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	<title>Operetta Research Center &#187; Werner Richard Heymann</title>
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		<title>“Katharine Mehrling in Berlin” – The Promise of an Operetta Album to Come?</title>
		<link>http://operetta-research-center.org/katharine-mehrling-berlin-album-release-operetta/</link>
		<comments>http://operetta-research-center.org/katharine-mehrling-berlin-album-release-operetta/#comments</comments>
		<pubDate>Thu, 12 Sep 2024 09:38:31 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Bar jeder Vernunft]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Katharine Mehrling]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Paul Abraham]]></category>
		<category><![CDATA[Werner Richard Heymann]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=25226</guid>
		<description><![CDATA[<p>This week, Katharine Mehrling is back at Bar jeder Vernunft in Berlin with a program called 6 Nächte in Berlin,</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/katharine-mehrling-berlin-album-release-operetta/">“Katharine Mehrling in Berlin” – The Promise of an Operetta Album to Come?</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ernst Theis Conducts “Tonfilmschlager” from Nazi Times</title>
		<link>http://operetta-research-center.org/ernst-theis-conducts-tonfilmschlager-nazi-times/</link>
		<comments>http://operetta-research-center.org/ernst-theis-conducts-tonfilmschlager-nazi-times/#comments</comments>
		<pubDate>Thu, 28 Jul 2022 14:56:31 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[The Situation after 1945]]></category>
		<category><![CDATA[Ernst Theis]]></category>
		<category><![CDATA[Franz Grothe]]></category>
		<category><![CDATA[Friedrich Schröder]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Theo Mackeben]]></category>
		<category><![CDATA[Werner Richard Heymann]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23716</guid>
		<description><![CDATA[<p>“Can music be innocent?“ That‘s the first sentence in the booklet to this new CD of the Münchner Rundfunkorchester and</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/ernst-theis-conducts-tonfilmschlager-nazi-times/">Ernst Theis Conducts “Tonfilmschlager” from Nazi Times</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/ernst-theis-conducts-tonfilmschlager-nazi-times/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Hanns Eisler: Couplets &amp; Ballads With The Amazing HK Gruber</title>
		<link>http://operetta-research-center.org/hanns-eisler-hk-gruber/</link>
		<comments>http://operetta-research-center.org/hanns-eisler-hk-gruber/#comments</comments>
		<pubDate>Sat, 22 Jan 2022 14:21:16 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Jean Gilbert]]></category>
		<category><![CDATA[Max Hansen]]></category>
		<category><![CDATA[Ralph Benatzky]]></category>
		<category><![CDATA[Robert Gilbert]]></category>
		<category><![CDATA[Werner Richard Heymann]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=23230</guid>
		<description><![CDATA[<p>At first glance, Hanns Eisler doesn’t have much to do with operetta. But if you look closer, the very first</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/hanns-eisler-hk-gruber/">Hanns Eisler: Couplets &#038; Ballads With The Amazing HK Gruber</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/hanns-eisler-hk-gruber/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>“Das hab’ ich von Papa gelernt”: Thomas Fritsch Dies At The Age Of 77</title>
		<link>http://operetta-research-center.org/das-hab-ich-von-papa-gelernt-thomas-fritsch-dies-age-77/</link>
		<comments>http://operetta-research-center.org/das-hab-ich-von-papa-gelernt-thomas-fritsch-dies-age-77/#comments</comments>
		<pubDate>Thu, 22 Apr 2021 09:22:10 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Robert Gilbert]]></category>
		<category><![CDATA[Tonfilmoperette]]></category>
		<category><![CDATA[Werner Richard Heymann]]></category>
		<category><![CDATA[Willy Fritsch]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21778</guid>
		<description><![CDATA[<p>On 21 April, 2021, the actor and singer Thomas Fritsch died at the age of 77. He was the son</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/das-hab-ich-von-papa-gelernt-thomas-fritsch-dies-age-77/">“Das hab’ ich von Papa gelernt”: Thomas Fritsch Dies At The Age Of 77</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/das-hab-ich-von-papa-gelernt-thomas-fritsch-dies-age-77/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ethel Merhaut Sings &#8220;Bittersweet&#8221; Operetta For Sony Masterworks</title>
		<link>http://operetta-research-center.org/ethel-merhaut-sings-bittersweet-operetta-sony-masterworks/</link>
		<comments>http://operetta-research-center.org/ethel-merhaut-sings-bittersweet-operetta-sony-masterworks/#comments</comments>
		<pubDate>Wed, 17 Mar 2021 13:51:51 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Ethel Merhaut]]></category>
		<category><![CDATA[Fred Raymond]]></category>
		<category><![CDATA[Friedrich Holländer]]></category>
		<category><![CDATA[Gay & Lesbian Studies]]></category>
		<category><![CDATA[Hermann Leopoldi]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Oscar Straus]]></category>
		<category><![CDATA[Paul Abraham]]></category>
		<category><![CDATA[Walter Jurmann]]></category>
		<category><![CDATA[Werner Richard Heymann]]></category>
		<category><![CDATA[Zarah Leander]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21625</guid>
		<description><![CDATA[<p>It’s astonishing that Sony Masterworks is releasing an album of operetta songs – in jazz arrangements! Presented by the young</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/ethel-merhaut-sings-bittersweet-operetta-sony-masterworks/">Ethel Merhaut Sings &#8220;Bittersweet&#8221; Operetta For Sony Masterworks</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/ethel-merhaut-sings-bittersweet-operetta-sony-masterworks/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Ich wollt’ ich wär’ ein Huhn &#8220;: Tackling Toxic Nazi Era Material At Komische Oper Berlin</title>
		<link>http://operetta-research-center.org/ich-wollt-ich-war-ein-huhn-tackling-toxic-song-material-komische-oper-berlin/</link>
		<comments>http://operetta-research-center.org/ich-wollt-ich-war-ein-huhn-tackling-toxic-song-material-komische-oper-berlin/#comments</comments>
		<pubDate>Sat, 07 Mar 2020 13:19:28 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Anne Sofie von Otter]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Friedrich Hollaender]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Nico Dostal]]></category>
		<category><![CDATA[Peter Kreuder]]></category>
		<category><![CDATA[Weimar Republic]]></category>
		<category><![CDATA[Werner Richard Heymann]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=19063</guid>
		<description><![CDATA[<p>It’s a daring and adventurous undertaking: while everyone else is busy with “The (New) Twenties” these days, Komische Oper Berlin</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/ich-wollt-ich-war-ein-huhn-tackling-toxic-song-material-komische-oper-berlin/">&#8220;Ich wollt’ ich wär’ ein Huhn &#8220;: Tackling Toxic Nazi Era Material At Komische Oper Berlin</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/ich-wollt-ich-war-ein-huhn-tackling-toxic-song-material-komische-oper-berlin/feed/</wfw:commentRss>
		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>Heymann, Offenbach &amp; Ábrahám: New Albums And Concerts With The Capitol Symphony Orchestra</title>
		<link>http://operetta-research-center.org/heymann-offenbach-capitol-symphony-orchestra/</link>
		<comments>http://operetta-research-center.org/heymann-offenbach-capitol-symphony-orchestra/#comments</comments>
		<pubDate>Fri, 08 Nov 2019 11:19:05 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Capitol Symphony Orchestra]]></category>
		<category><![CDATA[Hagedorn & Grimminger]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[James Klein]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Paul Abraham]]></category>
		<category><![CDATA[UFA]]></category>
		<category><![CDATA[Werner Richard Heymann]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=18494</guid>
		<description><![CDATA[<p>Here’s something truly special: an album of Werner Richard Heymann’s symphonic music that has not been available acoustically earlier and</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/heymann-offenbach-capitol-symphony-orchestra/">Heymann, Offenbach &#038; Ábrahám: New Albums And Concerts With The Capitol Symphony Orchestra</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/heymann-offenbach-capitol-symphony-orchestra/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Dagmar Manzel&#8217;s New Solo Album &#8220;Sehnsucht&#8221; &#8211; With Three Paul Abraham Tracks</title>
		<link>http://operetta-research-center.org/dagmar-manzels-new-solo-album-sehnsucht/</link>
		<comments>http://operetta-research-center.org/dagmar-manzels-new-solo-album-sehnsucht/#comments</comments>
		<pubDate>Fri, 18 Oct 2019 22:19:49 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Dagmar Manzel]]></category>
		<category><![CDATA[Friedrich Hollaender]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Paul Abraham]]></category>
		<category><![CDATA[Werner Richard Heymann]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=18435</guid>
		<description><![CDATA[<p>The fact that Dagmar Manzel has been involved in the Weimar Republic operetta revival at Komische Oper Berlin from the</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/dagmar-manzels-new-solo-album-sehnsucht/">Dagmar Manzel&#8217;s New Solo Album &#8220;Sehnsucht&#8221; &#8211; With Three Paul Abraham Tracks</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Sigh By Night&#8221;: Katharine Mehrling&#8217;s &#8220;vive la vie&#8221; Program At Bar jeder Vernunft</title>
		<link>http://operetta-research-center.org/sigh-night-katharine-mehrlings-vive-la-vie-program-bar-jeder-vernunft/</link>
		<comments>http://operetta-research-center.org/sigh-night-katharine-mehrlings-vive-la-vie-program-bar-jeder-vernunft/#comments</comments>
		<pubDate>Thu, 04 Oct 2018 04:55:38 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Bar jeder Vernunft]]></category>
		<category><![CDATA[Emmerich Kálmán]]></category>
		<category><![CDATA[Katharine Mehrling]]></category>
		<category><![CDATA[Paul Abraham]]></category>
		<category><![CDATA[Werner Richard Heymann]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=15916</guid>
		<description><![CDATA[<p>In the case of an artist of the caliber of Katharine Mehrling it’s obviously worth sticking around until the very</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/sigh-night-katharine-mehrlings-vive-la-vie-program-bar-jeder-vernunft/">&#8220;Sigh By Night&#8221;: Katharine Mehrling&#8217;s &#8220;vive la vie&#8221; Program At Bar jeder Vernunft</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/sigh-night-katharine-mehrlings-vive-la-vie-program-bar-jeder-vernunft/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>The Problem With Thielemann&#8217;s Dresden New Year&#8217;s Concert</title>
		<link>http://operetta-research-center.org/problem-thielemanns-dresden-new-years-concert-ufa-filmoperettas-opera-singers/</link>
		<comments>http://operetta-research-center.org/problem-thielemanns-dresden-new-years-concert-ufa-filmoperettas-opera-singers/#comments</comments>
		<pubDate>Tue, 02 Jan 2018 11:58:19 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Weekly Column]]></category>
		<category><![CDATA[Christian Thielemann]]></category>
		<category><![CDATA[Johannes Heesters]]></category>
		<category><![CDATA[Jonas Dassler]]></category>
		<category><![CDATA[Katharine Mehrling]]></category>
		<category><![CDATA[Ralph Benatzky]]></category>
		<category><![CDATA[Sarah Bowden]]></category>
		<category><![CDATA[UFA]]></category>
		<category><![CDATA[Werner Richard Heymann]]></category>
		<category><![CDATA[Zarah Leander]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=13681</guid>
		<description><![CDATA[<p>Yes, it’s that time of year again when New Year’s concerts are unavoidable. It’s also the time when those in</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/problem-thielemanns-dresden-new-years-concert-ufa-filmoperettas-opera-singers/">The Problem With Thielemann&#8217;s Dresden New Year&#8217;s Concert</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>13</slash:comments>
		</item>
		<item>
		<title>From Persia to Performing German Schlager From the 1920s: Atrin Madani</title>
		<link>http://operetta-research-center.org/atrin-madani-performing-music-1920s-today/</link>
		<comments>http://operetta-research-center.org/atrin-madani-performing-music-1920s-today/#comments</comments>
		<pubDate>Sat, 23 Dec 2017 11:58:04 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Atrin Madani]]></category>
		<category><![CDATA[George Gershwin]]></category>
		<category><![CDATA[Jonas Dassler]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Werner Richard Heymann]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=13627</guid>
		<description><![CDATA[<p>It’s always a special treat to see new – and interesting – people coming to musical material that some consider</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/atrin-madani-performing-music-1920s-today/">From Persia to Performing German Schlager From the 1920s: Atrin Madani</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>W. R. Heymann&#8217;s &#8220;Der Kongress tanzt&#8221; from Volksoper Wien</title>
		<link>http://operetta-research-center.org/heymanns-der-kongress-tanzt-volksoper-wien/</link>
		<comments>http://operetta-research-center.org/heymanns-der-kongress-tanzt-volksoper-wien/#comments</comments>
		<pubDate>Sun, 19 Nov 2017 09:44:48 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Erik Charell]]></category>
		<category><![CDATA[Tonfilmoperette]]></category>
		<category><![CDATA[Volksoper Wien]]></category>
		<category><![CDATA[Werner Richard Heymann]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=13352</guid>
		<description><![CDATA[<p>Erik Charell, the director of the original film version of Der Kongress tanzt, labored long and hard to bring his</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/heymanns-der-kongress-tanzt-volksoper-wien/">W. R. Heymann&#8217;s &#8220;Der Kongress tanzt&#8221; from Volksoper Wien</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>2</slash:comments>
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