Alyce Mott Brings Herbert’s “The Red Mill” Back to New York City
This is VHRP Artistic Director Alyce Mott’s fourth go-round with Victor Herbert’s popular musical comedy – originally a vehicle for
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Aus Perspektive eines Operettennostalgikers: „Rebecca“ und „Glöckner“ in Wien
Operettenfreunde in Österreich haben derzeit einen schweren Stand. Im sogenannten „Mekka der Operette“ in Mörbisch wird, seit Altbeau Alfons Haider
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Zwei Offenbach-Premieren in Wien: “Orpheus in der Unterwelt” und “La Périchole”
Wien war einst Jacques Offenbachs „zweites Paris“. 89 seiner Werke wurden hier aufgeführt, einige davon sogar uraufgeführt. Diese Tradition (ja
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“Die Rache der Fledermaus” – With Christoph Marti As A Rosalinde In Drag
After a long Corona delay this Fledermaus adaptation by Stefan Huber and Kai Tietje has finally landed in Berlin and
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Oslo Opera Presents “Csárdásfürstin” with a Transgender Sylva
This updated version of the classic Kálmán operetta premiered on 25 November in Norwegian with English subtitles. “Nothing is lost,
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Vive la Révolution: Offenbach’s “Belle Lurette” at New Sussex Opera
New Sussex Opera is a self-funding organisation in the south-east of England that specialises in performing rarely heard operas and
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Ushering in a New Era: “Dollarprinzessin” at Musikalische Komödie Leipzig
It’s a new dawn in Leipzig. The opera company has a new director, Tobias Wolff, who opened his first season
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Looking for Mr. X: Kálmán’s “Zirkusprinzessin” at Staatsoper Hannover
The 1926 Kálmán hit Die Zirkusprinzessin – with a libretto by Julius Brammer and Alfred Grünwald and the memorable song
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Welcome to the Fifties: “The Yeomen of the Guard” at ENO
Forever branded as Gilbert and Sullivan’s “serious” comic opera, The Yeomen of the Guard is in fact a skilful blend
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G&S’s “Patience” Presented by Charles Court Opera in an Updated Version
Charles Court Opera has been described as one of the leading and most versatile chamber music theatre companies in the
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Reviving Jean Gilbert’s “Kinokönigin” (1913) à la Bob Fosse in Leipzig?
Let’s start with the positive side of this: Musikalische Komödie has put forgotten composer Jean Gilbert (1879-1942) back on stage
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Bringing Victor Herbert’s “Mlle. Modiste” (1905) Back to New York
The ever-enterprising Victor Herbert Renaissance Project Live! concluded its shortened season with one of Herbert’s most popular titles, the 1905
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Opening in New York: Barry Manilow’s “Harmony” About the Comedian Harmonists
The story of the six-member close harmony group known as Comedian Harmonists – the toast of Germany and elsewhere in
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A Farcical Comedy: Victor Herbert’s “The Only Girl” Returns to New York
For a work that, for all its cherishable qualities, can hardly be said to rate as one of Victor Herbert’s
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Turning “Die lustige Witwe” into a 1920s Revue in Dortmund
At Theater Dortmund a new version of Die lustige Witwe presents the Lehár show as “a revue operetta” with a
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The Winter Opera of Saint Louis & “The Gondoliers”
Online auditions; canceled flights; efforts to keep cast, orchestra and tech crew members healthy and protected; a scant five days
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The Boys Are Back: “Operette für zwei schwule Tenöre” Returns To BKA With New Cast
The Operette für zwei schwule Tenöre by composer Florian Ludewig and text author Johannes Kram is back in Berlin for
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Marthaler’s Joyless “Giuditta” In Munich
One should have known this would happen. If you hire the 70-year-old Christoph Marthaler, you get exactly that: Marthaler. He
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Glitzy Genitalia & A New Cast: Kosky’s “Orpheus in der Unterwelt“ Arrives In Berlin
After a very (very!) long wait, Barrie Kosky’s vision of Offenbach’s Orphée aux enfers has finally arrived at Berlin’s Komische
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Christiane Rösinger’s “Planet Egalia”: A Sci-Fi Operetta About Feminism and Queerness?
The world of science fiction is somewhat underexplored when it comes to operetta. Even though Offenbach famously wrote Le voyage
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„Ganz großer Kitsch, aber gigantisch gekonnt“: Benatzkys „Der reichste Mann der Welt“ in Annaberg
In der Geschichte der deutschsprachigen Operette bedeutet die sogenannte Machtergreifung der Nationalsozialisten Anfang 1933 einen radikalen Einschnitt: Die bis dahin
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Are We Finally Getting The Full Original Version Of “La Vie Parisienne”?
What if Die Fledermaus by Johann Strauss, the most famous German language operetta, had been performed incomplete for the last
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“Bitte Britisch”: Wenn Frankensteins Monster die Hose runterlässt
Vermutlich kennen Fans der Mel-Brooks-Filme den ekstatischen Liebesschrei „A Sweet Mystery of Life“ besser als die meisten Operettenfans hierzulande. Denn
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Kosky macht Kopfkino: Minimalistisches Mahagonny
Kurz nachdem im Spätsommer die lang erwartete (und mehrfach verschobene) Dreigroschenoper am Berliner Ensemble herauskam und ekstatische Reaktionen hervorrief, ging
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Benatzky’s “Der reichste Mann der Welt“ In Annaberg-Buchholz
With the discovery of the opera Leonce and Lena by Erich Zeisl and, now, the first production of Ralph Benatzky’s
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Ersan Mondtag’s Over-The-Top Gay Production Of “Der Silbersee”
Kurt Weill’s “Wintermärchen” Der Silbersee is not exactly an operetta, more of a fairy tale “with music” that tells the
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The Patriarchy Thinks Dicks Smell Like Roses: “Lila Lied” As Queer Cabaret At SchwuZ
“Welcome to the 20s” says the poster for Lila Lied, “The Queer Cabaret” that was presented in Berlin’s SchwuZ. In
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Curtain Raisers: “Les Deux Aveugles” and “Cox and Box” At Wilton’s Music Hall
Opera della Luna, under the artistic direction of Jeff Clarke, has built a well-deserved reputation for staging inventive productions of
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Berliner Ensemble: “Dreigroschenoper” As Cellblock Tango Without Fosse
It’s not unusual for Barrie Kosky to stage something outside of Komische Oper, but usually he doesn’t do it in
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Live In Buxton: The 27th International Gilbert & Sullivan Festival
The 27th International Gilbert & Sullivan Festival takes place at Buxton every year, before moving on to Harrogate. International even
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“Magna Mater”: Operetta As a Dionysian Festival That Points To The Future
It’s impossible to just write a review about the artistic merits (or non-merits) of the new tutti d*amore production that’s
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The Birth Of Operetta From A Gigantic Vagina: Dutch National Opera Academy Presents “Fledermaus”
Last week the Dutch National Opera Academy and Residentie Orkest presented Die Fledermaus in the Compagnietheater for four sold out
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Bare-Butted Dancers In A Screw-It-Together IKEA Box: “Pariser Leben” in Neustrelitz
The new intendant of the “Festspiele im Schlossgarten” in Neustrelitz – one and a half hours north of Berlin –
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“Sissi, Queen of Hungary”: Huszka’s Operetta Turned Into A “National Heritage” Production
The Hungarian “Monarchia Operett” (Monarchy Operetta Company [1]), under the artistic direction of dance comedian and costume designer Péter Erik
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Reizvolle Ausgrabung: Benatzkys “Zur gold’nen Liebe” auf der Bühne Burgäschi
Die in der Schweiz glücklicherweise immer noch zahlreichen Amateur-Theatertrupen leisten gerade bei der Operettenpflege Beachtliches. Die „Bühne Burgäschi“ hatte zuletzt
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Arnold Bennett Discusses Operettas & Musicals: Journal Entries 1897-1928
The English author Arnold Bennett (1867-1931) is best known as a novelist and playwright. He also kept a journal in
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