Latest Articles
Zwei Offenbach-Premieren in Wien: “Orpheus in der Unterwelt” und “La Périchole”
Wien war einst Jacques Offenbachs „zweites Paris“. 89 seiner Werke wurden hier aufgeführt, einige davon sogar uraufgeführt. Diese Tradition (ja
read more“Das ist die Berliner Luft”: Paul Lincke Overtures Volume 1
This newly issued 2020 recording from CPO has rarely been out of my CD player since it arrived: it is
read moreDaniela Ziegler as the Grand Duchess of Gerolstein – and Other Offenbach Treats
The good news is: Daniela Ziegler finally gets to perform Offenbach and star in an operetta. At the Ernst Deutsch
read more75 Years of Setting Operetta Standards: The Komische Oper Jubilee
When the Komische Oper opened its doors on 23 December 1947 – in the Soviet controlled section of Berlin –
read moreWhere To Put an Offenbach Festival? Here Are Some Suggestions
If resources enough could be gathered together for an annual festival of Offenbach and maybe his time, where would it
read moreOslo Opera Presents “Csárdásfürstin” with a Transgender Sylva
This updated version of the classic Kálmán operetta premiered on 25 November in Norwegian with English subtitles. “Nothing is lost,
read moreWhen Will Jacques Offenbach Get His Own Festival? A European Travel Report
For my Christmas present, and to celebrate that Covid is (we must hope) over, I recently traveled to Europe. Over
read moreOffenbach and the Theatre Bouffe in Saint Petersburg, 1870-1878
Offenbach was introduced to the Russian stage when a French company played La belle Hélène at the Imperial Mikhailovsky Theatre
read moreVive la Révolution: Offenbach’s “Belle Lurette” at New Sussex Opera
New Sussex Opera is a self-funding organisation in the south-east of England that specialises in performing rarely heard operas and
read more“Offenbach, Musicien Européen” Or, Put Away the Sellotape
In the summer of 2019 researchers from all around the world gathered for a double conference in Cologne and Paris,
read more“Prinz von Preußen”: DDR Musicals Revived in Görlitz and Dresden
The theater in Görlitz had planned to bring back the 1978 DDR musical Prinz von Preußen by Dieter Brand and
read moreFranz von Suppé: “Mozart” on Tour in Belgium
Yes, there is a Belgian tour of Franz von Suppé’s Mozart. And, yes, that’s the same show that was recently
read moreUshering in a New Era: “Dollarprinzessin” at Musikalische Komödie Leipzig
It’s a new dawn in Leipzig. The opera company has a new director, Tobias Wolff, who opened his first season
read moreLooking for Mr. X: Kálmán’s “Zirkusprinzessin” at Staatsoper Hannover
The 1926 Kálmán hit Die Zirkusprinzessin – with a libretto by Julius Brammer and Alfred Grünwald and the memorable song
read moreBlackface and Crossdressing: The Great Minstrel ‘Prima Donnas’
In the 21st century, when it is considered oh-so-trendy for boys to dress up as girls, the trendy ones (and
read moreThe (Forgotten) World of Greek Operetta – An Interview With Evi Nikita
While many people know Viennese and French operetta, even Spanish Zarzuela and a few Italian titles, Greek operetta is not
read more“The Pleasure Garden” and Its Place in the History of LGBT Musicals
In 2021, the “bittersweet musical romance” The Pleasure Garden premiered at the Above the Stag theater in London. It’s a
read moreWelcome to the Fifties: “The Yeomen of the Guard” at ENO
Forever branded as Gilbert and Sullivan’s “serious” comic opera, The Yeomen of the Guard is in fact a skilful blend
read moreThe False Pirate; or, The Slave of Truth
The Jacques Offenbach Society Newsletter has published in its 101st issue (September 2022) a letter from Jacobo Kaufmann entitled “Copyists
read moreFirst Full Recording of Suppé’s “Reise um die Erde in 80 Tagen“ on Naxos
In recent years we have seen a splendid series of recordings brought forth – in England, France, Italy – of
read more“Dollarprinzessin”: First Productions At Leipzig Opera Under Tobias Wolff
Leipzig Opera has begun the exciting countdown to the first new productions under its new General Director, Tobias Wolff, and
read more“Copyists and Pirates”: Jacobo Kaufmann’s Critique of Recent Offenbach Publications
The latest edition of The Jacques Offenbach Society Newsletter includes a letter from Jacobo Kaufmann to editor Donald Fox. Its
read moreThe Revue in Mediterranean Countries – A Conference in Athens
The Laboratory of Research and Documentation of Modern Greek Theatre of the Department of Theatre Studies of National and Kapodistrian
read more“The Pleasure Garden“: The LGBT History of the Vauxhall Pleasure Gardens as a Musical
Back in 2004, the Wien Museum presented the exhibition Alt-Wien: Die Stadt, die niemals war. It examined the phenomenon that
read more“Indigo und die 40 Räuber“: Gratuitous Nudity at Amtshaus Hietzing?
When Johann Strauss presented his first operetta Indigo und die 40 Räuber in 1871 – as a Thousand-and-One-Nights-spectacle written with
read moreG&S’s “Patience” Presented by Charles Court Opera in an Updated Version
Charles Court Opera has been described as one of the leading and most versatile chamber music theatre companies in the
read moreQuirky and Esoteric: Sandy Wilson’s 1958 “Valmouth”
The show was commissioned from Sandy Wilson, the author-composer of The Boy Friend, by Oscar Lewenstein and the Royal Court Theatre as
read moreThe Magic Returns with a Bright New Star: “Operette für zwei schwule Tenöre”
A modern-day operetta about two gay men and their relationship troubles manages to draw in crowds: Operette für zwei schwule
read moreRevisiting the Emily Soldene Biography. Or: the Postscripta of Publication
When you have spent more than 20 years researching and writing a book, when you have lived and breathed the
read moreErnst Theis Conducts “Tonfilmschlager” from Nazi Times
“Can music be innocent?“ That‘s the first sentence in the booklet to this new CD of the Münchner Rundfunkorchester and
read more“The Grand Duke of Gerolstein”: A Milanese Byblow of the Grand Duchess
La Grande Duchesse de Gérolstein was, arguably, Offenbach’s first truly transglobal success. It benefitted from opening during the Exposition universelle
read moreJohn Philip Sousa’s “El Capitan” (1896)
One of the earliest successful comic operas to come out of America, El Capitan was also the one successful attempt
read moreOpera Rara Set to Record Offenbach’s “La Princesse de Trébizonde”
The British record label Opera Rara returns to the works of Jacques Offenbach – for the first time since they
read moreRevisting “Au Dahomey” (1892). Or: A Blackface King Béhazin?
I came upon this grand 1892 poster this week… I didn’t know anything about the show, my experience of the
read moreFly Me To The Moon: Kurt Kurt Gänzl reviews the new “Le Voyage dans la lune”
A new recording from Bru Zane? After their tremendous job with La Fille de Madame Angot, I am all agog.
read moreA Trip Back To The 1920s: Ben Zimmermann’s “Höchste Eisenbahn“ Album
This CD entitled Höchste Eisenbahn by actor Ben Zimmermann and pianist Mark McNeill is called a „Doku Revue der Goldenen
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