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	<title>Operetta Research Center &#187; Max Hopp</title>
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		<title>“Lustige Witwe”: Barrie Kosky Tackles the &#8220;Führer&#8217;s&#8221; Favorite Operetta in Zurich</title>
		<link>http://operetta-research-center.org/lustige-witwe-barrie-kosky-zurich/</link>
		<comments>http://operetta-research-center.org/lustige-witwe-barrie-kosky-zurich/#comments</comments>
		<pubDate>Thu, 06 Apr 2023 09:55:31 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Cultural Politics after 1933]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Dagmar Manzel]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Katharine Mehrling]]></category>
		<category><![CDATA[Max Hopp]]></category>
		<category><![CDATA[Truesoundtranfers]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24392</guid>
		<description><![CDATA[<p>In the past, Barrie Kosky has shunned the works of Franz Lehár. His operetta focus has been on works by</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/lustige-witwe-barrie-kosky-zurich/">“Lustige Witwe”: Barrie Kosky Tackles the &#8220;Führer&#8217;s&#8221; Favorite Operetta in Zurich</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/lustige-witwe-barrie-kosky-zurich/feed/</wfw:commentRss>
		<slash:comments>4</slash:comments>
		</item>
		<item>
		<title>75 Years of Setting Operetta Standards: The Komische Oper Jubilee</title>
		<link>http://operetta-research-center.org/75-years-komische-oper-jubilee/</link>
		<comments>http://operetta-research-center.org/75-years-komische-oper-jubilee/#comments</comments>
		<pubDate>Sat, 24 Dec 2022 11:08:20 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Dagmar Manzel]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Max Hopp]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=24145</guid>
		<description><![CDATA[<p>When the Komische Oper opened its doors on 23 December 1947 – in the Soviet controlled section of Berlin –</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/75-years-komische-oper-jubilee/">75 Years of Setting Operetta Standards: The Komische Oper Jubilee</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/75-years-komische-oper-jubilee/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Glitzy Genitalia &amp; A New Cast: Kosky’s “Orpheus in der Unterwelt“ Arrives In Berlin</title>
		<link>http://operetta-research-center.org/glitzy-genitalia-new-cast-koskys-orpheus-der-unterwelt-arrives-berlin/</link>
		<comments>http://operetta-research-center.org/glitzy-genitalia-new-cast-koskys-orpheus-der-unterwelt-arrives-berlin/#comments</comments>
		<pubDate>Wed, 08 Dec 2021 16:06:13 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Max Hopp]]></category>
		<category><![CDATA[Peter Bording]]></category>
		<category><![CDATA[Salzburg Festival]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23073</guid>
		<description><![CDATA[<p>After a very (very!) long wait, Barrie Kosky’s vision of Offenbach’s Orphée aux enfers has finally arrived at Berlin’s Komische</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/glitzy-genitalia-new-cast-koskys-orpheus-der-unterwelt-arrives-berlin/">Glitzy Genitalia &#038; A New Cast: Kosky’s “Orpheus in der Unterwelt“ Arrives In Berlin</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/glitzy-genitalia-new-cast-koskys-orpheus-der-unterwelt-arrives-berlin/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Adam Benzwi Discusses &#8220;Dreigroschenoper&#8221; &amp; Singing Brecht/Weill Today</title>
		<link>http://operetta-research-center.org/adam-benzwi-discusses-dreigroschenoper-singing-kurt-weill-today/</link>
		<comments>http://operetta-research-center.org/adam-benzwi-discusses-dreigroschenoper-singing-kurt-weill-today/#comments</comments>
		<pubDate>Fri, 13 Aug 2021 13:53:34 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Jazz-Operetta of the 1920's]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Dagmar Manzel]]></category>
		<category><![CDATA[Fritzi Massary]]></category>
		<category><![CDATA[Jazz Operetta]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Max Hopp]]></category>
		<category><![CDATA[Robert Wennersten]]></category>
		<category><![CDATA[UdK]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21573</guid>
		<description><![CDATA[<p>Pianist and musical director Adam Benzwi was slated to premiere “his” Dreigroschenoper interpretation – in collaboration with stage director Barrie</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/adam-benzwi-discusses-dreigroschenoper-singing-kurt-weill-today/">Adam Benzwi Discusses &#8220;Dreigroschenoper&#8221; &#038; Singing Brecht/Weill Today</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/adam-benzwi-discusses-dreigroschenoper-singing-kurt-weill-today/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Koskys &#8220;Orphée aux enferns&#8221;: Swarovski-Genitalien auf der Suche nach der Hölle</title>
		<link>http://operetta-research-center.org/koskys-orphee-aux-enferns-swarovski-genitalien-auf-der-suche-nach-der-holle/</link>
		<comments>http://operetta-research-center.org/koskys-orphee-aux-enferns-swarovski-genitalien-auf-der-suche-nach-der-holle/#comments</comments>
		<pubDate>Thu, 21 Jan 2021 21:22:15 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On Screen]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Manuel Brug]]></category>
		<category><![CDATA[Marc Minkowski]]></category>
		<category><![CDATA[Max Hopp]]></category>
		<category><![CDATA[Salzburg Festival]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21331</guid>
		<description><![CDATA[<p>Zum Offenbach-Jubiläum 2019 spielten die Salzburger Festspiele erstmals eine Offenbach-Operette und übertrugen die Regie Barrie Kosky. Leider gaben sie ihm</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/koskys-orphee-aux-enferns-swarovski-genitalien-auf-der-suche-nach-der-holle/">Koskys &#8220;Orphée aux enferns&#8221;: Swarovski-Genitalien auf der Suche nach der Hölle</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/koskys-orphee-aux-enferns-swarovski-genitalien-auf-der-suche-nach-der-holle/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Lotte de Beer: The Future Of Operetta At Volksoper Wien Is Female</title>
		<link>http://operetta-research-center.org/lotte-de-beer-future-operetta-volksoper-wien-female/</link>
		<comments>http://operetta-research-center.org/lotte-de-beer-future-operetta-volksoper-wien-female/#comments</comments>
		<pubDate>Thu, 08 Oct 2020 09:14:39 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Dagmar Manzel]]></category>
		<category><![CDATA[Geschwister Pfister]]></category>
		<category><![CDATA[Jazz Operetta]]></category>
		<category><![CDATA[Katharine Mehrling]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Max Hopp]]></category>
		<category><![CDATA[Staatsoperette Dresden]]></category>
		<category><![CDATA[Volksoper Wien]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20669</guid>
		<description><![CDATA[<p>The future of operetta in Vienna is female: Lotte de Beer was presented this week as new artistic director of</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/lotte-de-beer-future-operetta-volksoper-wien-female/">Lotte de Beer: The Future Of Operetta At Volksoper Wien Is Female</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/lotte-de-beer-future-operetta-volksoper-wien-female/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Post-Corona Operetta In Berlin. Or: Here&#8217;s Barrie Kosky&#8217;s Chancelled &#8220;Orpheus In The Underworld&#8221;</title>
		<link>http://operetta-research-center.org/post-corona-operetta-berlin-barrie-koskys-orpheus-underworld/</link>
		<comments>http://operetta-research-center.org/post-corona-operetta-berlin-barrie-koskys-orpheus-underworld/#comments</comments>
		<pubDate>Mon, 10 Aug 2020 08:47:58 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[On Screen]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Geschwister Pfister]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Max Hopp]]></category>
		<category><![CDATA[Paul Lincke]]></category>
		<category><![CDATA[Ralph Benatzky]]></category>
		<category><![CDATA[Salzburg Festival]]></category>
		<category><![CDATA[Tipi Zelt am Kanzleramt]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20247</guid>
		<description><![CDATA[<p>Has the long waiting finally come to an end, is post-Corona operetta back? After the somewhat problematic “Jewish and Gay”</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/post-corona-operetta-berlin-barrie-koskys-orpheus-underworld/">Post-Corona Operetta In Berlin. Or: Here&#8217;s Barrie Kosky&#8217;s Chancelled &#8220;Orpheus In The Underworld&#8221;</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/post-corona-operetta-berlin-barrie-koskys-orpheus-underworld/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Offenbach On Arte TV: &#8220;Orphée aux enfers&#8221; From Salzburg and &#8220;Gerolstein&#8221; From Cologne</title>
		<link>http://operetta-research-center.org/offenbach-arte-orphee-aux-enfers-salzburg-gerolstein-cologne/</link>
		<comments>http://operetta-research-center.org/offenbach-arte-orphee-aux-enfers-salzburg-gerolstein-cologne/#comments</comments>
		<pubDate>Sun, 18 Aug 2019 13:30:01 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On Screen]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Jennifer Larmore]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Laurence Senelick]]></category>
		<category><![CDATA[Max Hopp]]></category>
		<category><![CDATA[Oper Köln]]></category>
		<category><![CDATA[Opéra-bouffe]]></category>
		<category><![CDATA[Otto Pichler]]></category>
		<category><![CDATA[Renaud Doucet & André Barbe]]></category>
		<category><![CDATA[Salzburg Festival]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=18132</guid>
		<description><![CDATA[<p>You might wonder whether they are serious – ‘them’ being the French-German Kultursender arte. They are celebrating the 200th birthday</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/offenbach-arte-orphee-aux-enfers-salzburg-gerolstein-cologne/">Offenbach On Arte TV: &#8220;Orphée aux enfers&#8221; From Salzburg and &#8220;Gerolstein&#8221; From Cologne</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>A Man And His Shadow: &#8220;Jonas Kaufmann Wien&#8221;</title>
		<link>http://operetta-research-center.org/man-shadow-jonas-kaufmann-wien/</link>
		<comments>http://operetta-research-center.org/man-shadow-jonas-kaufmann-wien/#comments</comments>
		<pubDate>Thu, 04 Jul 2019 09:17:40 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Geschwister Pfister]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Jonas Dassler]]></category>
		<category><![CDATA[Jonas Kaufmann]]></category>
		<category><![CDATA[Katharine Mehrling]]></category>
		<category><![CDATA[Max Hopp]]></category>
		<category><![CDATA[Peter Kreuder]]></category>
		<category><![CDATA[Robert Stolz]]></category>
		<category><![CDATA[Serkan Kaya]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=17817</guid>
		<description><![CDATA[<p>No, this is not scheduled as a mid-summer treat to coincide with the various operetta festival productions in Austria: the</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/man-shadow-jonas-kaufmann-wien/">A Man And His Shadow: &#8220;Jonas Kaufmann Wien&#8221;</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>&#8220;La Princesse de Trebizonde&#8221;: Revisiting The Offenbach Production In Hildesheim</title>
		<link>http://operetta-research-center.org/la-princesse-de-trebizonde-hildesheim-revisiting-offenbach-production-max-hopp/</link>
		<comments>http://operetta-research-center.org/la-princesse-de-trebizonde-hildesheim-revisiting-offenbach-production-max-hopp/#comments</comments>
		<pubDate>Mon, 27 May 2019 15:46:27 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Jan Rekeszus]]></category>
		<category><![CDATA[John Groves]]></category>
		<category><![CDATA[Max Hopp]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=17475</guid>
		<description><![CDATA[<p>The World Heritage city of Hildesheim, 20 miles south-east of Hannover, possesses a charming, intimate, 600-seater theatre staging opera, musicals</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/la-princesse-de-trebizonde-hildesheim-revisiting-offenbach-production-max-hopp/">&#8220;La Princesse de Trebizonde&#8221;: Revisiting The Offenbach Production In Hildesheim</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>&#8220;Die Prinzessin von Trapezunt&#8221; in Hildesheim: Ist das Operette 4.0?</title>
		<link>http://operetta-research-center.org/die-prinzessin-von-trapezunt-hildesheim/</link>
		<comments>http://operetta-research-center.org/die-prinzessin-von-trapezunt-hildesheim/#comments</comments>
		<pubDate>Mon, 04 Mar 2019 09:59:33 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Jan Rekeszus]]></category>
		<category><![CDATA[Max Hopp]]></category>
		<category><![CDATA[Theater für Niedersachsen (TfN)]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=16841</guid>
		<description><![CDATA[<p>So viel vorweg: Dass in Hildesheim Offenbachs einstiger Sensationserfolg Die Prinzessin von Trapezunt (1869) nach Jahrzehnten des Vergessens wieder auf</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/die-prinzessin-von-trapezunt-hildesheim/">&#8220;Die Prinzessin von Trapezunt&#8221; in Hildesheim: Ist das Operette 4.0?</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“Offenbachiades” And Their Context: A New Study By Peter Hawig</title>
		<link>http://operetta-research-center.org/offenbachiades-context-new-study-peter-hawig/</link>
		<comments>http://operetta-research-center.org/offenbachiades-context-new-study-peter-hawig/#comments</comments>
		<pubDate>Fri, 01 Feb 2019 11:59:02 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Jan Rekeszus]]></category>
		<category><![CDATA[Laurence Senelick]]></category>
		<category><![CDATA[Max Hopp]]></category>
		<category><![CDATA[Peter Hawig]]></category>
		<category><![CDATA[Ralf-Olivier Schwarz]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=16694</guid>
		<description><![CDATA[<p>Let’s start this review backwards, shall we? The last sentence in Peter Hawig’s new book for the Offenbach bicentenary is:</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/offenbachiades-context-new-study-peter-hawig/">“Offenbachiades” And Their Context: A New Study By Peter Hawig</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
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