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	<title>Operetta Research Center &#187; Queer Studies</title>
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		<title>“Messeschlager Gisela” Revived in Cottbus – Without the Queer Elements</title>
		<link>http://operetta-research-center.org/messeschlager-gisela-revived-cottbus-without-queer-element/</link>
		<comments>http://operetta-research-center.org/messeschlager-gisela-revived-cottbus-without-queer-element/#comments</comments>
		<pubDate>Sun, 19 Jan 2025 14:50:09 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Cottbus]]></category>
		<category><![CDATA[DDR]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Gerd Natschinski]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Peter Lund]]></category>
		<category><![CDATA[Queer Studies]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25641</guid>
		<description><![CDATA[<p>What was working life like in state-owned enterprises (Volkseigene Betriebe = VEB) in the DDR around 1960 – what dreams</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/messeschlager-gisela-revived-cottbus-without-queer-element/">“Messeschlager Gisela” Revived in Cottbus – Without the Queer Elements</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“For the Drama”: Strauss’ “Fledermaus” as Real-Life-Fiction on TV</title>
		<link>http://operetta-research-center.org/drama-strauss-fledermaus-real-life-fiction-german-tv/</link>
		<comments>http://operetta-research-center.org/drama-strauss-fledermaus-real-life-fiction-german-tv/#comments</comments>
		<pubDate>Mon, 24 Jun 2024 12:56:45 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On Screen]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Diana Damrau]]></category>
		<category><![CDATA[Johann Strauss]]></category>
		<category><![CDATA[Queer Studies]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25116</guid>
		<description><![CDATA[<p>This 3-part German mini-series called For the Drama is remarkable in many ways. It tells the story of two singers</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/drama-strauss-fledermaus-real-life-fiction-german-tv/">“For the Drama”: Strauss’ “Fledermaus” as Real-Life-Fiction on TV</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/drama-strauss-fledermaus-real-life-fiction-german-tv/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Christiane Rösinger’s “Planet Egalia”: A Sci-Fi Operetta About Feminism and Queerness?</title>
		<link>http://operetta-research-center.org/christiane-rosingers-planet-egalia-sci-fi-operetta-feminism-queerness/</link>
		<comments>http://operetta-research-center.org/christiane-rosingers-planet-egalia-sci-fi-operetta-feminism-queerness/#comments</comments>
		<pubDate>Wed, 24 Nov 2021 11:07:39 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Gender Studies]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Paul Lincke]]></category>
		<category><![CDATA[Queer Studies]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23021</guid>
		<description><![CDATA[<p>The world of science fiction is somewhat underexplored when it comes to operetta. Even though Offenbach famously wrote Le voyage</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/christiane-rosingers-planet-egalia-sci-fi-operetta-feminism-queerness/">Christiane Rösinger’s “Planet Egalia”: A Sci-Fi Operetta About Feminism and Queerness?</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/christiane-rosingers-planet-egalia-sci-fi-operetta-feminism-queerness/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Patriarchy Thinks Dicks Smell Like Roses: “Lila Lied” As Queer Cabaret At SchwuZ</title>
		<link>http://operetta-research-center.org/patriarchy-thinks-dicks-smell-like-roses-lila-lied-queer-cabaret-schwuz/</link>
		<comments>http://operetta-research-center.org/patriarchy-thinks-dicks-smell-like-roses-lila-lied-queer-cabaret-schwuz/#comments</comments>
		<pubDate>Mon, 13 Sep 2021 18:44:48 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Cabaret]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Queer Studies]]></category>
		<category><![CDATA[tutti d*amore]]></category>
		<category><![CDATA[Weimar Republic]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=22635</guid>
		<description><![CDATA[<p>“Welcome to the 20s” says the poster for Lila Lied, “The Queer Cabaret” that was presented in Berlin’s SchwuZ. In</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/patriarchy-thinks-dicks-smell-like-roses-lila-lied-queer-cabaret-schwuz/">The Patriarchy Thinks Dicks Smell Like Roses: “Lila Lied” As Queer Cabaret At SchwuZ</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/patriarchy-thinks-dicks-smell-like-roses-lila-lied-queer-cabaret-schwuz/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Apocalypse Now: Tutti D*Amore Presents “Magna Mater” As a Mashup Of “Schöne Galathée” &amp; “Lysistrata”</title>
		<link>http://operetta-research-center.org/tutti-damore-presents-magna-mater-mashup-schone-galathee-lysistrata/</link>
		<comments>http://operetta-research-center.org/tutti-damore-presents-magna-mater-mashup-schone-galathee-lysistrata/#comments</comments>
		<pubDate>Sat, 03 Jul 2021 09:58:03 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Franz von Suppé]]></category>
		<category><![CDATA[Mischa Spoliansky]]></category>
		<category><![CDATA[Paul Lincke]]></category>
		<category><![CDATA[Queer Studies]]></category>
		<category><![CDATA[Tipi Zelt am Kanzleramt]]></category>
		<category><![CDATA[tutti d*amore]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=22239</guid>
		<description><![CDATA[<p>The “tuttis” are at their exercise again, you might say. The Berlin Collective for Contemporary Operetta is presenting their queer-feminist</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/tutti-damore-presents-magna-mater-mashup-schone-galathee-lysistrata/">Apocalypse Now: Tutti D*Amore Presents “Magna Mater” As a Mashup Of “Schöne Galathée” &#038; “Lysistrata”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/tutti-damore-presents-magna-mater-mashup-schone-galathee-lysistrata/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Coming-out als Operettenrettung? Interview zum Queer Reading des „Dreimäderlhaus“</title>
		<link>http://operetta-research-center.org/ein-schwuler-schubert-als-rettung-interview-zum-queer-reading-des-dreimaderlhaus-landestheater-linz/</link>
		<comments>http://operetta-research-center.org/ein-schwuler-schubert-als-rettung-interview-zum-queer-reading-des-dreimaderlhaus-landestheater-linz/#comments</comments>
		<pubDate>Sun, 28 Feb 2021 10:30:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[The Situation after 1945]]></category>
		<category><![CDATA[Franz Schubert]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Heinrich Berté]]></category>
		<category><![CDATA[Landestheater Linz]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Queer Studies]]></category>
		<category><![CDATA[Richard Tauber]]></category>
		<category><![CDATA[Volker Klotz]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21494</guid>
		<description><![CDATA[<p>Als das Dreimäderlhaus am 15. Januar 1916 im Wiener Raimundtheater in Premiere ging waren die Kritiken gespalten. Denn Komponist Heinrich</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/ein-schwuler-schubert-als-rettung-interview-zum-queer-reading-des-dreimaderlhaus-landestheater-linz/">Coming-out als Operettenrettung? Interview zum Queer Reading des „Dreimäderlhaus“</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/ein-schwuler-schubert-als-rettung-interview-zum-queer-reading-des-dreimaderlhaus-landestheater-linz/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;One Long Gender-Bender&#8221;: Berlin&#8217;s Queer Operetta Revolution In The Years 2010-2020</title>
		<link>http://operetta-research-center.org/berlins-queer-operetta-revolution-years-2010-2020/</link>
		<comments>http://operetta-research-center.org/berlins-queer-operetta-revolution-years-2010-2020/#comments</comments>
		<pubDate>Thu, 09 Apr 2020 15:24:55 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Derek Scally]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Geschwister Pfister]]></category>
		<category><![CDATA[Gorki Theater]]></category>
		<category><![CDATA[John Groves]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Mischa Spoliansky]]></category>
		<category><![CDATA[Oscar Straus]]></category>
		<category><![CDATA[Paul Abraham]]></category>
		<category><![CDATA[Queer Studies]]></category>
		<category><![CDATA[Richard C. Norton]]></category>
		<category><![CDATA[Tipi Zelt am Kanzleramt]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=19497</guid>
		<description><![CDATA[<p>The Drama Review (TDR) is planning a special issue on the developments in the German theater scene from 2010 to</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/berlins-queer-operetta-revolution-years-2010-2020/">&#8220;One Long Gender-Bender&#8221;: Berlin&#8217;s Queer Operetta Revolution In The Years 2010-2020</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/berlins-queer-operetta-revolution-years-2010-2020/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Offenbach&#8217;s &#8220;Häuptling Abendwind&#8221; Or: Queer Operetta For The Price Of A Hawaiian Pizza</title>
		<link>http://operetta-research-center.org/offenbachs-hauptling-abendwind-queer-operetta-berlin/</link>
		<comments>http://operetta-research-center.org/offenbachs-hauptling-abendwind-queer-operetta-berlin/#comments</comments>
		<pubDate>Fri, 06 Mar 2020 16:05:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Kurt Gänzl]]></category>
		<category><![CDATA[Queer Studies]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=19048</guid>
		<description><![CDATA[<p>Offenbach’s 1857 Vent du soir, ou l&#8217;horrible festin is one of his more famous titles in the German speaking theater</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/offenbachs-hauptling-abendwind-queer-operetta-berlin/">Offenbach&#8217;s &#8220;Häuptling Abendwind&#8221; Or: Queer Operetta For The Price Of A Hawaiian Pizza</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/offenbachs-hauptling-abendwind-queer-operetta-berlin/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Casta Diva&#8221;: The World&#8217;s First Gay Opera Guide With Two Operettas And Some Hidden Porn</title>
		<link>http://operetta-research-center.org/casta-diva-worlds-first-gay-opera-guide/</link>
		<comments>http://operetta-research-center.org/casta-diva-worlds-first-gay-opera-guide/#comments</comments>
		<pubDate>Wed, 20 Nov 2019 15:39:29 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Arthur Sullivan]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Julien Nitzberg]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Leonard Bernstein]]></category>
		<category><![CDATA[Queer Studies]]></category>
		<category><![CDATA[Roger Neill]]></category>
		<category><![CDATA[W. S. Gilbert]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=18598</guid>
		<description><![CDATA[<p>So here it is, the world’s “first gay opera guide,” or so the publisher claims. It’s a small Berlin based</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/casta-diva-worlds-first-gay-opera-guide/">&#8220;Casta Diva&#8221;: The World&#8217;s First Gay Opera Guide With Two Operettas And Some Hidden Porn</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/casta-diva-worlds-first-gay-opera-guide/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Blacks Doing Yellow-Face, Or Some Very Queer Gilbert &amp; Sullivan</title>
		<link>http://operetta-research-center.org/blacks-yellow-face-queer-gilbert-sullivans/</link>
		<comments>http://operetta-research-center.org/blacks-yellow-face-queer-gilbert-sullivans/#comments</comments>
		<pubDate>Sun, 27 Dec 2015 14:00:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[British Operetta]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Jazz Operetta]]></category>
		<category><![CDATA[Queer Studies]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=8802</guid>
		<description><![CDATA[<p>Recently, ORCA received a generous donation in the form of various Gilbert &#38; Sullivan materials that a researcher in the</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/blacks-yellow-face-queer-gilbert-sullivans/">Blacks Doing Yellow-Face, Or Some Very Queer Gilbert &#038; Sullivan</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/blacks-yellow-face-queer-gilbert-sullivans/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Forget Dames At Sea: Here Come Twelve Gay Sailors</title>
		<link>http://operetta-research-center.org/forget-dames-sea-come-twelve-gay-sailors/</link>
		<comments>http://operetta-research-center.org/forget-dames-sea-come-twelve-gay-sailors/#comments</comments>
		<pubDate>Tue, 12 May 2015 09:51:24 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Daniel Rakasz]]></category>
		<category><![CDATA[Fabian Gallmeister]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Michael Bellmann]]></category>
		<category><![CDATA[Queer Studies]]></category>
		<category><![CDATA[Ralf Rühmeier]]></category>
		<category><![CDATA[The Ballery]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=6912</guid>
		<description><![CDATA[<p>My first reaction was: ‘Not another fairy tale musical!’ But after Monday night’s concert at The Ballery in Berlin, where</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/forget-dames-sea-come-twelve-gay-sailors/">Forget Dames At Sea: Here Come Twelve Gay Sailors</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Operetta for Generation LGBTQIA: &#8220;White Horse Inn&#8221; in Bremen</title>
		<link>http://operetta-research-center.org/operetta-generation-lgbtqia-white-horse-inn-bremen/</link>
		<comments>http://operetta-research-center.org/operetta-generation-lgbtqia-white-horse-inn-bremen/#comments</comments>
		<pubDate>Mon, 16 Feb 2015 14:03:28 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Desirée Nick]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Im weißen Rössl]]></category>
		<category><![CDATA[Queer Studies]]></category>
		<category><![CDATA[Ralph Benatzky]]></category>
		<category><![CDATA[Sebastian Kreyer]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=5968</guid>
		<description><![CDATA[<p>When a production of White Horse Inn starts with a new overture and “Somewhere Over the Rainbow” – segueing into</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/operetta-generation-lgbtqia-white-horse-inn-bremen/">Operetta for Generation LGBTQIA: &#8220;White Horse Inn&#8221; in Bremen</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
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