Latest Articles
Everyone’s Dancing The Charleston Tonight: “Die Herzogin von Chicago” in Leipzig
On Saturday, October 20, exactly 90 years after its world premiere, the curtain will rise on Emmerich Kálmán’s Die Herzogin
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“Gräfin Mariza” at Theater Magdeburg: With Yvonne Kalman as Guest of Honor
On 20 October, Theater Magdeburg premieres a new production of Kalman’s Gräfin Mariza. The composer’s daughter Yvonne is expected as
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“Lächeln trotz Weh und tausend Schmerzen”: Franz Lehárs Rundfunkaufnahmen im Dritten Reich
Yes, they are very famous and widely known: Lehár’s operettas as recorded by the Nazis, often with stellar casts, offering
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“Sigh By Night”: Katharine Mehrling’s “vive la vie” Program At Bar jeder Vernunft
In the case of an artist of the caliber of Katharine Mehrling it’s obviously worth sticking around until the very
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Berlin Babylon. Or: A New “Die Tote Stadt” at Komische Oper By Robert Carson
Is Korngold’s 1920 psycho thriller Die tote Stadt an operetta? Obviously not, but there are various links to the genre,
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Desert Island Disc? “La Périchole” From Montpellier With Marc Minkowski
So here it is, finally: the live broadcast of Marc Minkowski’s performance of La Périchole with his Les Musiciens du
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Johann Strauss’s “Aschenbrödel” (1899): A Modern-Day Cinderella Story Conducted By Ernst Theis
It’s not exactly a secret that Johann Strauss was a great dance music composer. Before he turned to operetta in
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Hommage Mécanique: Jérôme Collomb’s Tribute to Jacques Offenbach
Before the dawn of the phonographic era and before iTunes came along you had to either go to the theater
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Updating “Die Csardasfürstin” For Vienna: Peter Lund’s New Volksoper Production
It can be exciting to re-imagine and re-interpret beloved shows: we are witnessing this, again and again, in modern musical
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Spoliansky’s “Alles Schwindel” Returns To Berlin’s Gorki Theater Next Season
The good news is: Mischa Spoliansky’s modern-dating-chaos operetta Alles Schwindel (1931) is returning to Berlin’s Gorki Theater for the 2018/19
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Sophia Euskirchen & Jörn-Felix Alt Revive The Weimar Era: “Cabaret” Back In Berlin
It’s a weird and wonderful experience to sit in the Tipi-am-Kanzleramt tent, waiting for a performance of Kander & Ebb’s
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Trying To Define Opéra-Bouffe: An Article From “The Era” 1870 About “Chilpéric” At The Lyceum
In his 2 volume biography Emily Soldene: In Search of a Singer Kurt Gänzl chronicles the initial success of opéra
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Magic Mike Live. Or: What About The Objectification Of Men In Operetta?
In a recent article for The Times, Jamie Stoker reported on casting for London’s Magic Mike Live. The headline says
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Offenbach In The USA: What’s Happening For The 2019 Bicentenary?
In 1980, the classical music world marked the 100th anniversary of Jacques Offenbach’s death. And for this greatest of ‘life
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“The Pretty Polish Girl Who Sat Astride Her Virtue”: Early Opéra-Bouffe Star Joseph Kelm (1805-1882)
My last post and its original five pictures, borrowed from the gold mines of Blois, included four taken from the
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Ein Interview mit Henning Hagedorn über die Rekonstruktion (und das Spielen) von Ábraháms Zentralpartituren
Herr Hagedorn, seit Sie mit Ihrem Kollegen Matthias Grimminger angefangen haben für den WDR und die dortige Ábrahám-Aufführungsserie Partituren von
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‘Authentic’ Operetta Productions At Ohio Light Opera? Plus A Festival Symposium
Enterprising Ohio Light Opera, ever devoted to ‘authentic’ productions from the world of musical comedy and operetta, seems to go
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Team Spirit, The Importance Of Good Looks, And Singing Tauber Roles: A Conversation With Tenor Maximilian Mayer
If you’re following the Operetta Research Center news feeds you will have heard of tenor Maximilian Mayer before: he was
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National Gilbert & Sullivan Opera Company: Sullivan’s “Haddon Hall”
This year the International G & S Festival, as well as the National G & S Company are celebrating their
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National Gilbert & Sullivan Opera Company: “Ruddigore” At Buxton Opera House
This summer the historic Frank Matcham designed Buxton Opera House, built in 1903 and seating 902, was host to the
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National Gilbert & Sullivan Opera Company: “The Sorcerer” & “Trial By Jury”
This year the National G & S Opera Company celebrates its silver jubilee with six new productions. I was invited
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Andreas Homoki’s “Land des Lächelns” From Zurich: Starring Piotr Beczala
Everyone knows that Lehár had a not-so-secret longing for the ‘grand operatic’ and devoted the latter part of his long
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W H Payne: Reconstructing The Career Of A Pantomime Artist And Supreme Clown
When you are researching the past, and the answers and facts don’t fall obviously into place, you just have to
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A Season Full Of Surprises: New Productions in 2018/19 Of Strauss, Offenbach, Beer And Jessel
It’s this time of year when theaters around Germany and Austria are advertising their upcoming productions for the 2018/19 season.
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“La Princesse de Trébizonde”: Opéra-bouffe in 2 acts by Jacques Offenbach
Originally produced at Baden-Baden during the 1869 summer season, with the young Mdlle Périer in its principal travesty rôle, La
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“Die Blume von Hawaii” beim Lehár-Festival Bad Ischl. Oder: Jonny als alter ego Pál Ábraháms?
Lehár Festival Bad Ischl 2018. Das Konzert- und Kongresshaus gleicht einem Bienenstock, Publikum strömt herbei während das Ensemble sich einstimmt
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“Im weißen Rössl” At Renaissance Theater Berlin: Drowning A Fun Show In Melancholy
It will come as no surprise when I say that Im weißen Rössl holds an extra-special place in my heart,
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“Operette für zwei schwule Tenöre”: Reviving the Genre for Today’s LGBT Community
It started out as a small concert performance at Schwules Museum in Berlin in the context of a Siegfried Wagner
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Amy Sheridan: Royal Milkmaid, Queen Of Burlesque, And Concubine
Amy Sheridan was something of a phenomenon. When she died, in 1878, at a Brighton boarding house, aged 39, of
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“Shooting Star”: A Romantic Musical Comedy About The Gay Porn Industry? Interview With Composer Thomas Zaufke
A few weeks ago, the new musical Shooting Star was presented in New York City in the form of an
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“Make Me Look Beautiful, Madame D’Ora!” Or: Revivisting Elsie Altmann And The Viennese Operetta Soubrette
Ah, yes: Madame D‘Ora! She’s been one of my great operetta heroines, ever since I first found her portrait of
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“Csardasfürstin” At Staatsoperette Dresden: With A Right-Wing Chancellor Of Austria Deporting Gypsys
Every self-respecting operetta company needs a production of one of the 20th century’s greatest operettas: Kalman’s Die Csardasfürstin. Whether Dresden
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“Der Bettelstudent” At Theater Pforzheim: Making The Genre Relevant For A 21st Century Audience?
The excellent (and beautifully illustrated) programme calls Der Bettelstudent “one of the best-loved of all the Golden Age Viennese operettas.”
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“Wie einst im Mai” At The Summer Festival in Neustrelitz
Neustrelitz is a small, historic, beautiful, charming, quiet town, set amidst the lakes north of Berlin. For British readers: can
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National Gilbert & Sullivan Opera Company: “The Pirates of Penzance”
The Pirates of Penzance must be Gilbert and Sullivan’s most staged operetta and, as a director, it must be difficult
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“Carmen Jones” Revived By Classic Stage Company
The revival of Oscar Hammerstein II’s very clever 1943 updating of Bizet’s Carmen – a big hit in its day
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