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	<title>Operetta Research Center &#187; West End</title>
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		<title>John Philip Sousa’s “El Capitan” (1896)</title>
		<link>http://operetta-research-center.org/john-philip-sousas-el-capitan-1896/</link>
		<comments>http://operetta-research-center.org/john-philip-sousas-el-capitan-1896/#comments</comments>
		<pubDate>Mon, 04 Jul 2022 17:00:49 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[John Philip Sousa]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23678</guid>
		<description><![CDATA[<p>One of the earliest successful comic operas to come out of America, El Capitan was also the one successful attempt</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/john-philip-sousas-el-capitan-1896/">John Philip Sousa’s “El Capitan” (1896)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Reviving Jean Gilbert’s “Kinokönigin” (1913) à la Bob Fosse in Leipzig?</title>
		<link>http://operetta-research-center.org/jean-gilbert-kinokoenigin-leipzig/</link>
		<comments>http://operetta-research-center.org/jean-gilbert-kinokoenigin-leipzig/#comments</comments>
		<pubDate>Sun, 10 Apr 2022 11:25:06 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Bob Fosse]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[Jean Gilbert]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23487</guid>
		<description><![CDATA[<p>Let&#8217;s start with the positive side of this: Musikalische Komödie has put forgotten composer Jean Gilbert (1879-1942) back on stage</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/jean-gilbert-kinokoenigin-leipzig/">Reviving Jean Gilbert’s “Kinokönigin” (1913) à la Bob Fosse in Leipzig?</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/jean-gilbert-kinokoenigin-leipzig/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Jean Gilbert (1879-1942): One of the Most Successful Composers for the German Musical Stage</title>
		<link>http://operetta-research-center.org/jean-gilbert-german-composer/</link>
		<comments>http://operetta-research-center.org/jean-gilbert-german-composer/#comments</comments>
		<pubDate>Sun, 10 Apr 2022 09:35:19 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Composers in Exile]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Fritzi Massary]]></category>
		<category><![CDATA[Jean Gilbert]]></category>
		<category><![CDATA[Robert Gilbert]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23470</guid>
		<description><![CDATA[<p>Gilbert was born as Max Winterfeld in Hamburg, 11 February 1879. He died in exile in Buenos Aires, 20 December</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/jean-gilbert-german-composer/">Jean Gilbert (1879-1942): One of the Most Successful Composers for the German Musical Stage</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/jean-gilbert-german-composer/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Isaac Albéniz&#8217;s “The Magic Opal” at the Teatro de la Zarzuela in Madrid</title>
		<link>http://operetta-research-center.org/isaac-albenizs-magic-opal-teatro-de-la-zarzuela-madrid/</link>
		<comments>http://operetta-research-center.org/isaac-albenizs-magic-opal-teatro-de-la-zarzuela-madrid/#comments</comments>
		<pubDate>Thu, 31 Mar 2022 15:52:55 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Hungarian Operetta]]></category>
		<category><![CDATA[Ignacio Jassa Haro]]></category>
		<category><![CDATA[Spain]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23443</guid>
		<description><![CDATA[<p>If not even a month ago the Teatro Campoamor in Oviedo invited us to take a magical journey to the</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/isaac-albenizs-magic-opal-teatro-de-la-zarzuela-madrid/">Isaac Albéniz&#8217;s “The Magic Opal” at the Teatro de la Zarzuela in Madrid</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/isaac-albenizs-magic-opal-teatro-de-la-zarzuela-madrid/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>42nd Street: The First Complete Recording</title>
		<link>http://operetta-research-center.org/42nd-street-first-complete-recording/</link>
		<comments>http://operetta-research-center.org/42nd-street-first-complete-recording/#comments</comments>
		<pubDate>Thu, 03 Mar 2022 14:21:30 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Busby Berkely]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23377</guid>
		<description><![CDATA[<p>I have just been on a very, very happy trip down memory boulevard. For a couple of years of my</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/42nd-street-first-complete-recording/">42nd Street: The First Complete Recording</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Glitter And Be Gay: Marin Alsop&#8217;s New &#8220;Candide“ From London</title>
		<link>http://operetta-research-center.org/marin-alsop-candide-london/</link>
		<comments>http://operetta-research-center.org/marin-alsop-candide-london/#comments</comments>
		<pubDate>Tue, 07 Dec 2021 12:10:01 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Leonard Bernstein]]></category>
		<category><![CDATA[Marin Alsop]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23056</guid>
		<description><![CDATA[<p>Finding the best of all possible Candide recordings is hard. Because Leonard Bernstein&#8217;s eclectic work from 1956 &#8211; his only</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/marin-alsop-candide-london/">Glitter And Be Gay: Marin Alsop&#8217;s New &#8220;Candide“ From London</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Arnold Bennett Discusses Operettas &amp; Musicals: Journal Entries 1897-1928</title>
		<link>http://operetta-research-center.org/arnold-bennett-journal-entries-1897-1928/</link>
		<comments>http://operetta-research-center.org/arnold-bennett-journal-entries-1897-1928/#comments</comments>
		<pubDate>Thu, 01 Jul 2021 10:47:38 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Historical articles & reviews]]></category>
		<category><![CDATA[Arnold Bennett]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[George Gershwin]]></category>
		<category><![CDATA[Laurence Senelick]]></category>
		<category><![CDATA[The Merry Widow]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=22202</guid>
		<description><![CDATA[<p>The English author Arnold Bennett (1867-1931) is best known as a novelist and playwright. He also kept a journal in</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/arnold-bennett-journal-entries-1897-1928/">Arnold Bennett Discusses Operettas &#038; Musicals: Journal Entries 1897-1928</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Constance Drever: Creating “La Veuve joyeuse” With A Strong English Accent</title>
		<link>http://operetta-research-center.org/constance-drever-creating-la-veuve-joyeuse-strong-english-accent/</link>
		<comments>http://operetta-research-center.org/constance-drever-creating-la-veuve-joyeuse-strong-english-accent/#comments</comments>
		<pubDate>Fri, 28 May 2021 09:04:46 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Weekly Column]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Oscar Straus]]></category>
		<category><![CDATA[The Merry Widow]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21914</guid>
		<description><![CDATA[<p>The history of Die lustige Witwe has fascinated us, here at the Operetta Research Center, immensely over the past months.</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/constance-drever-creating-la-veuve-joyeuse-strong-english-accent/">Constance Drever: Creating “La Veuve joyeuse” With A Strong English Accent</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/constance-drever-creating-la-veuve-joyeuse-strong-english-accent/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Incomparable Maudi Darrell: One-Time Darling Of London&#8217;s Gaiety Theatre</title>
		<link>http://operetta-research-center.org/incomparable-maudi-darrell-one-time-darling-london-gaiety-theatre/</link>
		<comments>http://operetta-research-center.org/incomparable-maudi-darrell-one-time-darling-london-gaiety-theatre/#comments</comments>
		<pubDate>Wed, 24 Mar 2021 10:58:20 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[Gaiety Theatre]]></category>
		<category><![CDATA[Howard Talbot]]></category>
		<category><![CDATA[Lily Elsie]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[Maudi Darrell]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21654</guid>
		<description><![CDATA[<p>The story begins almost like a fairy tale: Once upon a time there were three brothers, George, Edward and John.</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/incomparable-maudi-darrell-one-time-darling-london-gaiety-theatre/">The Incomparable Maudi Darrell: One-Time Darling Of London&#8217;s Gaiety Theatre</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>Ivan Caryll &amp; The Heyday Of The Gaiety Musical Comedy</title>
		<link>http://operetta-research-center.org/ivan-caryll-principal-composer-conductor-heyday-gaiety-musical-comedy/</link>
		<comments>http://operetta-research-center.org/ivan-caryll-principal-composer-conductor-heyday-gaiety-musical-comedy/#comments</comments>
		<pubDate>Fri, 23 Oct 2020 12:09:05 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Adolf Philipp]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Ivan Caryll]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20744</guid>
		<description><![CDATA[<p>Ivan Caryll was the principal composer and conductor for the heyday of the Gaiety musical comedy who encouraged the development</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/ivan-caryll-principal-composer-conductor-heyday-gaiety-musical-comedy/">Ivan Caryll &#038; The Heyday Of The Gaiety Musical Comedy</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/ivan-caryll-principal-composer-conductor-heyday-gaiety-musical-comedy/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>A Bi-Polar “Merry Widow”: The Life Of Lily Elsie (1886-1962) Revisited</title>
		<link>http://operetta-research-center.org/bi-polar-merry-widow-life-lily-elsie-1886-1961-revisited/</link>
		<comments>http://operetta-research-center.org/bi-polar-merry-widow-life-lily-elsie-1886-1961-revisited/#comments</comments>
		<pubDate>Mon, 28 Sep 2020 10:34:33 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[David Slattery-Christy]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Ivor Novello]]></category>
		<category><![CDATA[Lily Elsie]]></category>
		<category><![CDATA[Oscar Straus]]></category>
		<category><![CDATA[Truesoundtranfers]]></category>
		<category><![CDATA[Victor Léon]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20612</guid>
		<description><![CDATA[<p>Elsie Hodder was born in a rather squalid theatrical lodging house in Leeds on 8 April, 1886. Her mother was</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/bi-polar-merry-widow-life-lily-elsie-1886-1961-revisited/">A Bi-Polar “Merry Widow”: The Life Of Lily Elsie (1886-1962) Revisited</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/bi-polar-merry-widow-life-lily-elsie-1886-1961-revisited/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The First English Language Danilo in “The Merry Widow”: US-Comedian Joseph Coyne (1867-1941)</title>
		<link>http://operetta-research-center.org/first-english-language-danilo-merry-widow-us-comedian-joseph-coyne-1867-1941/</link>
		<comments>http://operetta-research-center.org/first-english-language-danilo-merry-widow-us-comedian-joseph-coyne-1867-1941/#comments</comments>
		<pubDate>Mon, 14 Sep 2020 11:32:20 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20466</guid>
		<description><![CDATA[<p>Joseph Coyne was a light comedy actor-who-sings who moved from silly-ass rôles in his native America to stardom as Britain’s</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/first-english-language-danilo-merry-widow-us-comedian-joseph-coyne-1867-1941/">The First English Language Danilo in “The Merry Widow”: US-Comedian Joseph Coyne (1867-1941)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
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