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	<title>Operetta Research Center</title>
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		<title>Can “Boccaccio” Still Shock? Bad Ischl Says No</title>
		<link>http://operetta-research-center.org/can-boccaccio-still-shock-bad-ischl-says/</link>
		<comments>http://operetta-research-center.org/can-boccaccio-still-shock-bad-ischl-says/#comments</comments>
		<pubDate>Sun, 12 Jul 2026 09:17:22 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Bad Ischl]]></category>
		<category><![CDATA[Christian Weise]]></category>
		<category><![CDATA[Franz von Suppé]]></category>
		<category><![CDATA[Richard Genée]]></category>
		<category><![CDATA[Stefan Frey]]></category>
		<category><![CDATA[Thomas Enzinger]]></category>
		<category><![CDATA[tutti d*amore]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25871</guid>
		<description><![CDATA[<p>The 2026 edition of the Lehár Festival turns its attention to medieval Florence, opening on 11 July 2026 with Franz</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/can-boccaccio-still-shock-bad-ischl-says/">Can “Boccaccio” Still Shock? Bad Ischl Says No</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		</item>
		<item>
		<title>A Passion for Zarzuela: Christof Loy&#8217;s Musical Tribute to Pilar Lorengar</title>
		<link>http://operetta-research-center.org/passion-zarzuela-christof-loys-musical-tribute-pilar-lorengar/</link>
		<comments>http://operetta-research-center.org/passion-zarzuela-christof-loys-musical-tribute-pilar-lorengar/#comments</comments>
		<pubDate>Tue, 07 Jul 2026 09:11:26 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Christof Loy]]></category>
		<category><![CDATA[Deutsche Oper Berlin]]></category>
		<category><![CDATA[Hungarian Operetta]]></category>
		<category><![CDATA[Spain]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25861</guid>
		<description><![CDATA[<p>The Deutsche Oper Berlin concluded its 2025/26 season with a rare celebration of the zarzuela, presenting the Gran Gala de</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/passion-zarzuela-christof-loys-musical-tribute-pilar-lorengar/">A Passion for Zarzuela: Christof Loy&#8217;s Musical Tribute to Pilar Lorengar</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/passion-zarzuela-christof-loys-musical-tribute-pilar-lorengar/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Beyond Castanet Kitsch: &#8220;Gran Gala de Zarzuela&#8221; at Deutsche Oper Berlin</title>
		<link>http://operetta-research-center.org/christof-loy-beyond-castanet-kitsch-gran-gala-de-zarzuela-deutsche-oper-berlin/</link>
		<comments>http://operetta-research-center.org/christof-loy-beyond-castanet-kitsch-gran-gala-de-zarzuela-deutsche-oper-berlin/#comments</comments>
		<pubDate>Thu, 02 Jul 2026 14:14:37 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Deutsche Oper Berlin]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Hungarian Operetta]]></category>
		<category><![CDATA[Spain]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25844</guid>
		<description><![CDATA[<p>Director Christof Loy brings his company Los Paladines to Deutsche Oper Berlin to present zarzuela—the Spanish sister of operetta—in a</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/christof-loy-beyond-castanet-kitsch-gran-gala-de-zarzuela-deutsche-oper-berlin/">Beyond Castanet Kitsch: &#8220;Gran Gala de Zarzuela&#8221; at Deutsche Oper Berlin</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/christof-loy-beyond-castanet-kitsch-gran-gala-de-zarzuela-deutsche-oper-berlin/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“A Life on the Ocean Wave”: The Story of Henry Russell Revisted</title>
		<link>http://operetta-research-center.org/life-ocean-wave-story-henry-russell-revisted/</link>
		<comments>http://operetta-research-center.org/life-ocean-wave-story-henry-russell-revisted/#comments</comments>
		<pubDate>Sat, 02 May 2026 19:43:47 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Andrew Lamb]]></category>
		<category><![CDATA[Biography]]></category>
		<category><![CDATA[John Groves]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25839</guid>
		<description><![CDATA[<p>In 2007, English writer, music historian, lecturer, and broadcaster Andrew Lamb self-published a fascinating biography of the “entertainer” Henry Russell</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/life-ocean-wave-story-henry-russell-revisted/">“A Life on the Ocean Wave”: The Story of Henry Russell Revisted</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/life-ocean-wave-story-henry-russell-revisted/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Smartphones, Sequins and Kálmán: “Die Csárdásfürstin” in Neustrelitz</title>
		<link>http://operetta-research-center.org/smartphones-sequins-kalman-die-csardasfurstin-neustrelitz/</link>
		<comments>http://operetta-research-center.org/smartphones-sequins-kalman-die-csardasfurstin-neustrelitz/#comments</comments>
		<pubDate>Mon, 06 Apr 2026 09:45:00 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Béla Jenbach]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Festspiele im Schlossgarten Neustrelitz]]></category>
		<category><![CDATA[Leo Stein]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25850</guid>
		<description><![CDATA[<p>On the first page of the programme booklet, the mayor of the residential town of Neustrelitz describes the Operetta Festival</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/smartphones-sequins-kalman-die-csardasfurstin-neustrelitz/">Smartphones, Sequins and Kálmán: “Die Csárdásfürstin” in Neustrelitz</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/smartphones-sequins-kalman-die-csardasfurstin-neustrelitz/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“Hopsa” – Paul Burkhard’s Breakthrough and the Birth of the Swiss Musical</title>
		<link>http://operetta-research-center.org/hopsa-paul-burkhard-buhne-burhaschi-swiss-musical/</link>
		<comments>http://operetta-research-center.org/hopsa-paul-burkhard-buhne-burhaschi-swiss-musical/#comments</comments>
		<pubDate>Sat, 21 Mar 2026 17:23:27 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Paul Burkhard]]></category>
		<category><![CDATA[Robert Gilbert]]></category>
		<category><![CDATA[Switzerland]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25833</guid>
		<description><![CDATA[<p>The Bühne Burgäschi has announced a new production of Hopsa for summer 2026, bringing renewed attention to the work with</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/hopsa-paul-burkhard-buhne-burhaschi-swiss-musical/">“Hopsa” – Paul Burkhard’s Breakthrough and the Birth of the Swiss Musical</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/hopsa-paul-burkhard-buhne-burhaschi-swiss-musical/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Helmut G. Asper’s “Music in the Air: The German Musical Film Comedy in Exile”</title>
		<link>http://operetta-research-center.org/helmut-g-asper-music-air-die-deutsche-musikfilm-komodie-im-exil/</link>
		<comments>http://operetta-research-center.org/helmut-g-asper-music-air-die-deutsche-musikfilm-komodie-im-exil/#comments</comments>
		<pubDate>Wed, 18 Feb 2026 15:02:17 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Hollywood]]></category>
		<category><![CDATA[Tonfilmoperette]]></category>
		<category><![CDATA[UFA]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25828</guid>
		<description><![CDATA[<p>In the introduction to his new book “Music in the Air”. The German Musical Film Comedy in Exile 1933–1950, Helmut</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/helmut-g-asper-music-air-die-deutsche-musikfilm-komodie-im-exil/">Helmut G. Asper’s “Music in the Air: The German Musical Film Comedy in Exile”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/helmut-g-asper-music-air-die-deutsche-musikfilm-komodie-im-exil/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Pure Viagra: Pablo Luna’s “Benamor” Triumphs at Theater an der Wien</title>
		<link>http://operetta-research-center.org/real-queerness-pablo-lunas-benamor-triumphs-theater-der-wien/</link>
		<comments>http://operetta-research-center.org/real-queerness-pablo-lunas-benamor-triumphs-theater-der-wien/#comments</comments>
		<pubDate>Thu, 29 Jan 2026 15:42:04 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Cross Dressing]]></category>
		<category><![CDATA[Enrique Mejías García]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Roland Dippel]]></category>
		<category><![CDATA[Theater an der Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25818</guid>
		<description><![CDATA[<p>Like Berlin, Madrid in the Golden Twenties was a hotspot of nightlife and a queer mecca. On the evening of</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/real-queerness-pablo-lunas-benamor-triumphs-theater-der-wien/">Pure Viagra: Pablo Luna’s “Benamor” Triumphs at Theater an der Wien</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/real-queerness-pablo-lunas-benamor-triumphs-theater-der-wien/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>“Frau Luna” Returns as a Glittering Utopia</title>
		<link>http://operetta-research-center.org/frau-luna-returns-glittering-utopia/</link>
		<comments>http://operetta-research-center.org/frau-luna-returns-glittering-utopia/#comments</comments>
		<pubDate>Sun, 25 Jan 2026 11:26:48 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Ades Zabel]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Berlin]]></category>
		<category><![CDATA[Bernd Mottl]]></category>
		<category><![CDATA[Geschwister Pfister]]></category>
		<category><![CDATA[Paul Lincke]]></category>
		<category><![CDATA[Tipi Zelt am Kanzleramt]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25811</guid>
		<description><![CDATA[<p>When this production of Paul Lincke’s classic Frau Luna opened in Berlin ten years ago, it was one among many</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/frau-luna-returns-glittering-utopia/">“Frau Luna” Returns as a Glittering Utopia</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Family Reunion: &#8220;Mein Freund Bunbury&#8221; in Annaberg-Buchholz</title>
		<link>http://operetta-research-center.org/family-reunion-mein-freund-bunbury-annaberg-buchholz/</link>
		<comments>http://operetta-research-center.org/family-reunion-mein-freund-bunbury-annaberg-buchholz/#comments</comments>
		<pubDate>Wed, 21 Jan 2026 09:27:18 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[Gerd Natschinski]]></category>
		<category><![CDATA[Oscar Wilde]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25806</guid>
		<description><![CDATA[<p>The revival cycle of DDR operettas continues. After the Komische Oper Berlin recently cancelled its planned production of Gerd Natschinski’s</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/family-reunion-mein-freund-bunbury-annaberg-buchholz/">A Family Reunion: &#8220;Mein Freund Bunbury&#8221; in Annaberg-Buchholz</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Return of “Ennobled” Operetta: Lehár, Thielemann, and an Unlearned Lesson</title>
		<link>http://operetta-research-center.org/staatsoper-unter-den-linden-neujahrskonzert-christian-thielemann-lehar/</link>
		<comments>http://operetta-research-center.org/staatsoper-unter-den-linden-neujahrskonzert-christian-thielemann-lehar/#comments</comments>
		<pubDate>Fri, 02 Jan 2026 11:01:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Christian Thielemann]]></category>
		<category><![CDATA[Christian Weise]]></category>
		<category><![CDATA[Dagmar Manzel]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Jonas Dassler]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Richard Tauber]]></category>
		<category><![CDATA[Tipi Zelt am Kanzleramt]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25792</guid>
		<description><![CDATA[<p>Berlin was—and in many ways still is—a center of operetta innovation. A reminder: in the 1920s, crucial impulses for renewing</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/staatsoper-unter-den-linden-neujahrskonzert-christian-thielemann-lehar/">The Return of “Ennobled” Operetta: Lehár, Thielemann, and an Unlearned Lesson</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
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		<title>Giorgio Madia: “Entertainment, that’s an insult!”</title>
		<link>http://operetta-research-center.org/operette-giorgio-madia-entertainment-thats-insult/</link>
		<comments>http://operetta-research-center.org/operette-giorgio-madia-entertainment-thats-insult/#comments</comments>
		<pubDate>Fri, 26 Dec 2025 10:26:40 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Italian Operetta]]></category>
		<category><![CDATA[Kiri te Kanawa]]></category>
		<category><![CDATA[Mörbisch]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25770</guid>
		<description><![CDATA[<p>Stage director and choreographer Giorgio Madia discusses operetta then and now, with a special focus on the Mörbisch festival years</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/operette-giorgio-madia-entertainment-thats-insult/">Giorgio Madia: “Entertainment, that’s an insult!”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
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