Daniela Ziegler as the Grand Duchess of Gerolstein – and Other Offenbach Treats
The good news is: Daniela Ziegler finally gets to perform Offenbach and star in an operetta. At the Ernst Deutsch
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Where To Put an Offenbach Festival? Here Are Some Suggestions
If resources enough could be gathered together for an annual festival of Offenbach and maybe his time, where would it
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Offenbach and the Theatre Bouffe in Saint Petersburg, 1870-1878
Offenbach was introduced to the Russian stage when a French company played La belle Hélène at the Imperial Mikhailovsky Theatre
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“Offenbach, Musicien Européen” Or, Put Away the Sellotape
In the summer of 2019 researchers from all around the world gathered for a double conference in Cologne and Paris,
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The False Pirate; or, The Slave of Truth
The Jacques Offenbach Society Newsletter has published in its 101st issue (September 2022) a letter from Jacobo Kaufmann entitled “Copyists
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The Revue in Mediterranean Countries – A Conference in Athens
The Laboratory of Research and Documentation of Modern Greek Theatre of the Department of Theatre Studies of National and Kapodistrian
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Revisiting the Emily Soldene Biography. Or: the Postscripta of Publication
When you have spent more than 20 years researching and writing a book, when you have lived and breathed the
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“The Grand Duke of Gerolstein”: A Milanese Byblow of the Grand Duchess
La Grande Duchesse de Gérolstein was, arguably, Offenbach’s first truly transglobal success. It benefitted from opening during the Exposition universelle
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Revisting “Au Dahomey” (1892). Or: A Blackface King Béhazin?
I came upon this grand 1892 poster this week… I didn’t know anything about the show, my experience of the
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“Le Voyage Dans La Lune”: Offenbach’s 1875 Sci-Fi Spectacle
Three years and eight major shows after the splenditious production of Le Roi Carotte, Offenbach returned to the world of
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Enrique Mejías García’s New Book “Offenbach, Composer of Zarzuelas”
Here’s great news: a new book on Offenbach is out! It is entitled Offenbach, Composer of Zarzuelas and has been
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“Le Photographe” By Meilhac & Halévy: The Template for “La Vie Parisienne”?
In the latest newsletter of the Jacques Offenbach Society (No. 98), there is a reprint of the full Meilhac &
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CIBOULETTE: Opérette in 3 acts by Reynaldo Hahn
The most successful stage musical work of Reynaldo Hahn, Ciboulette was written to a text by two of the most
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LA VIE PARISIENNE Opéra-bouffe in 4 (originally 5) acts by Jacques Offenbach
In the midst of Meilhac, Halévy and Offenbach’s dazzling series of successes with the earliest of their famous opéras-bouffes –
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“V’lan dans l’oeil”: Folie musicale in 3 acts by Hervé
Hervé’s second attempt, after Les Chevaliers de la table ronde (1866), to produce a full-length burlesque opérette to challenge the
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Hervé’s “L’œil crevé” (1867) On YouTube: Live From L’Opéra de Bordeaux
Hervé’s 1867 opéra bouffe L’œil crevé (literally “The pierced eye” or “It hit me right in the eye”) was first
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Reynaldo Hahn (1874-1947): Only One Enduring Score?.
Born in Caracas, Venezuela, on 9 August, 1874, Reynaldo Hahn was the elegant, soigné composer whose work for the French
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Offenbach, Composer Of Zarzuelas? An Interview With Enrique Mejías García
From 14 October onwards the Fundación Juan March is presenting a special program dedicated to Jacques Offenbach. The series of
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Maurice Chevalier (1888-1972): Parisian Music-Hall Star & Hollywood’s Singing Very-Frenchman
After an early career spent performing in cafés and suburban music halls, Maurice Chevalier (born in Ménilmontant on 12 September,
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The Planned Assassination Of Napoléon Bonaparte: “Viva Napoli” by Francis Lopez
Probably the best of the later, post Raymond Vincy, musical shows written by the already fading Francis Lopez, Viva Napoli
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Turning Point In French Musical Theatre: “La Belle de Cadix” By Francis Lopez
As much as one show can, La Belle de Cadix marked the same kind of a turning in the musical
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“Le Chanteur de Mexico”: An “Opérette à Grand Spectacle” By Francis Lopez
Le Chanteur de Mexico followed behind La Belle de Cadix and Andalousie in the continuing series of Raymond Vincy/Francis Lopez
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„…der Offenbachstil unserer Zeit…“: Offenbach und die „avancierte“ Regie im frühen 20. Jahrhundert
Karl Kraus und Felix Salten haben 1909 bzw. 1906 Diagnosen zur Situation des musikalischen Unterhaltungstheaters und seiner Rezeption in Wien
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Die feinen Unterschiede in der französischen Operette der Zwischenkriegszeit: Henri Christiné – Maurice Yvain – Raoul Moretti
Emmerich Kálmáns Graf Tassilo (Gräfin Mariza, Buch Julius Brammer / Alfred Grünwald) verkörpert einen Typus, den das Publikum der Uraufführung
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Who Was The Great Opéra-Bouffe Tenor “Potel” – Also Known As “Le Bel Armand”?
The folk who created the musical works of Meilhac, Halévy, Crémieux, Hervé and their colleagues, and of the parallel composers,
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New Books Celebrating the 200th Anniversary of Offenbach’s Birth
No one can really claim that there is not an abundance of exciting Offenbach literature that has been published since
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“The Pa! The Ma! And the Shah!”: Offenbach’s “Island of Tulipatan” As A “Persian Operatic Bouffonerie”
The one-act l‘île de Tulipatan, written by Jacques Offenbach with his librettists Henri Chivot and Alfred Duru in 1868 for
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Dance in Jacques Offenbach’s Théâtre musical léger – Between Imagination, Improvisation and Choreography
Jacques Offenbach could not have asked for a better way to curry favour for theatre priveleges than by publishing a
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The Queen of Offenbach’s Bouffes: The Life & Career Of Lise Tautin
The Queen of Offenbach’s Bouffes? Oh, yes, I hear the unenlightened nod. ‘Hortense Schneider. We’ve all heard of her’. I:
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Claude Marius (1850-1896): Opéra-Bouffe’s Male Object Of Desire
Monsieur Marius (Claude Marius Duplany, b Paris, 18 February 1850) was a ‘Frenchman, play producer, actor, raconteur, and optimist’ (they
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The “Voix de Flûte”: Offenbach’s Star Comedian Léonce (1820-1900)
Édouard Théodore Nicole, better known as Léonce (b Paris, 12 January 1820) was a slim, bespectacled (off-stage) low comedian with
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Offenbach’s Superstar Désiré (1823-1873): The World’s First Jupiter
In 1847 the young comedian known as Désiré asked Hervé for a two-handed musical sketch to play at his benefit.
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The History of Jacques Offenbach’s “La Princesse de Trébizonde”
Originally produced at Baden-Baden during the 1869 summer season, with the young Mdlle Périer in its principal travesty rôle, La
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Offenbach’s “Black Venus”, Or: Examining “La Belle Hélène” As An Intersection Of Race And Operetta
Sometimes you read an operetta essay that deeply disturbs you – not because it is badly written or full of
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Trying To Define Opéra-Bouffe: An Article From “The Era” 1870 About “Chilpéric” At The Lyceum
In his 2 volume biography Emily Soldene: In Search of a Singer Kurt Gänzl chronicles the initial success of opéra
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Offenbach In The USA: What’s Happening For The 2019 Bicentenary?
In 1980, the classical music world marked the 100th anniversary of Jacques Offenbach’s death. And for this greatest of ‘life
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