<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Operetta Research Center &#187; US-Operetta</title>
	<atom:link href="http://operetta-research-center.org/category/history/us-operetta/feed/" rel="self" type="application/rss+xml" />
	<link>http://operetta-research-center.org</link>
	<description>The #1 Archive for Musical Theater</description>
	<lastBuildDate>Sat, 21 Mar 2026 17:23:50 +0000</lastBuildDate>
	<language>en-US</language>
		<sy:updatePeriod>hourly</sy:updatePeriod>
		<sy:updateFrequency>1</sy:updateFrequency>
	<generator>https://wordpress.org/?v=3.9.40</generator>
	<item>
		<title>CAMELOT Musical in 2 acts by Alan Jay Lerner and Frederick Loewe</title>
		<link>http://operetta-research-center.org/camelot-musical-2-acts-alan-jay-lerner-frederick-loewe/</link>
		<comments>http://operetta-research-center.org/camelot-musical-2-acts-alan-jay-lerner-frederick-loewe/#comments</comments>
		<pubDate>Fri, 09 Jun 2023 12:35:55 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Alan Jay Lerner]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Frederick Loewe]]></category>
		<category><![CDATA[Julie Andrews]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24576</guid>
		<description><![CDATA[<p>Camelot had the impossibly difficult task of following behind My Fair Lady in the opus of Lerner and Loewe, and</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/camelot-musical-2-acts-alan-jay-lerner-frederick-loewe/">CAMELOT Musical in 2 acts by Alan Jay Lerner and Frederick Loewe</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/camelot-musical-2-acts-alan-jay-lerner-frederick-loewe/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Blackface and Crossdressing: The Great Minstrel &#8216;Prima Donnas&#8217;</title>
		<link>http://operetta-research-center.org/blackface-crossdressing-great-minstrel-prima-donne/</link>
		<comments>http://operetta-research-center.org/blackface-crossdressing-great-minstrel-prima-donne/#comments</comments>
		<pubDate>Wed, 19 Oct 2022 09:33:38 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Cross Dressing]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Minstrel Shows]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23923</guid>
		<description><![CDATA[<p>In the 21st century, when it is considered oh-so-trendy for boys to dress up as girls, the trendy ones (and</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/blackface-crossdressing-great-minstrel-prima-donne/">Blackface and Crossdressing: The Great Minstrel &#8216;Prima Donnas&#8217;</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/blackface-crossdressing-great-minstrel-prima-donne/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>John Philip Sousa’s “El Capitan” (1896)</title>
		<link>http://operetta-research-center.org/john-philip-sousas-el-capitan-1896/</link>
		<comments>http://operetta-research-center.org/john-philip-sousas-el-capitan-1896/#comments</comments>
		<pubDate>Mon, 04 Jul 2022 17:00:49 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[John Philip Sousa]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23678</guid>
		<description><![CDATA[<p>One of the earliest successful comic operas to come out of America, El Capitan was also the one successful attempt</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/john-philip-sousas-el-capitan-1896/">John Philip Sousa’s “El Capitan” (1896)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/john-philip-sousas-el-capitan-1896/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>A Farcical Comedy: Victor Herbert’s “The Only Girl” Returns to New York</title>
		<link>http://operetta-research-center.org/victor-herberts-girl-returns-new-york/</link>
		<comments>http://operetta-research-center.org/victor-herberts-girl-returns-new-york/#comments</comments>
		<pubDate>Tue, 01 Mar 2022 18:46:21 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Alyce Mott]]></category>
		<category><![CDATA[Harry Forbes]]></category>
		<category><![CDATA[VHRP LIVE!]]></category>
		<category><![CDATA[Victor Herbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23348</guid>
		<description><![CDATA[<p>For a work that, for all its cherishable qualities, can hardly be said to rate as one of Victor Herbert’s</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/victor-herberts-girl-returns-new-york/">A Farcical Comedy: Victor Herbert’s “The Only Girl” Returns to New York</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/victor-herberts-girl-returns-new-york/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Spain Invades Broadway: Rediscovering &#8220;The Land of Joy&#8221; at the Off-Festival in Oviedo</title>
		<link>http://operetta-research-center.org/the-land-joy-rediscovered-in-oviedo/</link>
		<comments>http://operetta-research-center.org/the-land-joy-rediscovered-in-oviedo/#comments</comments>
		<pubDate>Sun, 20 Feb 2022 09:34:16 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Hungarian Operetta]]></category>
		<category><![CDATA[Ignacio Jassa Haro]]></category>
		<category><![CDATA[Spain]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23324</guid>
		<description><![CDATA[<p>While German or Austrian theatres regularly programme classic Broadway musicals, Spain&#8217;s lyric theatres only rarely enter this attractive universe, though</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/the-land-joy-rediscovered-in-oviedo/">Spain Invades Broadway: Rediscovering &#8220;The Land of Joy&#8221; at the Off-Festival in Oviedo</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/the-land-joy-rediscovered-in-oviedo/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>New Art is True Art: Kurt Weill’s “One Touch of Venus”</title>
		<link>http://operetta-research-center.org/new-art-true-art-kurt-weills-one-touch-venus/</link>
		<comments>http://operetta-research-center.org/new-art-true-art-kurt-weills-one-touch-venus/#comments</comments>
		<pubDate>Tue, 08 Dec 2020 18:19:41 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Cole Porter]]></category>
		<category><![CDATA[David Savran]]></category>
		<category><![CDATA[George Gershwin]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Mary Martin]]></category>
		<category><![CDATA[Staatsoperette Dresden]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20986</guid>
		<description><![CDATA[<p>When Staatsoperette Dresden presented Kurt Weill’s One Touch of Venus as part of their “Broadway in Dresden” series, in a</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/new-art-true-art-kurt-weills-one-touch-venus/">New Art is True Art: Kurt Weill’s “One Touch of Venus”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/new-art-true-art-kurt-weills-one-touch-venus/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Why oh why oh why oh! Burleycue in Ohio: &#8220;The Bandbox Revue&#8221; Of 1922</title>
		<link>http://operetta-research-center.org/oh-oh-oh-burleycue-ohio/</link>
		<comments>http://operetta-research-center.org/oh-oh-oh-burleycue-ohio/#comments</comments>
		<pubDate>Thu, 26 Nov 2020 14:31:34 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Weekly Column]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Revue Operetta]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20889</guid>
		<description><![CDATA[<p>This picture looked to me like a rather nice American girlie entertainment from the Twenties. Wonder what it is, thought</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/oh-oh-oh-burleycue-ohio/">Why oh why oh why oh! Burleycue in Ohio: &#8220;The Bandbox Revue&#8221; Of 1922</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/oh-oh-oh-burleycue-ohio/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>David Monod’s “Vaudeville &amp; The Making Of Modern Entertainment&#8221; 1890-1925</title>
		<link>http://operetta-research-center.org/david-monods-vaudeville-making-modern-entertainment-1890-1925/</link>
		<comments>http://operetta-research-center.org/david-monods-vaudeville-making-modern-entertainment-1890-1925/#comments</comments>
		<pubDate>Sat, 24 Oct 2020 09:31:36 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Richard C. Norton]]></category>
		<category><![CDATA[Vaudeville]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20755</guid>
		<description><![CDATA[<p>David Monod, professor of American social and cultural history, has undertaken a massive challenge in presenting a history of American</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/david-monods-vaudeville-making-modern-entertainment-1890-1925/">David Monod’s “Vaudeville &#038; The Making Of Modern Entertainment&#8221; 1890-1925</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/david-monods-vaudeville-making-modern-entertainment-1890-1925/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Ivan Caryll &amp; The Heyday Of The Gaiety Musical Comedy</title>
		<link>http://operetta-research-center.org/ivan-caryll-principal-composer-conductor-heyday-gaiety-musical-comedy/</link>
		<comments>http://operetta-research-center.org/ivan-caryll-principal-composer-conductor-heyday-gaiety-musical-comedy/#comments</comments>
		<pubDate>Fri, 23 Oct 2020 12:09:05 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Adolf Philipp]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Ivan Caryll]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20744</guid>
		<description><![CDATA[<p>Ivan Caryll was the principal composer and conductor for the heyday of the Gaiety musical comedy who encouraged the development</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/ivan-caryll-principal-composer-conductor-heyday-gaiety-musical-comedy/">Ivan Caryll &#038; The Heyday Of The Gaiety Musical Comedy</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/ivan-caryll-principal-composer-conductor-heyday-gaiety-musical-comedy/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>CHIN-CHIN, Or A Modern Aladdin Musical Fantasy (1914) With Music By Ivan Caryll</title>
		<link>http://operetta-research-center.org/chin-chin-modern-aladdin-musical-fantasy-music-ivan-caryll/</link>
		<comments>http://operetta-research-center.org/chin-chin-modern-aladdin-musical-fantasy-music-ivan-caryll/#comments</comments>
		<pubDate>Thu, 22 Oct 2020 08:07:19 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Ivan Caryll]]></category>
		<category><![CDATA[Racism]]></category>
		<category><![CDATA[Yellow Face]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20714</guid>
		<description><![CDATA[<p>An updated version of the Aladdin story, rewritten to feature the comedians Dave Montgomery and Fred Stone, Chin-Chin cast its</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/chin-chin-modern-aladdin-musical-fantasy-music-ivan-caryll/">CHIN-CHIN, Or A Modern Aladdin Musical Fantasy (1914) With Music By Ivan Caryll</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/chin-chin-modern-aladdin-musical-fantasy-music-ivan-caryll/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>A Legendary American Burlesque: “Evangeline” (1874), Beautiful Country Girls &amp; A Dancing Heifer</title>
		<link>http://operetta-research-center.org/legendary-american-burlesque-evangeline-1874/</link>
		<comments>http://operetta-research-center.org/legendary-american-burlesque-evangeline-1874/#comments</comments>
		<pubDate>Sat, 03 Oct 2020 09:40:31 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Burlesque]]></category>
		<category><![CDATA[Henry E. Dixey]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Lydia Thompson]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20636</guid>
		<description><![CDATA[<p>A burlesque of Longfellow’s poem of the same name, the extravaganza Evangeline followed the trials and tribulations of its heroine</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/legendary-american-burlesque-evangeline-1874/">A Legendary American Burlesque: “Evangeline” (1874), Beautiful Country Girls &#038; A Dancing Heifer</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/legendary-american-burlesque-evangeline-1874/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Jeanette MacDonald (1901-1965): Hollywood’s Most Successful Soprano Star Of Celluloid Operetta</title>
		<link>http://operetta-research-center.org/jeanette-macdonald-1901-1965-hollywoods-successful-soprano-star-celluloid-operetta/</link>
		<comments>http://operetta-research-center.org/jeanette-macdonald-1901-1965-hollywoods-successful-soprano-star-celluloid-operetta/#comments</comments>
		<pubDate>Wed, 23 Sep 2020 10:52:17 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Jeanette MacDonald]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Maurice Chevalier]]></category>
		<category><![CDATA[Nelson Eddy]]></category>
		<category><![CDATA[Rudolf Friml]]></category>
		<category><![CDATA[Tonfilmoperette]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20550</guid>
		<description><![CDATA[<p>After beginning her singing career as a teenager in the chorus of a New York revue, Miss MacDonald (born in</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/jeanette-macdonald-1901-1965-hollywoods-successful-soprano-star-celluloid-operetta/">Jeanette MacDonald (1901-1965): Hollywood’s Most Successful Soprano Star Of Celluloid Operetta</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/jeanette-macdonald-1901-1965-hollywoods-successful-soprano-star-celluloid-operetta/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
	</channel>
</rss>
