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	<title>Operetta Research Center &#187; British Operetta</title>
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	<description>The #1 Archive for Musical Theater</description>
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		<title>Stanislavsky and “The Mikado”</title>
		<link>http://operetta-research-center.org/stanislavsky-mikado-moscow-first-russian-production-laurence-senelick/</link>
		<comments>http://operetta-research-center.org/stanislavsky-mikado-moscow-first-russian-production-laurence-senelick/#comments</comments>
		<pubDate>Thu, 13 Apr 2023 10:20:12 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Laurence Senelick]]></category>
		<category><![CDATA[Savoy Operas]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24431</guid>
		<description><![CDATA[<p>Operetta was one of the most successful forms of theatre to go transglobal in the 19th and early 20th century.</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/stanislavsky-mikado-moscow-first-russian-production-laurence-senelick/">Stanislavsky and “The Mikado”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/stanislavsky-mikado-moscow-first-russian-production-laurence-senelick/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Gilbert &amp; Sullivan: Is Sexual Innuendo Imbedded in “HMS Pinafore”?</title>
		<link>http://operetta-research-center.org/sexual-innuendo-imbedded-h-m-s-pinafore/</link>
		<comments>http://operetta-research-center.org/sexual-innuendo-imbedded-h-m-s-pinafore/#comments</comments>
		<pubDate>Wed, 01 Mar 2023 14:47:52 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Laurence Senelick]]></category>
		<category><![CDATA[Savoy Operas]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24337</guid>
		<description><![CDATA[<p>It is an accepted notion that Gilbert and Sullivan were careful to exclude anything in their comic operas that could</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/sexual-innuendo-imbedded-h-m-s-pinafore/">Gilbert &#038; Sullivan: Is Sexual Innuendo Imbedded in “HMS Pinafore”?</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/sexual-innuendo-imbedded-h-m-s-pinafore/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>“The Pleasure Garden” and Its Place in the History of LGBT Musicals</title>
		<link>http://operetta-research-center.org/pleasure-garden-place-history-lgbt-musicals/</link>
		<comments>http://operetta-research-center.org/pleasure-garden-place-history-lgbt-musicals/#comments</comments>
		<pubDate>Sun, 09 Oct 2022 13:55:04 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[London]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23878</guid>
		<description><![CDATA[<p>In 2021, the “bittersweet musical romance” The Pleasure Garden premiered at the Above the Stag theater in London. It’s a</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/pleasure-garden-place-history-lgbt-musicals/">“The Pleasure Garden” and Its Place in the History of LGBT Musicals</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/pleasure-garden-place-history-lgbt-musicals/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Quirky and Esoteric: Sandy Wilson’s 1958 “Valmouth”</title>
		<link>http://operetta-research-center.org/sandy-wilsons-valmouth-1958/</link>
		<comments>http://operetta-research-center.org/sandy-wilsons-valmouth-1958/#comments</comments>
		<pubDate>Thu, 25 Aug 2022 08:18:49 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Sandy Wilson]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23756</guid>
		<description><![CDATA[<p>The show was commissioned from Sandy Wilson, the author-composer of The Boy Friend, by Oscar Lewenstein and the Royal Court Theatre as</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/sandy-wilsons-valmouth-1958/">Quirky and Esoteric: Sandy Wilson’s 1958 “Valmouth”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/sandy-wilsons-valmouth-1958/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Revisiting the Emily Soldene Biography. Or: the Postscripta of Publication</title>
		<link>http://operetta-research-center.org/revisiting-emily-soldene-biography-postscripta-publication/</link>
		<comments>http://operetta-research-center.org/revisiting-emily-soldene-biography-postscripta-publication/#comments</comments>
		<pubDate>Sun, 14 Aug 2022 08:45:43 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Emily Soldene]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23727</guid>
		<description><![CDATA[<p>When you have spent more than 20 years researching and writing a book, when you have lived and breathed the</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/revisiting-emily-soldene-biography-postscripta-publication/">Revisiting the Emily Soldene Biography. Or: the Postscripta of Publication</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>An 18th Century Operetta Composer? First Recording Of Charles Dibdin’s “The Wags”</title>
		<link>http://operetta-research-center.org/charles-dibdins-wags-cd/</link>
		<comments>http://operetta-research-center.org/charles-dibdins-wags-cd/#comments</comments>
		<pubDate>Sun, 31 Oct 2021 10:54:41 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Charles Dibdin]]></category>
		<category><![CDATA[John Groves]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=22888</guid>
		<description><![CDATA[<p>Charles Dibdin is often thought of, assuming he is thought of at all, as one of the links between the</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/charles-dibdins-wags-cd/">An 18th Century Operetta Composer? First Recording Of Charles Dibdin’s “The Wags”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/charles-dibdins-wags-cd/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Kurt Gänzl’s “Gilbert and Sullivan: The Players and the Plays”</title>
		<link>http://operetta-research-center.org/kurt-ganzls-gilbert-sullivan-players-plays/</link>
		<comments>http://operetta-research-center.org/kurt-ganzls-gilbert-sullivan-players-plays/#comments</comments>
		<pubDate>Sat, 30 Oct 2021 11:15:40 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[In Print]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[John Groves]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Savoy Operas]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=22871</guid>
		<description><![CDATA[<p>I feel very honoured and flattered to have been asked to write about the most important book to be written</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/kurt-ganzls-gilbert-sullivan-players-plays/">Kurt Gänzl’s “Gilbert and Sullivan: The Players and the Plays”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/kurt-ganzls-gilbert-sullivan-players-plays/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Incomparable Maudi Darrell: One-Time Darling Of London&#8217;s Gaiety Theatre</title>
		<link>http://operetta-research-center.org/incomparable-maudi-darrell-one-time-darling-london-gaiety-theatre/</link>
		<comments>http://operetta-research-center.org/incomparable-maudi-darrell-one-time-darling-london-gaiety-theatre/#comments</comments>
		<pubDate>Wed, 24 Mar 2021 10:58:20 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[Gaiety Theatre]]></category>
		<category><![CDATA[Howard Talbot]]></category>
		<category><![CDATA[Lily Elsie]]></category>
		<category><![CDATA[London]]></category>
		<category><![CDATA[Maudi Darrell]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21654</guid>
		<description><![CDATA[<p>The story begins almost like a fairy tale: Once upon a time there were three brothers, George, Edward and John.</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/incomparable-maudi-darrell-one-time-darling-london-gaiety-theatre/">The Incomparable Maudi Darrell: One-Time Darling Of London&#8217;s Gaiety Theatre</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/incomparable-maudi-darrell-one-time-darling-london-gaiety-theatre/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>March of the Falsettos: Streaming Sasha Regan’s “Pirates of Penzance” From The Palace Theatre</title>
		<link>http://operetta-research-center.org/march-falsettos-sasha-regans-pirates-penzance-stream-palace-theatre/</link>
		<comments>http://operetta-research-center.org/march-falsettos-sasha-regans-pirates-penzance-stream-palace-theatre/#comments</comments>
		<pubDate>Wed, 30 Dec 2020 11:21:50 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[On Screen]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Sasha Regan]]></category>
		<category><![CDATA[Savoy Operas]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21182</guid>
		<description><![CDATA[<p>The gimmick with which the West End revival of Sasha Regan’s Pirates of Penzance at the Palace Theatre was recently</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/march-falsettos-sasha-regans-pirates-penzance-stream-palace-theatre/">March of the Falsettos: Streaming Sasha Regan’s “Pirates of Penzance” From The Palace Theatre</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/march-falsettos-sasha-regans-pirates-penzance-stream-palace-theatre/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>COX AND BOX, or The Long Lost Brothers: Musical Triumviretta In 1 Act With Music By Arthur Sullivan</title>
		<link>http://operetta-research-center.org/cox-box-long-lost-brothers-musical-triumviretta-1-act-music-arthur-sullivan/</link>
		<comments>http://operetta-research-center.org/cox-box-long-lost-brothers-musical-triumviretta-1-act-music-arthur-sullivan/#comments</comments>
		<pubDate>Mon, 21 Dec 2020 09:47:18 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[London]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21111</guid>
		<description><![CDATA[<p>This Musical triumviretta in 1 act was adapted from J Maddison Morton’s farce Box and Cox by F C Burnand,</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/cox-box-long-lost-brothers-musical-triumviretta-1-act-music-arthur-sullivan/">COX AND BOX, or The Long Lost Brothers: Musical Triumviretta In 1 Act With Music By Arthur Sullivan</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/cox-box-long-lost-brothers-musical-triumviretta-1-act-music-arthur-sullivan/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ivan Caryll &amp; The Heyday Of The Gaiety Musical Comedy</title>
		<link>http://operetta-research-center.org/ivan-caryll-principal-composer-conductor-heyday-gaiety-musical-comedy/</link>
		<comments>http://operetta-research-center.org/ivan-caryll-principal-composer-conductor-heyday-gaiety-musical-comedy/#comments</comments>
		<pubDate>Fri, 23 Oct 2020 12:09:05 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Adolf Philipp]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Ivan Caryll]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20744</guid>
		<description><![CDATA[<p>Ivan Caryll was the principal composer and conductor for the heyday of the Gaiety musical comedy who encouraged the development</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/ivan-caryll-principal-composer-conductor-heyday-gaiety-musical-comedy/">Ivan Caryll &#038; The Heyday Of The Gaiety Musical Comedy</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/ivan-caryll-principal-composer-conductor-heyday-gaiety-musical-comedy/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>A Bi-Polar “Merry Widow”: The Life Of Lily Elsie (1886-1962) Revisited</title>
		<link>http://operetta-research-center.org/bi-polar-merry-widow-life-lily-elsie-1886-1961-revisited/</link>
		<comments>http://operetta-research-center.org/bi-polar-merry-widow-life-lily-elsie-1886-1961-revisited/#comments</comments>
		<pubDate>Mon, 28 Sep 2020 10:34:33 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[David Slattery-Christy]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Ivor Novello]]></category>
		<category><![CDATA[Lily Elsie]]></category>
		<category><![CDATA[Oscar Straus]]></category>
		<category><![CDATA[Truesoundtranfers]]></category>
		<category><![CDATA[Victor Léon]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20612</guid>
		<description><![CDATA[<p>Elsie Hodder was born in a rather squalid theatrical lodging house in Leeds on 8 April, 1886. Her mother was</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/bi-polar-merry-widow-life-lily-elsie-1886-1961-revisited/">A Bi-Polar “Merry Widow”: The Life Of Lily Elsie (1886-1962) Revisited</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/bi-polar-merry-widow-life-lily-elsie-1886-1961-revisited/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
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