl-osnabruck-tobias-bonn-musical-students-hochschule/">The Musical Students of Osnabrück Make This “Rössl” Shine</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/rossl-osnabruck-tobias-bonn-musical-students-hochschule/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Berlin’s “Theater des Volkes”: The Dark Side of Germany’s Entertainment Industry</title>
		<link>http://operetta-research-center.org/theater-des-volkes-berlin-history-new-book-sabine-schneller-guido-herrmann/</link>
		<comments>http://operetta-research-center.org/theater-des-volkes-berlin-history-new-book-sabine-schneller-guido-herrmann/#comments</comments>
		<pubDate>Sun, 01 Jan 2023 16:56:58 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Franz von Suppé]]></category>
		<category><![CDATA[Jazz Operetta]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Paul Lincke]]></category>
		<category><![CDATA[Revue Operetta]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24370</guid>
		<description><![CDATA[<p>The history of Berliner Großes Schauspielhaus – birthplace of the great 1920s Eric Charell revues and especially of Im weißen</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/theater-des-volkes-berlin-history-new-book-sabine-schneller-guido-herrmann/">Berlin’s “Theater des Volkes”: The Dark Side of Germany’s Entertainment Industry</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/theater-des-volkes-berlin-history-new-book-sabine-schneller-guido-herrmann/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Revue in Mediterranean Countries – A Conference in Athens</title>
		<link>http://operetta-research-center.org/les-revues-sur-les-scenes-du-bassin-mediterraneen/</link>
		<comments>http://operetta-research-center.org/les-revues-sur-les-scenes-du-bassin-mediterraneen/#comments</comments>
		<pubDate>Thu, 08 Sep 2022 21:00:51 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[Jean-Claude Yon]]></category>
		<category><![CDATA[Revue Operetta]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23793</guid>
		<description><![CDATA[<p>The Laboratory of Research and Documentation of Modern Greek Theatre of the Department of Theatre Studies of National and Kapodistrian</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/les-revues-sur-les-scenes-du-bassin-mediterraneen/">The Revue in Mediterranean Countries – A Conference in Athens</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/les-revues-sur-les-scenes-du-bassin-mediterraneen/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Charell’s “Casanova” &amp; Spoliansky’s “Zwei Krawatten“ Come To Staatsoperette Dresden</title>
		<link>http://operetta-research-center.org/charells-casanova-spolianskys-zwei-krawatten-come-dresden/</link>
		<comments>http://operetta-research-center.org/charells-casanova-spolianskys-zwei-krawatten-come-dresden/#comments</comments>
		<pubDate>Sun, 18 Jul 2021 18:20:31 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Judith Wiemers]]></category>
		<category><![CDATA[Mischa Spoliansky]]></category>
		<category><![CDATA[Ralph Benatzky]]></category>
		<category><![CDATA[Revue Operetta]]></category>
		<category><![CDATA[Staatsoperette Dresden]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=22395</guid>
		<description><![CDATA[<p>Using the famous line “Die ganze Welt ist himmelblau,” the artistic director of Staatsoperette Dresden, Kathrin Kondaurow, has presented her</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/charells-casanova-spolianskys-zwei-krawatten-come-dresden/">Charell’s “Casanova” &#038; Spoliansky’s “Zwei Krawatten“ Come To Staatsoperette Dresden</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/charells-casanova-spolianskys-zwei-krawatten-come-dresden/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Gorki Theater Streams &#8220;Alles Schwindel&#8221; With English Subtitles For Christmas</title>
		<link>http://operetta-research-center.org/gorki-theater-streams-alles-schwindel-english-subtitles-christmas/</link>
		<comments>http://operetta-research-center.org/gorki-theater-streams-alles-schwindel-english-subtitles-christmas/#comments</comments>
		<pubDate>Sat, 12 Dec 2020 09:46:38 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[On Screen]]></category>
		<category><![CDATA[Christian Weise]]></category>
		<category><![CDATA[Gorki Theater]]></category>
		<category><![CDATA[Jazz Operetta]]></category>
		<category><![CDATA[Jonas Dassler]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Marcellus Schiffer]]></category>
		<category><![CDATA[Mischa Spoliansky]]></category>
		<category><![CDATA[Revue Operetta]]></category>
		<category><![CDATA[Weimar Republic]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21019</guid>
		<description><![CDATA[<p>When I saw the news today that Gorki Theater Berlin will stream one of the greatest operetta productions I have</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/gorki-theater-streams-alles-schwindel-english-subtitles-christmas/">Gorki Theater Streams &#8220;Alles Schwindel&#8221; With English Subtitles For Christmas</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/gorki-theater-streams-alles-schwindel-english-subtitles-christmas/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Why oh why oh why oh! Burleycue in Ohio: &#8220;The Bandbox Revue&#8221; Of 1922</title>
		<link>http://operetta-research-center.org/oh-oh-oh-burleycue-ohio/</link>
		<comments>http://operetta-research-center.org/oh-oh-oh-burleycue-ohio/#comments</comments>
		<pubDate>Thu, 26 Nov 2020 14:31:34 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Weekly Column]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Revue Operetta]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20889</guid>
		<description><![CDATA[<p>This picture looked to me like a rather nice American girlie entertainment from the Twenties. Wonder what it is, thought</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/oh-oh-oh-burleycue-ohio/">Why oh why oh why oh! Burleycue in Ohio: &#8220;The Bandbox Revue&#8221; Of 1922</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/oh-oh-oh-burleycue-ohio/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Kunst der Oberfläche. Operette zwischen Bravour und Banalität&#8221;</title>
		<link>http://operetta-research-center.org/kunst-der-oberflache-operette-zwischen-bravour-und-banalitat/</link>
		<comments>http://operetta-research-center.org/kunst-der-oberflache-operette-zwischen-bravour-und-banalitat/#comments</comments>
		<pubDate>Sat, 06 Jun 2020 09:15:48 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Albert Gier]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Christoph Marti]]></category>
		<category><![CDATA[Jazz Operetta]]></category>
		<category><![CDATA[Katharine Mehrling]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Revue Operetta]]></category>
		<category><![CDATA[Theodor Adorno]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=19688</guid>
		<description><![CDATA[<p>Unter ihrem Intendanten Barrie Kosky hat die Komische Oper Berlin seit 2012 einen eigenen, unverwechselbaren Operettenstil gefunden: sehr bunt und</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/kunst-der-oberflache-operette-zwischen-bravour-und-banalitat/">&#8220;Kunst der Oberfläche. Operette zwischen Bravour und Banalität&#8221;</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Don’t Forget, Goebbels Was A Ladies’ Man&#8221;: Memories Of The Hiller Girls</title>
		<link>http://operetta-research-center.org/dont-forget-goebbels-ladies-man-memories-hiller-girls/</link>
		<comments>http://operetta-research-center.org/dont-forget-goebbels-ladies-man-memories-hiller-girls/#comments</comments>
		<pubDate>Tue, 13 Mar 2018 09:01:13 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Cultural Politics after 1933]]></category>
		<category><![CDATA[Derek Scally]]></category>
		<category><![CDATA[Hiller Girls]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Revue Operetta]]></category>
		<category><![CDATA[Tiller Girls]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=14321</guid>
		<description><![CDATA[<p>Sitting in her tidy Munich apartment, as snowflakes swirl outside, Jenny Hiller is far away as she watches her younger</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/dont-forget-goebbels-ladies-man-memories-hiller-girls/">&#8220;Don’t Forget, Goebbels Was A Ladies’ Man&#8221;: Memories Of The Hiller Girls</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Like Rheingold, But With More Tunes&#8221;: Stephen Sondheim&#8217;s &#8220;Follies&#8221; At The National Theatre</title>
		<link>http://operetta-research-center.org/stephen-sondheims-follies-national-theatre/</link>
		<comments>http://operetta-research-center.org/stephen-sondheims-follies-national-theatre/#comments</comments>
		<pubDate>Tue, 29 Aug 2017 07:24:27 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Florenz Ziegfeld]]></category>
		<category><![CDATA[John Groves]]></category>
		<category><![CDATA[National Theatre]]></category>
		<category><![CDATA[Revue Operetta]]></category>
		<category><![CDATA[Stephen Sondheim]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=12886</guid>
		<description><![CDATA[<p>There are a few ‘musicals’ written in the last seventy years which, because of both the specific quality of their</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/stephen-sondheims-follies-national-theatre/">&#8220;Like Rheingold, But With More Tunes&#8221;: Stephen Sondheim&#8217;s &#8220;Follies&#8221; At The National Theatre</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/stephen-sondheims-follies-national-theatre/feed/</wfw:commentRss>
		<slash:comments>7</slash:comments>
		</item>
		<item>
		<title>Re-Sampling A Legend: &#8220;Ziegfeld And His Follies&#8221; By Cynthia And Sara Brideson</title>
		<link>http://operetta-research-center.org/re-sampling-legend-ziegfeld-follies-cynthia-sara-brideson/</link>
		<comments>http://operetta-research-center.org/re-sampling-legend-ziegfeld-follies-cynthia-sara-brideson/#comments</comments>
		<pubDate>Sun, 23 Oct 2016 18:50:15 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Anna Held]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Ethan Mordden]]></category>
		<category><![CDATA[Florenz Ziegfeld]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Gender Studies]]></category>
		<category><![CDATA[Ralph Benatzky]]></category>
		<category><![CDATA[Revue Operetta]]></category>
		<category><![CDATA[Rudolf Friml]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=11171</guid>
		<description><![CDATA[<p>Here is a splashy new biography of “Broadway’s Greatest Producer,” Florenz Ziegfeld, written by the team of the Brideson sisters,</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/re-sampling-legend-ziegfeld-follies-cynthia-sara-brideson/">Re-Sampling A Legend: &#8220;Ziegfeld And His Follies&#8221; By Cynthia And Sara Brideson</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Kunst der Oberfläche: Operette zwischen Bravour &amp; Banalität</title>
		<link>http://operetta-research-center.org/kunst-der-oberflache-operette-zwischen-bravour-banalitat/</link>
		<comments>http://operetta-research-center.org/kunst-der-oberflache-operette-zwischen-bravour-banalitat/#comments</comments>
		<pubDate>Wed, 30 Sep 2015 09:00:46 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Gender Studies]]></category>
		<category><![CDATA[Geschwister Pfister]]></category>
		<category><![CDATA[Jazz Operetta]]></category>
		<category><![CDATA[Katharine Mehrling]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Revue Operetta]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=8204</guid>
		<description><![CDATA[<p>The Komische Oper Berlin &#8211; together with researchers Bettina Brandl-Risi and Clemens Risi &#8211; has put together a highly diverse</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/kunst-der-oberflache-operette-zwischen-bravour-banalitat/">Kunst der Oberfläche: Operette zwischen Bravour &#038; Banalität</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
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