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	<title>Operetta Research Center &#187; Kurt Weill</title>
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		<title>Kosky macht Kopfkino: Minimalistisches Mahagonny</title>
		<link>http://operetta-research-center.org/kosky-macht-kopfkino-minimalistisches-mahagonny/</link>
		<comments>http://operetta-research-center.org/kosky-macht-kopfkino-minimalistisches-mahagonny/#comments</comments>
		<pubDate>Sun, 03 Oct 2021 22:16:35 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Kurt Weill]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=22693</guid>
		<description><![CDATA[<p>Kurz nachdem im Spätsommer die lang erwartete (und mehrfach verschobene) Dreigroschenoper am Berliner Ensemble herauskam und ekstatische Reaktionen hervorrief, ging</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/kosky-macht-kopfkino-minimalistisches-mahagonny/">Kosky macht Kopfkino: Minimalistisches Mahagonny</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Ersan Mondtag’s Over-The-Top Gay Production Of “Der Silbersee”</title>
		<link>http://operetta-research-center.org/ersan-mondtags-top-gay-production-der-silbersee/</link>
		<comments>http://operetta-research-center.org/ersan-mondtags-top-gay-production-der-silbersee/#comments</comments>
		<pubDate>Sat, 18 Sep 2021 13:53:34 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Cabaret]]></category>
		<category><![CDATA[Ersan Mondtag]]></category>
		<category><![CDATA[Gorki Theater]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Mischa Spoliansky]]></category>
		<category><![CDATA[Nazi Operetta]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=22805</guid>
		<description><![CDATA[<p>Kurt Weill’s “Wintermärchen” Der Silbersee is not exactly an operetta, more of a fairy tale “with music” that tells the</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/ersan-mondtags-top-gay-production-der-silbersee/">Ersan Mondtag’s Over-The-Top Gay Production Of “Der Silbersee”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/ersan-mondtags-top-gay-production-der-silbersee/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Berliner Ensemble: “Dreigroschenoper” As Cellblock Tango Without Fosse</title>
		<link>http://operetta-research-center.org/berliner-ensemble-dreigroschenoper/</link>
		<comments>http://operetta-research-center.org/berliner-ensemble-dreigroschenoper/#comments</comments>
		<pubDate>Sat, 14 Aug 2021 15:27:02 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Nicky Wuchinger]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=22552</guid>
		<description><![CDATA[<p>It’s not unusual for Barrie Kosky to stage something outside of Komische Oper, but usually he doesn’t do it in</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/berliner-ensemble-dreigroschenoper/">Berliner Ensemble: “Dreigroschenoper” As Cellblock Tango Without Fosse</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/berliner-ensemble-dreigroschenoper/feed/</wfw:commentRss>
		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>Adam Benzwi Discusses &#8220;Dreigroschenoper&#8221; &amp; Singing Brecht/Weill Today</title>
		<link>http://operetta-research-center.org/adam-benzwi-discusses-dreigroschenoper-singing-kurt-weill-today/</link>
		<comments>http://operetta-research-center.org/adam-benzwi-discusses-dreigroschenoper-singing-kurt-weill-today/#comments</comments>
		<pubDate>Fri, 13 Aug 2021 13:53:34 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[Jazz-Operetta of the 1920's]]></category>
		<category><![CDATA[News]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Dagmar Manzel]]></category>
		<category><![CDATA[Fritzi Massary]]></category>
		<category><![CDATA[Jazz Operetta]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Max Hopp]]></category>
		<category><![CDATA[Robert Wennersten]]></category>
		<category><![CDATA[UdK]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21573</guid>
		<description><![CDATA[<p>Pianist and musical director Adam Benzwi was slated to premiere “his” Dreigroschenoper interpretation – in collaboration with stage director Barrie</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/adam-benzwi-discusses-dreigroschenoper-singing-kurt-weill-today/">Adam Benzwi Discusses &#8220;Dreigroschenoper&#8221; &#038; Singing Brecht/Weill Today</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/adam-benzwi-discusses-dreigroschenoper-singing-kurt-weill-today/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Pardon, Madame&#8221;: UdK Students Present Their Version Of &#8220;In Stanniolpapier&#8221; Online</title>
		<link>http://operetta-research-center.org/pardon-madame-udk-students-present-version-stanniolpapier-online/</link>
		<comments>http://operetta-research-center.org/pardon-madame-udk-students-present-version-stanniolpapier-online/#comments</comments>
		<pubDate>Tue, 20 Apr 2021 10:12:36 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On Screen]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Johanna Spantzel]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Nicky Wuchinger]]></category>
		<category><![CDATA[Paul Abraham]]></category>
		<category><![CDATA[UdK]]></category>
		<category><![CDATA[Zarah Leander]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21764</guid>
		<description><![CDATA[<p>The students at UdK (Universität der Künste) in Berlin who are training to be stars in the field “Musical/Show” are</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/pardon-madame-udk-students-present-version-stanniolpapier-online/">&#8220;Pardon, Madame&#8221;: UdK Students Present Their Version Of &#8220;In Stanniolpapier&#8221; Online</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/pardon-madame-udk-students-present-version-stanniolpapier-online/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Too Many New Covid-19 Infections: Komische Oper Berlin Cancels Its &#8220;Blume von Hawaii&#8221; Live Stream</title>
		<link>http://operetta-research-center.org/komische-oper-berlin-cancels-blume-von-hawaii-live-stream/</link>
		<comments>http://operetta-research-center.org/komische-oper-berlin-cancels-blume-von-hawaii-live-stream/#comments</comments>
		<pubDate>Wed, 16 Dec 2020 12:20:28 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Eduard Künneke]]></category>
		<category><![CDATA[Gärtnerplatz Theater]]></category>
		<category><![CDATA[Jazz Operetta]]></category>
		<category><![CDATA[Katharine Mehrling]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Paul Abraham]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=21069</guid>
		<description><![CDATA[<p>After rumors had already started circulating, it’s now official: Komische Oper Berlin has cancelled its live stream of Paul Abraham’s</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/komische-oper-berlin-cancels-blume-von-hawaii-live-stream/">Too Many New Covid-19 Infections: Komische Oper Berlin Cancels Its &#8220;Blume von Hawaii&#8221; Live Stream</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
		<wfw:commentRss>http://operetta-research-center.org/komische-oper-berlin-cancels-blume-von-hawaii-live-stream/feed/</wfw:commentRss>
		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>New Art is True Art: Kurt Weill’s “One Touch of Venus”</title>
		<link>http://operetta-research-center.org/new-art-true-art-kurt-weills-one-touch-venus/</link>
		<comments>http://operetta-research-center.org/new-art-true-art-kurt-weills-one-touch-venus/#comments</comments>
		<pubDate>Tue, 08 Dec 2020 18:19:41 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[US-Operetta]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Cole Porter]]></category>
		<category><![CDATA[David Savran]]></category>
		<category><![CDATA[George Gershwin]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Mary Martin]]></category>
		<category><![CDATA[Staatsoperette Dresden]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20986</guid>
		<description><![CDATA[<p>When Staatsoperette Dresden presented Kurt Weill’s One Touch of Venus as part of their “Broadway in Dresden” series, in a</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/new-art-true-art-kurt-weills-one-touch-venus/">New Art is True Art: Kurt Weill’s “One Touch of Venus”</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>Here Comes &#8220;Blume von Hawaii&#8221; As A Live Stream From Komische Oper Berlin</title>
		<link>http://operetta-research-center.org/komische-oper-berlin-offers-blume-von-hawaii-live-stream/</link>
		<comments>http://operetta-research-center.org/komische-oper-berlin-offers-blume-von-hawaii-live-stream/#comments</comments>
		<pubDate>Fri, 04 Dec 2020 21:17:07 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[On Screen]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Eduard Künneke]]></category>
		<category><![CDATA[Gärtnerplatz Theater]]></category>
		<category><![CDATA[Jazz Operetta]]></category>
		<category><![CDATA[Johannes Dunz]]></category>
		<category><![CDATA[Jörn-Felix Alt]]></category>
		<category><![CDATA[Katharine Mehrling]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Paul Abraham]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20959</guid>
		<description><![CDATA[<p>Yeehaw! Komische Oper Berlin has finally awoken from its Sleeping Beauty Corona mode; the company has decided to offer something</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/komische-oper-berlin-offers-blume-von-hawaii-live-stream/">Here Comes &#8220;Blume von Hawaii&#8221; As A Live Stream From Komische Oper Berlin</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>George London On Broadway &#8211; But Without His Partner Mario Lanza</title>
		<link>http://operetta-research-center.org/george-london-broadway/</link>
		<comments>http://operetta-research-center.org/george-london-broadway/#comments</comments>
		<pubDate>Mon, 30 Nov 2020 17:30:30 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[On the Record]]></category>
		<category><![CDATA[Basia Jaworski]]></category>
		<category><![CDATA[Broadway]]></category>
		<category><![CDATA[Frederick Loewe]]></category>
		<category><![CDATA[Jerome Kern]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Mario Lanza]]></category>
		<category><![CDATA[Richard Rodgers]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=20928</guid>
		<description><![CDATA[<p>And now, I would like to talk to you about George London. Yes, I am aware that he didn’t sing</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/george-london-broadway/">George London On Broadway &#8211; But Without His Partner Mario Lanza</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>1</slash:comments>
		</item>
		<item>
		<title>The Show Will Go On, Or: A New &#8220;Großherzogin von Gerolstein&#8221; At Komische Oper</title>
		<link>http://operetta-research-center.org/operetta-times-corona-new-grosherzogin-von-gerolstein-komische-oper/</link>
		<comments>http://operetta-research-center.org/operetta-times-corona-new-grosherzogin-von-gerolstein-komische-oper/#comments</comments>
		<pubDate>Sun, 28 Jun 2020 10:36:41 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[News]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Dagmar Manzel]]></category>
		<category><![CDATA[Jacques Offenbach]]></category>
		<category><![CDATA[Katharine Mehrling]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Oscar Straus]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=19873</guid>
		<description><![CDATA[<p>&#8220;344 Menschen, that‘s besser wie nix!&#8221; That’s what intendant Barrie Kosky said when he presented his brand new schedule for</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/operetta-times-corona-new-grosherzogin-von-gerolstein-komische-oper/">The Show Will Go On, Or: A New &#8220;Großherzogin von Gerolstein&#8221; At Komische Oper</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>&#8220;Ich wollt’ ich wär’ ein Huhn &#8220;: Tackling Toxic Nazi Era Material At Komische Oper Berlin</title>
		<link>http://operetta-research-center.org/ich-wollt-ich-war-ein-huhn-tackling-toxic-song-material-komische-oper-berlin/</link>
		<comments>http://operetta-research-center.org/ich-wollt-ich-war-ein-huhn-tackling-toxic-song-material-komische-oper-berlin/#comments</comments>
		<pubDate>Sat, 07 Mar 2020 13:19:28 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[New articles & reviews]]></category>
		<category><![CDATA[Adam Benzwi]]></category>
		<category><![CDATA[Anne Sofie von Otter]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Franz Lehár]]></category>
		<category><![CDATA[Friedrich Hollaender]]></category>
		<category><![CDATA[Komische Oper]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Nico Dostal]]></category>
		<category><![CDATA[Peter Kreuder]]></category>
		<category><![CDATA[Weimar Republic]]></category>
		<category><![CDATA[Werner Richard Heymann]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=19063</guid>
		<description><![CDATA[<p>It’s a daring and adventurous undertaking: while everyone else is busy with “The (New) Twenties” these days, Komische Oper Berlin</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/ich-wollt-ich-war-ein-huhn-tackling-toxic-song-material-komische-oper-berlin/">&#8220;Ich wollt’ ich wär’ ein Huhn &#8220;: Tackling Toxic Nazi Era Material At Komische Oper Berlin</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>2</slash:comments>
		</item>
		<item>
		<title>&#8220;&#8230;was verloren ging&#8221;: A New Book About Operetta Before &amp; After 1933</title>
		<link>http://operetta-research-center.org/verloren-ging-new-book-operetta-1933/</link>
		<comments>http://operetta-research-center.org/verloren-ging-new-book-operetta-1933/#comments</comments>
		<pubDate>Mon, 29 Jul 2019 10:04:57 +0000</pubDate>
		<dc:creator><![CDATA[kevin]]></dc:creator>
				<category><![CDATA[In Print]]></category>
		<category><![CDATA[Barrie Kosky]]></category>
		<category><![CDATA[Boris Kehrmann]]></category>
		<category><![CDATA[Friedrich Schröder]]></category>
		<category><![CDATA[Fritz Löhner]]></category>
		<category><![CDATA[Fritzi Massary]]></category>
		<category><![CDATA[Jaromir Weinberger]]></category>
		<category><![CDATA[Karin Meesmann]]></category>
		<category><![CDATA[Kurt Weill]]></category>
		<category><![CDATA[Leo Fall]]></category>
		<category><![CDATA[Matthias Kauffmann]]></category>
		<category><![CDATA[Nazi Operetta]]></category>
		<category><![CDATA[Paul Abraham]]></category>
		<category><![CDATA[Richard Tauber]]></category>
		<category><![CDATA[Staatsoperette Dresden]]></category>
		<category><![CDATA[Stefan Frey]]></category>

		<guid isPermaLink="false">http://operetta-research-center.org/?p=17942</guid>
		<description><![CDATA[<p>Im Jahr 2005 profilierte sich die Staatsoperette Dresden mit einer überregional vielbeachteten Konferenz, die den Titel Operette unterm Hakenkreuz trug.</p>
<p>The post <a rel="nofollow" href="http://operetta-research-center.org/verloren-ging-new-book-operetta-1933/">&#8220;&#8230;was verloren ging&#8221;: A New Book About Operetta Before &#038; After 1933</a> appeared first on <a rel="nofollow" href="http://operetta-research-center.org">Operetta Research Center</a>.</p>
]]></description>
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		<slash:comments>1</slash:comments>
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