<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0"
	xmlns:content="http://purl.org/rss/1.0/modules/content/"
	xmlns:wfw="http://wellformedweb.org/CommentAPI/"
	xmlns:dc="http://purl.org/dc/elements/1.1/"
	xmlns:atom="http://www.w3.org/2005/Atom"
	xmlns:sy="http://purl.org/rss/1.0/modules/syndication/"
	xmlns:slash="http://purl.org/rss/1.0/modules/slash/"
	>

<channel>
	<title>Operetta Research Center &#187; Vienna Waltz Operetta</title>
	<atom:link href="http://operetta-research-center.org/category/history/vienna-waltz-operetta/feed/" rel="self" type="application/rss+xml" />
	<link>http://operetta-research-center.org</link>
	<description>The #1 Archive for Musical Theater</description>
	<lastBuildDate>Sat, 21 Mar 2026 17:23:50 +0000</lastBuildDate>
	<language>en-US</language>
		<sy:updatePeriod>hourly</sy:updatePeriod>
		<sy:updateFrequency>1</sy:updateFrequency>
	<generator>https://wordpress.org/?v=3.9.40</generator>
	<item>
		<title>Giorgio Madia: “Entertainment, that’s an insult!”</title>
		<link>http://operetta-research-center.org/operette-giorgio-madia-entertainment-thats-insult/</link>
		<comments>http://operetta-research-center.org/operette-giorgio-madia-entertainment-thats-insult/#comments</comments>
		<pubDate>Fri, 26 Dec 2025 10:26:40 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Italian Operetta]]></category>
		<category><![CDATA[Kiri te Kanawa]]></category>
		<category><![CDATA[Mörbisch]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25770</guid>
		<description><![CDATA[<p>Stage director and choreographer Giorgio Madia discusses operetta then and now, with a special focus on the Mörbisch festival years</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/operette-giorgio-madia-entertainment-thats-insult/">Giorgio Madia: “Entertainment, that’s an insult!”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/operette-giorgio-madia-entertainment-thats-insult/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The International Success of Johann Strauss’ “Das Spitzentuch der Königin“ (1880)</title>
		<link>http://operetta-research-center.org/johann-strauss-das-spitzentuch-der-konigin-1880/</link>
		<comments>http://operetta-research-center.org/johann-strauss-das-spitzentuch-der-konigin-1880/#comments</comments>
		<pubDate>Tue, 21 Jan 2025 10:46:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Richard Genée]]></category>
		<category><![CDATA[Staatsoperette Dresden]]></category>
		<category><![CDATA[Theater an der Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25481</guid>
		<description><![CDATA[<p>Following the notable success of Die Fledermaus, Johann Strauss had fared less well with Cagliostro in Wien and Prinz Methusalem</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/johann-strauss-das-spitzentuch-der-konigin-1880/">The International Success of Johann Strauss’ “Das Spitzentuch der Königin“ (1880)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/johann-strauss-das-spitzentuch-der-konigin-1880/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Carl Millöcker (b. Vienna, 29 April 1842; d. Baden bei Wien, 31 December 1899)</title>
		<link>http://operetta-research-center.org/carl-millocker-vienna-29-april-1842-baden-bei-wien-31-december-1899/</link>
		<comments>http://operetta-research-center.org/carl-millocker-vienna-29-april-1842-baden-bei-wien-31-december-1899/#comments</comments>
		<pubDate>Tue, 02 Jan 2024 21:16:57 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Carl Millöcker]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24928</guid>
		<description><![CDATA[<p>Carl Millöcker was one of the trio of Viennese composers who were responsible for the bulk of the outstanding Operetten</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/carl-millocker-vienna-29-april-1842-baden-bei-wien-31-december-1899/">Carl Millöcker (b. Vienna, 29 April 1842; d. Baden bei Wien, 31 December 1899)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/carl-millocker-vienna-29-april-1842-baden-bei-wien-31-december-1899/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Der arme Jonathan&#8221;: Operette in 3 acts by Carl Millöker</title>
		<link>http://operetta-research-center.org/der-arme-jonathan-operette-3-acts-carl-milloker/</link>
		<comments>http://operetta-research-center.org/der-arme-jonathan-operette-3-acts-carl-milloker/#comments</comments>
		<pubDate>Tue, 02 Jan 2024 20:49:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Carl Millöcker]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24916</guid>
		<description><![CDATA[<p>Hugo Wittmann and Julius Bauer based their libretto on Les Deux Anglais by P-F Merville, Carl Millöcker wrote the music. Their show, Der</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/der-arme-jonathan-operette-3-acts-carl-milloker/">&#8220;Der arme Jonathan&#8221;: Operette in 3 acts by Carl Millöker</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/der-arme-jonathan-operette-3-acts-carl-milloker/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“Lachende Erben“, Or: Another Weinberger?</title>
		<link>http://operetta-research-center.org/lachende-erben-another-weinberger/</link>
		<comments>http://operetta-research-center.org/lachende-erben-another-weinberger/#comments</comments>
		<pubDate>Mon, 07 Mar 2022 19:11:51 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Louis Treumann]]></category>
		<category><![CDATA[Mizzi Günther]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23389</guid>
		<description><![CDATA[<p>Carl [Rudolf Michael] Weinberger was born in Vienna on 3 April, 1861, and he died there on 1 November, 1939.</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/lachende-erben-another-weinberger/">“Lachende Erben“, Or: Another Weinberger?</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/lachende-erben-another-weinberger/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“Nanon, die Wirtin vom Goldenen Lamm“: Richard Genée‘s 1877 Hit Revisited</title>
		<link>http://operetta-research-center.org/nanon-richard-genee-1877/</link>
		<comments>http://operetta-research-center.org/nanon-richard-genee-1877/#comments</comments>
		<pubDate>Sun, 07 Nov 2021 10:06:38 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Hubert Marischka]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Richard Genée]]></category>
		<category><![CDATA[Theater an der Wien]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=22922</guid>
		<description><![CDATA[<p>This operette in 3 acts by F Zell is based on the comédie-vaudeville Nanon, Ninon et Madame de Maintenon by</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/nanon-richard-genee-1877/">“Nanon, die Wirtin vom Goldenen Lamm“: Richard Genée‘s 1877 Hit Revisited</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/nanon-richard-genee-1877/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Richard Genée’s “Die Antisemiten” (1868): Solo Scene Translated Into English</title>
		<link>http://operetta-research-center.org/richard-genees-die-antisemiten-1868-translated-english-first-time/</link>
		<comments>http://operetta-research-center.org/richard-genees-die-antisemiten-1868-translated-english-first-time/#comments</comments>
		<pubDate>Sat, 28 Aug 2021 10:36:23 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Dario Salvi]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Richard Genée]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=22577</guid>
		<description><![CDATA[<p>With a title like Die Antisemiten (The Antisemites) attached to a “Grand Opera” you have the immediate attention of most</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/richard-genees-die-antisemiten-1868-translated-english-first-time/">Richard Genée’s “Die Antisemiten” (1868): Solo Scene Translated Into English</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/richard-genees-die-antisemiten-1868-translated-english-first-time/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“I Would Like To See More Women Writing About Operetta”: Micaela Baranello Discusses Her Book “The Operetta Empire”</title>
		<link>http://operetta-research-center.org/micaela-baranello-discusses-new-book-operetta-empire/</link>
		<comments>http://operetta-research-center.org/micaela-baranello-discusses-new-book-operetta-empire/#comments</comments>
		<pubDate>Sat, 29 May 2021 09:25:35 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Gender Studies]]></category>
		<category><![CDATA[Jonas Kaufmann]]></category>
		<category><![CDATA[Leo Fall]]></category>
		<category><![CDATA[Piotr Beczala]]></category>
		<category><![CDATA[Richard Tauber]]></category>
		<category><![CDATA[Richard Traubner]]></category>
		<category><![CDATA[Theater an der Wien]]></category>
		<category><![CDATA[Volker Klotz]]></category>
		<category><![CDATA[Volksoper Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21918</guid>
		<description><![CDATA[<p>The US-American musicologist Micaela Baranello joined the Department of Music at the University of Arkansas in 2017 and has recently</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/micaela-baranello-discusses-new-book-operetta-empire/">“I Would Like To See More Women Writing About Operetta”: Micaela Baranello Discusses Her Book “The Operetta Empire”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/micaela-baranello-discusses-new-book-operetta-empire/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Constance Drever: Creating “La Veuve joyeuse” With A Strong English Accent</title>
		<link>http://operetta-research-center.org/constance-drever-creating-la-veuve-joyeuse-strong-english-accent/</link>
		<comments>http://operetta-research-center.org/constance-drever-creating-la-veuve-joyeuse-strong-english-accent/#comments</comments>
		<pubDate>Fri, 28 May 2021 09:04:46 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Weekly Column]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Oscar Straus]]></category>
		<category><![CDATA[The Merry Widow]]></category>
		<category><![CDATA[West End]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21914</guid>
		<description><![CDATA[<p>The history of Die lustige Witwe has fascinated us, here at the Operetta Research Center, immensely over the past months.</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/constance-drever-creating-la-veuve-joyeuse-strong-english-accent/">Constance Drever: Creating “La Veuve joyeuse” With A Strong English Accent</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/constance-drever-creating-la-veuve-joyeuse-strong-english-accent/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“Sehnsucht 202” On DVD: A Very Queer Version Of Vienna With Fritz Schulz &amp; Paul Kemp</title>
		<link>http://operetta-research-center.org/sehnsucht-202-dvd-queer-version-vienna-louise-rainer-magda-schneider/</link>
		<comments>http://operetta-research-center.org/sehnsucht-202-dvd-queer-version-vienna-louise-rainer-magda-schneider/#comments</comments>
		<pubDate>Sat, 28 Nov 2020 10:43:12 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On Screen]]></category>
		<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Jonas Kaufmann]]></category>
		<category><![CDATA[Paul Abraham]]></category>
		<category><![CDATA[Tonfilmoperette]]></category>
		<category><![CDATA[Vienna]]></category>
		<category><![CDATA[Willi Forst]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20902</guid>
		<description><![CDATA[<p>The Austrian newspaper Der Standard has added a forgotten film operetta to their DVD series &#8220;Der österreichische Film&#8221;, a movie</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/sehnsucht-202-dvd-queer-version-vienna-louise-rainer-magda-schneider/">“Sehnsucht 202” On DVD: A Very Queer Version Of Vienna With Fritz Schulz &#038; Paul Kemp</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/sehnsucht-202-dvd-queer-version-vienna-louise-rainer-magda-schneider/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lily Elsie (1886-1962): Becoming &#8220;The Most Photographed Woman In The World&#8221;</title>
		<link>http://operetta-research-center.org/lily-elsie-1886-1962-shooting-stardom-britains-merry-widow/</link>
		<comments>http://operetta-research-center.org/lily-elsie-1886-1962-shooting-stardom-britains-merry-widow/#comments</comments>
		<pubDate>Sat, 19 Sep 2020 08:05:20 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[David Slattery-Christy]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Leo Fall]]></category>
		<category><![CDATA[Oscar Straus]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20498</guid>
		<description><![CDATA[<p>A child of mysterious origins (she was rumoured, when fame came, to have been the illegitimate daughter of an aristocrat</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/lily-elsie-1886-1962-shooting-stardom-britains-merry-widow/">Lily Elsie (1886-1962): Becoming &#8220;The Most Photographed Woman In The World&#8221;</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/lily-elsie-1886-1962-shooting-stardom-britains-merry-widow/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Broadway Producer Henry W. Savage (1859-1927): “Merry Widow” and “Sari” Were His Greatest Hits</title>
		<link>http://operetta-research-center.org/broadway-producer-henry-w-savage-1859-1927-merry-widow-sari-greatest-hits/</link>
		<comments>http://operetta-research-center.org/broadway-producer-henry-w-savage-1859-1927-merry-widow-sari-greatest-hits/#comments</comments>
		<pubDate>Fri, 18 Sep 2020 09:00:49 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Henry Savage]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Oscar Straus]]></category>
		<category><![CDATA[Reginald De Koven]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20490</guid>
		<description><![CDATA[<p>Harvard-educated Henry Wilson Savage was born in New Durham (New Hampshire) on 21 March 1859 and well established as a</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/broadway-producer-henry-w-savage-1859-1927-merry-widow-sari-greatest-hits/">Broadway Producer Henry W. Savage (1859-1927): “Merry Widow” and “Sari” Were His Greatest Hits</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/broadway-producer-henry-w-savage-1859-1927-merry-widow-sari-greatest-hits/feed/</wfw:commentRss>
		<slash:comments>5</slash:comments>
		</item>
	</channel>
</rss>
