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CAMELOT Musical in 2 acts by Alan Jay Lerner and Frederick Loewe
Camelot had the impossibly difficult task of following behind My Fair Lady in the opus of Lerner and Loewe, and
read more“Camelot” Returns With A New Broadway Cast Album
I have always liked 90 percent of Camelot. And 100 percent of its delicious source material. I am, yes, too
read moreThe History of the Imperial Summer Theater in Bad Ischl
Teresa Hrdlicka has just published a 184-page book entitled Das kaiserliche Sommertheater in Bad Ischl: Operette und Oper unter Kaiser
read more“Iolanthe”: Betting Dollars to Donuts on These Fairies At Carnegie Hall
It’s only May, but I’m betting dollars to donuts that this starry production of Gilbert and Sullivan’s seventh comic opera
read moreVictor Herbert’s “Cyrano de Bergerac”: Live in New York
“You’re about to see a flop,” VHRP Artistic Director Alyce Mott impishly teased the packed house a few moments before
read moreUraufführung von Moritz Eggerts neuer Operette „Die letzte Verschwörung“
Ich werde diese Szene nie vergessen. Als sich während eines der Zwischenlockdowns mein Elektriker endlich wieder in meine Wohnung wagte,
read moreLinz & Wien: Zweimal „Gräfin Mariza“ von Thomas Enzinger
Kálmáns Gräfin Mariza ist (neben der Csardasfürstin) eine seiner perfektesten, beliebtesten und daher zu Recht jahrein jahraus, landauf landab, im
read moreRodgers & Hammerstein Revisited: “The King and I” & “South Pacific” on Jay Records
This morning I had an interesting package on my desktop. Complete recordings of The King and I (1994) and South
read moreJacques Offenbach and the Making of Modern Culture: An Interview with Laurence Senelick
At long last someone has written a brand new Offenbach book – in English. And what’s even better, it’s a
read moreStanislavsky and “The Mikado”
Operetta was one of the most successful forms of theatre to go transglobal in the 19th and early 20th century.
read more“Linie 1”: Revising Berlin’s Legendary Subway Musical at GRIPS Theater
When Linie 1 premiered in West-Berlin back in 1986, three years before the wall came down and East and West
read more“Lustige Witwe”: Barrie Kosky Tackles the “Führer’s” Favorite Operetta in Zurich
In the past, Barrie Kosky has shunned the works of Franz Lehár. His operetta focus has been on works by
read moreSpringtime for Fritzi: A New Play About Massary with Daniela Ziegler
While the world is still waiting for a full-scale bio pic about the life of Fritzi Massary (1882-1969), the Theater
read morePaul Lincke’s “Frau Luna” – A Radio Recording from Cologne on CPO
There is no real shortage of Frau Luna recordings, the Paul Lincke classic from 1899 has always worked well as
read moreGilbert & Sullivan: Is Sexual Innuendo Imbedded in “HMS Pinafore”?
It is an accepted notion that Gilbert and Sullivan were careful to exclude anything in their comic operas that could
read moreAlyce Mott Brings Herbert’s “The Red Mill” Back to New York City
This is VHRP Artistic Director Alyce Mott’s fourth go-round with Victor Herbert’s popular musical comedy – originally a vehicle for
read more“Czech Operetta and Its Transnational Context”: A Conference in Prague
In March 2023 there’s a three-day conference in Prague devoted to the question of “Czech Operetta and Its Transnational Context”.
read moreThe Battle of the Divas – Desirée Nick, Stefanie Dietrich & Christoph Marti
There are no real operetta divas around anymore. Or are there? It seems that nowadays most sopranos singing the once-famous
read moreAus Perspektive eines Operettennostalgikers: „Rebecca“ und „Glöckner“ in Wien
Operettenfreunde in Österreich haben derzeit einen schweren Stand. Im sogenannten „Mekka der Operette“ in Mörbisch wird, seit Altbeau Alfons Haider
read moreZwei Offenbach-Premieren in Wien: “Orpheus in der Unterwelt” und “La Périchole”
Wien war einst Jacques Offenbachs „zweites Paris“. 89 seiner Werke wurden hier aufgeführt, einige davon sogar uraufgeführt. Diese Tradition (ja
read more“Das ist die Berliner Luft”: Paul Lincke Overtures Volume 1
This newly issued 2020 recording from CPO has rarely been out of my CD player since it arrived: it is
read moreDaniela Ziegler as the Grand Duchess of Gerolstein – and Other Offenbach Treats
The good news is: Daniela Ziegler finally gets to perform Offenbach and star in an operetta. At the Ernst Deutsch
read moreBerlin’s “Theater des Volkes”: The Dark Side of Germany’s Entertainment Industry
The history of Berliner Großes Schauspielhaus – birthplace of the great 1920s Eric Charell revues and especially of Im weißen
read moreThe Revival of Joseph Beer Continues: Upcoming Productions in Dresden and Regensburg
To give credit where it‘s due: ever since the label cpo released Joseph Beer’s 1937 operetta Polnische Hochzeit – which
read more75 Years of Setting Operetta Standards: The Komische Oper Jubilee
When the Komische Oper opened its doors on 23 December 1947 – in the Soviet controlled section of Berlin –
read moreWhere To Put an Offenbach Festival? Here Are Some Suggestions
If resources enough could be gathered together for an annual festival of Offenbach and maybe his time, where would it
read more“Die Rache der Fledermaus” – With Christoph Marti As A Rosalinde In Drag
After a long Corona delay this Fledermaus adaptation by Stefan Huber and Kai Tietje has finally landed in Berlin and
read moreOslo Opera Presents “Csárdásfürstin” with a Transgender Sylva
This updated version of the classic Kálmán operetta premiered on 25 November in Norwegian with English subtitles. “Nothing is lost,
read moreWhen Will Jacques Offenbach Get His Own Festival? A European Travel Report
For my Christmas present, and to celebrate that Covid is (we must hope) over, I recently traveled to Europe. Over
read moreOffenbach and the Theatre Bouffe in Saint Petersburg, 1870-1878
Offenbach was introduced to the Russian stage when a French company played La belle Hélène at the Imperial Mikhailovsky Theatre
read moreVive la Révolution: Offenbach’s “Belle Lurette” at New Sussex Opera
New Sussex Opera is a self-funding organisation in the south-east of England that specialises in performing rarely heard operas and
read more“Offenbach, Musicien Européen” Or, Put Away the Sellotape
In the summer of 2019 researchers from all around the world gathered for a double conference in Cologne and Paris,
read more“Prinz von Preußen”: DDR Musicals Revived in Görlitz and Dresden
The theater in Görlitz had planned to bring back the 1978 DDR musical Prinz von Preußen by Dieter Brand and
read moreFranz von Suppé: “Mozart” on Tour in Belgium
Yes, there is a Belgian tour of Franz von Suppé’s Mozart. And, yes, that’s the same show that was recently
read moreUshering in a New Era: “Dollarprinzessin” at Musikalische Komödie Leipzig
It’s a new dawn in Leipzig. The opera company has a new director, Tobias Wolff, who opened his first season
read moreLooking for Mr. X: Kálmán’s “Zirkusprinzessin” at Staatsoper Hannover
The 1926 Kálmán hit Die Zirkusprinzessin – with a libretto by Julius Brammer and Alfred Grünwald and the memorable song
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