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	<title>Operetta Research Center &#187; Marion Linhardt</title>
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		<title>„…der Offenbachstil unserer Zeit…“: Offenbach und die „avancierte“ Regie im frühen 20. Jahrhundert</title>
		<link>http://operetta-research-center.org/der-offenbachstil-unserer-zeit-offenbach-und-die-avancierte-regie-im-fruhen-20-jahrhundert/</link>
		<comments>http://operetta-research-center.org/der-offenbachstil-unserer-zeit-offenbach-und-die-avancierte-regie-im-fruhen-20-jahrhundert/#comments</comments>
		<pubDate>Tue, 07 Apr 2020 16:20:50 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Offenbach & Co.]]></category>
		<category><![CDATA[Felix Salten]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Karl Kraus]]></category>
		<category><![CDATA[Marion Linhardt]]></category>
		<category><![CDATA[Max Reinhardt]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=19469</guid>
		<description><![CDATA[<p>Karl Kraus und Felix Salten haben 1909 bzw. 1906 Diagnosen zur Situation des musikalischen Unterhaltungstheaters und seiner Rezeption in Wien</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/der-offenbachstil-unserer-zeit-offenbach-und-die-avancierte-regie-im-fruhen-20-jahrhundert/">„…der Offenbachstil unserer Zeit…“: Offenbach und die „avancierte“ Regie im frühen 20. Jahrhundert</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/der-offenbachstil-unserer-zeit-offenbach-und-die-avancierte-regie-im-fruhen-20-jahrhundert/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
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		<item>
		<title>&#8220;Zur Geburt der Wiener Operette: Musikalische und historische Wurzeln. Heute – Reminiszenz oder Aktualität?&#8221;</title>
		<link>http://operetta-research-center.org/zur-geburt-der-wiener-operette-musikalische-und-historische-wurzeln-heute-reminiszenz-oder-aktualitat/</link>
		<comments>http://operetta-research-center.org/zur-geburt-der-wiener-operette-musikalische-und-historische-wurzeln-heute-reminiszenz-oder-aktualitat/#comments</comments>
		<pubDate>Wed, 27 Feb 2019 08:51:19 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Franz von Suppé]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Kevin Clarke]]></category>
		<category><![CDATA[Marion Linhardt]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=16810</guid>
		<description><![CDATA[<p>For 2019, the Wiener Institut für Strauss-Forschung (WISF) is offering a three-day operetta ‘special‘ that‘s entitled Zur Geburt der Wiener</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/zur-geburt-der-wiener-operette-musikalische-und-historische-wurzeln-heute-reminiszenz-oder-aktualitat/">&#8220;Zur Geburt der Wiener Operette: Musikalische und historische Wurzeln. Heute – Reminiszenz oder Aktualität?&#8221;</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/zur-geburt-der-wiener-operette-musikalische-und-historische-wurzeln-heute-reminiszenz-oder-aktualitat/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;La comédie musicale britannique XIXème et XXème siècle&#8221;: A New Collection Of Essays In English, French And German</title>
		<link>http://operetta-research-center.org/la-comedie-musicale-britannique-xixeme-et-xxeme-siecle-new-collection-essays-english-french-german/</link>
		<comments>http://operetta-research-center.org/la-comedie-musicale-britannique-xixeme-et-xxeme-siecle-new-collection-essays-english-french-german/#comments</comments>
		<pubDate>Sun, 18 Nov 2018 10:08:23 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Albert Gier]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Marion Linhardt]]></category>
		<category><![CDATA[Sidney Jones]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=16111</guid>
		<description><![CDATA[<p>Just out is a large-size almost catalogue-like publication in English, French and German in the Revue Musicorum series, no. 20/2018.</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/la-comedie-musicale-britannique-xixeme-et-xxeme-siecle-new-collection-essays-english-french-german/">&#8220;La comédie musicale britannique XIXème et XXème siècle&#8221;: A New Collection Of Essays In English, French And German</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/la-comedie-musicale-britannique-xixeme-et-xxeme-siecle-new-collection-essays-english-french-german/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>A Critical Quotebook: Marion Linhardt&#8217;s &#8220;Stimmen zur Unterhaltung&#8221; Revisited</title>
		<link>http://operetta-research-center.org/critical-quotebook-operetta-marion-linhardts-stimmen-zur-unterhaltung/</link>
		<comments>http://operetta-research-center.org/critical-quotebook-operetta-marion-linhardts-stimmen-zur-unterhaltung/#comments</comments>
		<pubDate>Tue, 17 Apr 2018 07:03:44 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Louis Treumann]]></category>
		<category><![CDATA[Marion Linhardt]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=14504</guid>
		<description><![CDATA[<p>This is one of those publications that should have made a big splash – but didn’t. Back in 2009, Marion</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/critical-quotebook-operetta-marion-linhardts-stimmen-zur-unterhaltung/">A Critical Quotebook: Marion Linhardt&#8217;s &#8220;Stimmen zur Unterhaltung&#8221; Revisited</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/critical-quotebook-operetta-marion-linhardts-stimmen-zur-unterhaltung/feed/</wfw:commentRss>
		<slash:comments>3</slash:comments>
		</item>
		<item>
		<title>Johann Strauss’ moderne &#8220;Journalisten-Operetten&#8221;: &#8220;Fürstin Ninetta&#8221; &amp; &#8220;Waldmeister&#8221;</title>
		<link>http://operetta-research-center.org/johann-strauss-moderne-journalisten-operetten-furstin-ninetta-waldmeister/</link>
		<comments>http://operetta-research-center.org/johann-strauss-moderne-journalisten-operetten-furstin-ninetta-waldmeister/#comments</comments>
		<pubDate>Sat, 20 Jan 2018 11:15:19 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Marion Linhardt]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=13845</guid>
		<description><![CDATA[<p>Nach der Uraufführung von Fürstin Ninetta am 10. Jänner 1893 schrieb die Tageszeitung Die Presse: „Die Musik der Operette ist</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/johann-strauss-moderne-journalisten-operetten-furstin-ninetta-waldmeister/">Johann Strauss’ moderne &#8220;Journalisten-Operetten&#8221;: &#8220;Fürstin Ninetta&#8221; &#038; &#8220;Waldmeister&#8221;</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/johann-strauss-moderne-journalisten-operetten-furstin-ninetta-waldmeister/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Die Operette mit &#8220;Herzton&#8221; als musikdramatisches Modell der Moderne. Edmund Eyslers &#8220;Künstlerblut&#8221; (1906)</title>
		<link>http://operetta-research-center.org/die-operette-mit-herzton-als-musikdramatisches-modell-der-moderne-edmund-eyslers-kunstlerblut-1906/</link>
		<comments>http://operetta-research-center.org/die-operette-mit-herzton-als-musikdramatisches-modell-der-moderne-edmund-eyslers-kunstlerblut-1906/#comments</comments>
		<pubDate>Tue, 09 Jan 2018 10:21:50 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Vienna Waltz Operetta]]></category>
		<category><![CDATA[Alexander Girardi]]></category>
		<category><![CDATA[Edmund Eysler]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Marion Linhardt]]></category>
		<category><![CDATA[Oscar Straus]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=13746</guid>
		<description><![CDATA[<p>Back in June 2012, Marion Linhardt from the University of Bayreuth presented a paper on the Eysler operetta Künstlerblut in</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/die-operette-mit-herzton-als-musikdramatisches-modell-der-moderne-edmund-eyslers-kunstlerblut-1906/">Die Operette mit &#8220;Herzton&#8221; als musikdramatisches Modell der Moderne. Edmund Eyslers &#8220;Künstlerblut&#8221; (1906)</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/die-operette-mit-herzton-als-musikdramatisches-modell-der-moderne-edmund-eyslers-kunstlerblut-1906/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Daring To Be Different: Lehár&#8217;s &#8220;Die Juxheirat&#8221; On CPO</title>
		<link>http://operetta-research-center.org/daring-different-lehars-die-juxheirat-cpo/</link>
		<comments>http://operetta-research-center.org/daring-different-lehars-die-juxheirat-cpo/#comments</comments>
		<pubDate>Sun, 16 Jul 2017 10:24:03 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Bad Ischl]]></category>
		<category><![CDATA[CPO]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Marion Linhardt]]></category>
		<category><![CDATA[Stefan Frey]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=12523</guid>
		<description><![CDATA[<p>Viennese operetta at the beginning of the 20th century was a genre in transition, claims Stefan Frey in an essay</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/daring-different-lehars-die-juxheirat-cpo/">Daring To Be Different: Lehár&#8217;s &#8220;Die Juxheirat&#8221; On CPO</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/daring-different-lehars-die-juxheirat-cpo/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Arthur Schnitzler And His Operettas</title>
		<link>http://operetta-research-center.org/arthur-schnitzler-operettas/</link>
		<comments>http://operetta-research-center.org/arthur-schnitzler-operettas/#comments</comments>
		<pubDate>Thu, 02 Jul 2015 10:40:33 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Arthur Schnitzler]]></category>
		<category><![CDATA[Marion Linhardt]]></category>
		<category><![CDATA[Vienna]]></category>
		<category><![CDATA[Wolfgang Jansen]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=7541</guid>
		<description><![CDATA[<p>Playwrite and author Arthur Schnitzler had a special relationship with music, not least, because many of his famous texts were</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/arthur-schnitzler-operettas/">Arthur Schnitzler And His Operettas</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/arthur-schnitzler-operettas/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Master Imposter Returns: &#8220;Cagliostro in Wien&#8221; In Dresden</title>
		<link>http://operetta-research-center.org/master-imposter-cagliostro-wien-staatsoperette/</link>
		<comments>http://operetta-research-center.org/master-imposter-cagliostro-wien-staatsoperette/#comments</comments>
		<pubDate>Sun, 19 Apr 2015 18:45:50 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Marion Linhardt]]></category>
		<category><![CDATA[Mörbisch]]></category>
		<category><![CDATA[Staatsoperette Dresden]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=6833</guid>
		<description><![CDATA[<p>Cagliostro in Wien … Doesn’t ring a bell? It’s the 1875 operetta Johann Strauss Jr. wrote together with Richard Genée</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/master-imposter-cagliostro-wien-staatsoperette/">The Master Imposter Returns: &#8220;Cagliostro in Wien&#8221; In Dresden</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/master-imposter-cagliostro-wien-staatsoperette/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>&#8220;Der Kongress Tanzt&#8221;: A New Exhibition At The Belvedere In Vienna</title>
		<link>http://operetta-research-center.org/congress-vienna-operetta-real-life/</link>
		<comments>http://operetta-research-center.org/congress-vienna-operetta-real-life/#comments</comments>
		<pubDate>Thu, 05 Mar 2015 14:53:41 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Barbara Denscher]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Marie-Theres Arnbom]]></category>
		<category><![CDATA[Marion Linhardt]]></category>
		<category><![CDATA[Victor Léon]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=6107</guid>
		<description><![CDATA[<p>You all know that the Congress of Vienna in 1815 is the historical backdrop to quite a few famous operettas</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/congress-vienna-operetta-real-life/">&#8220;Der Kongress Tanzt&#8221;: A New Exhibition At The Belvedere In Vienna</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Metropolis Experiment</title>
		<link>http://operetta-research-center.org/operetta-metropolis/</link>
		<comments>http://operetta-research-center.org/operetta-metropolis/#comments</comments>
		<pubDate>Sun, 11 May 2014 07:33:13 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Josefine Gallmeyer]]></category>
		<category><![CDATA[Marion Linhardt]]></category>
		<category><![CDATA[Wien Museum]]></category>

		<guid isPermaLink="false">http://chateauorwey.com/orca/?p=388</guid>
		<description><![CDATA[<p>The Wien Museum Karlsplatz will open a new exhibition entitled Experiment Metropole on 5 May, 2014. It will focus on</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/operetta-metropolis/">The Metropolis Experiment</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/operetta-metropolis/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Marion Linhardt: &#8220;Stimmen zur Unterhaltung&#8221; and &#8220;Residenzstadt und Metropole&#8221;</title>
		<link>http://operetta-research-center.org/marion-linhardt-stimmen-zur-unterhaltung-residenzstadt-und-metropole/</link>
		<comments>http://operetta-research-center.org/marion-linhardt-stimmen-zur-unterhaltung-residenzstadt-und-metropole/#comments</comments>
		<pubDate>Fri, 27 Mar 2009 06:28:50 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Marion Linhardt]]></category>
		<category><![CDATA[Vienna]]></category>

		<guid isPermaLink="false">http://chateauorwey.com/orca/?p=872</guid>
		<description><![CDATA[<p>Wonderful and important news for all (German speaking) operetta fans: Marion Linhardt has edited the first ever collection of primary</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/marion-linhardt-stimmen-zur-unterhaltung-residenzstadt-und-metropole/">Marion Linhardt: &#8220;Stimmen zur Unterhaltung&#8221; and &#8220;Residenzstadt und Metropole&#8221;</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
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