“Jery und Bätely” From Malmö: Operas & Operettas By Women Composers
Women opera and operetta composers are often even more in the shadows than women composers in general, and if it
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Leo Fall’s “Die Rose von Stambul”: What About The Hijab Controversy?
This new recording starts overwhelmingly: with gongs, whole tone scales, rhythmic oriental rattling, bouncing horn passages à la Richard Strauss.
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Revisiting “Daniela Ziegler Sings Ralph Benatzky” In 2020
At the beginning of August 2020 Helga Benatzky died at the blessed age of 96: she had been in charge
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A New “Eine Nacht in Venedig” From Oper Graz On CPO
What grabbed my immediate attention with this new Eine Nacht in Venedig on cpo are the names on the cover:
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“The Merry Widow” À La “Mad Men” With Tony Award Winning Conductor Franz Allers & Lisa Della Casa
The aspect that initially drew my attention to this brand new re-release of The Merry Widow in “hi-fidelity stereo” was
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Oscar Straus’ Piano Concerto & Other Rare Orchestra Pieces
My first ‘live’ encounter with Oscar Straus was attending a wonderfully inspired production of his first operetta Die lustigen Nibelungen
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The World-Premiere Recording Of Walter Jurmann’s “Windy City” (1946)
Because of the required commitment of time, money, and dedication, it is a safe bet, with the exception of the
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Anchors Away: Franz von Suppé’s “Il Ritorno del Marinaio” On CPO
Anyone taking a close look at the oeuvre list of Franz von Suppé (1819-1895) in search for an opera entitled
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Paleophonics: A Journey To The Dawn Of Recorded Sound In Musical Comedy
If you are interested in what original audiences of early 20th century English operetta and musical comedy heard, there is
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Revisiting Ivan Caryll’s “The Shop Girl” As A Palaeophonics Cast Album
The record label Palaeophonics is specialized in historic cast albums attractively packed as old The Play reprints of the respective
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Lehár’s “Cloclo” (1924) On CD & DVD From The Ischl Festival And Ohio Light Opera
Franz Lehár’s 1924 operetta Cloclo is not one of his more famous titles, and it hasn’t stayed in the repertoire
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The Royal Voice of Betty Fischer On Truesound Transfers
In 1924 Betty Fischer created one of the greatest operetta roles of the 20th century: Gräfin Mariza in Emmerich Kálmán’s
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“Die lustige Witwe”: First CD Release Of The Original 1907 Berlin Cast
It wouldn’t be an exaggeration to say that this first ever CD release of Die lustige Witwe with the 1906/7
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Listening To The Berlin Recordings Of Josef Josephi. Or: The “Elitekorps der Operette”
I’ve been on a bit of a Truesound Transfers trip these past few days. You know, that small Berlin based
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Opéra-Comique Overtures By Lecocq, Offenbach & Co.
The record label Naxos has just released a fascinating CD containing French 19th century overtures. One of these is the
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Robert Stolz At The Vatican. Or: 68 Versions Of “Ave Maria”
Soprano and producer Andrea Chudak has been working with settings of the “Ave Maria” for over 15 years. During this
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“Trafalgar sur un volcan”: An(other) Operetta About Terrorists?
The German record label cpo has recently released a CD of two short operettas. One of them is a real
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World-Premiere Recording of Strauss’ “Blindekuh” (1878) On Naxos
When it comes to Naxos and operetta, and Johann Strauss shows in particular, the famous budget label has a rather
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Four “Legendary Recordings” Of Richard Genée Shows, Including “Seekadett” & “Nanon”
On a sunny summer afternoon last year I had a long inspiring conversation about Richard Genée (1823-1895) with two operetta
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Sullivan, Cellier & Ford: “Haddon Hall,” “Captain Billy” And “Mr Jericho” On CD For The First Time
In 2018 the National Gilbert and Sullivan Opera Company staged the first professional revival of Haddon Hall for about one
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Offenbach’s Final Farewell: “Die Schöne Lurette” (1880) In Two DDR Versions
As the times of self-isolation continue, so does the catching up on old and new operetta releases that I’ve been
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The Glory Of Offenbach: 2 1/2 Historical “Die Banditen” Recordings From Germany
When the world is under quarantine and everything is shut down because of a new virus – you have lots
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Dario Salvi: Recording Johann Strauss’ “Blindekuh” (1878) For Naxos In Sofia
“Blindekuh”, literally “blind cow”, is the German term for the “blind man’s buff” game – and it is the title
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Offenbach’s Hispanic Vogue: “Maître Péronilla” & “La Périchole” On Palazzetto Bru Zane
Offenbach and “The Hispanic Vogue”? As it turns out, there are two interesting new recordings out on Palazzetto Bru Zane
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World Premiere Recording Of Johann Strauss’ “Blindekuh” On Naxos
As part of their Johann Strauss “rediscovery series” the label Naxos is releasing the 1878 operetta Blindekuh which premiered at
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Revisiting Kurt Gänzl’s “Guide to Musical Theatre On Record”
“Wonderfully opinionated, outrageously frank, and always sensible” Yes, that was me. I suppose it still is … but in 1991
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Francisco Barbieri’s “Barberillo de Lavapies”: The Classic BBC Recording In English
This is totally delightful! Francisco Barbieri (1823-94) was the leading exponent of the zarzuela revival of the mid-19th century. He
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Leo Fall’s “Die Dollarprinzessin” With Ulf Schirmer From Munich
As part of their ongoing Leo Fall series, the label cpo has released a full cast album of Die Dollarprinzessin,
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The Songs Of Reynaldo Hahn On Palazzetto Bru Zane
For many, he’s just another famous representative of the Belle Époque, but there are few people that really know much
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Heymann, Offenbach & Ábrahám: New Albums And Concerts With The Capitol Symphony Orchestra
Here’s something truly special: an album of Werner Richard Heymann’s symphonic music that has not been available acoustically earlier and
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Dagmar Manzel’s New Solo Album “Sehnsucht” – With Three Paul Abraham Tracks
The fact that Dagmar Manzel has been involved in the Weimar Republic operetta revival at Komische Oper Berlin from the
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“Offenbach Colorature”: The Award-Winning Solo Album By Jodie Devos
Any solo album that starts off by knocking you on the head with the boisterous couplet of the animal trainer
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Dangerous When Wet: Offenbach’s Rediscovered “Le Royaume de Neptune” From the 1874 “Orphée Aux Enfers”
When Germany’s ultra-conservative Offenbach crusader Peter Hawig – who in a recent Jacques Offenbach Society newsletter remarked that “tying” the
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A Man And His Shadow: “Jonas Kaufmann Wien”
No, this is not scheduled as a mid-summer treat to coincide with the various operetta festival productions in Austria: the
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“Die lustige Witwe” With Marlis Petersen And Iurii Samoilov – Live From Oper Frankfurt
The original composer chosen für Die lustige Witwe by authors Leo Stein and Victor Léon was: Richard Heuberger. After he
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Fritzi Massary Sings “Csardasfürstin” & “Faschingsfee” In 1916/18
There’s a wonderful interview with Elisabeth Schwarzkopf in which she talks about her student days in Berlin. She mentions that
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