“Dorothy” By Alfred Cellier: World Premiere Recording
Before the building of railways into London from the rest of south-east England in the third quarter of the nineteenth
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Kálmán’s “Kaiserin Josephine” (1936) On CPO: Live From The Léhar Festival in Ischl
Kálmán composed Kaiserin Josephine after his ‘regular’ first night theater, the Theater an der Wien, had gone bankrupt as a
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Erich Wolfgang Korngold’s “Das Lied der Liebe” From Leipzig
You know it’s Korngold alright from the very first bars: it’s an explosion of sound, hyper-intense like the opening of
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Ivor Novello’s “The Dancing Years”: The First Complete Recording
The effect of Ivor Novello’s music on me was immediate: I remember the first time I heard his songs on
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Ivor Novello & Kurt Gänzl: “The Dancing Years” On JAY Records
Any week now, John Yap’s company, JAY Records, is going to release a recording of Ivor Novello and Christopher Hassall’s
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“Lächeln trotz Weh und tausend Schmerzen”: Franz Lehárs Rundfunkaufnahmen im Dritten Reich
Yes, they are very famous and widely known: Lehár’s operettas as recorded by the Nazis, often with stellar casts, offering
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Desert Island Disc? “La Périchole” From Montpellier With Marc Minkowski
So here it is, finally: the live broadcast of Marc Minkowski’s performance of La Périchole with his Les Musiciens du
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Johann Strauss’s “Aschenbrödel” (1899): A Modern-Day Cinderella Story Conducted By Ernst Theis
It’s not exactly a secret that Johann Strauss was a great dance music composer. Before he turned to operetta in
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Hommage Mécanique: Jérôme Collomb’s Tribute to Jacques Offenbach
Before the dawn of the phonographic era and before iTunes came along you had to either go to the theater
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“Broadway Sampler: 1915.” Twenty-Five Musicals And Twenty-Six Songs
You might remember the CD series The Broadway Musicals of… created, written and hosted by Scott Siegel. They started, thematically,
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Künneke’s “Herz über Bord”: A New Recording Of The Complete Score With Wayne Marshall
When Eduard Künneke presented his syncopated Der Vetter aus Dingsda in Berlin 1921, it was quite revolutionary to have so
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“Der tapfere Soldat”: What Recordings Are There Of The 1908 Oscar Straus Show?
Munich’s recently renovated and re-opened Gärtnerplatz Theater just offered a brand-new staging of The Chocolate Soldier, in the original German
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“The Mountebanks” By Gilbert And Cellier: A New BBC Recording
After the success of The Gondoliers in December 1889, D’Oyly Carte, Gilbert and Sullivan had a well-publicised disagreement because Gilbert
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Palazzetto Bru-Zane Celebrates Offenbach’s 200th Birthday With New Recordings
Next year the world will celebrate the 200th birthday of Jacques Offenbach. After having dedicated themselves to Hervé and his
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Offenbach And Opera Rara. Or: Waiting For A Recording Of The Original French “Robinson Crusoé”
It’s interesting how you can have a full cast recording sitting on your CD shelf for decades, and it never
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Leo Fall’s “Brüderlein fein”: The Problem With The Cologne Broadcasts
Leo Fall’s one-act operetta Brüderlein fein premiered in the notorious basement cabaret of the Theater an der Wien, called “Die
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“Crazy World”: Anna Bonitatibus’ Collection Of Trousers-Roles From Offenbach To Mancini
Recently, gender and diversity Prof. Simon Dickel gave an interview on Deutschlandfunk talking about his new book Queer Cinema which
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Great Ladies of Wrestling. Or: Early 1840s Offenbach Songs
The sensational success of Jacques Offenbach in Second Empire Paris and internationally, in the 19th century, has many reasons. One
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Csárdás Interruptus: Three Kálmán CDs With Historical Recordings From The USA
Back in 1997, Michael Miller, the chair of the Ohio Light Opera Board of Directors, and president of the Operetta
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Anneliese Rothenberger & Max Hansen In “Orpheus in der Unterwelt” 1958
It’s an unusual coupling, to say the very least: Anneliese Rothenberger and Max Hansen in one recording? The hairspray-star of
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Richard Heuberger’s “Opernball” From Graz: Stylish And Re-Written By Peter Lund
The Austrian composer Richard Heuberger was born in Graz in 1850, trained as a railway engineer, then moved to Vienna
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W. R. Heymann’s “Der Kongress tanzt” from Volksoper Wien
Erik Charell, the director of the original film version of Der Kongress tanzt, labored long and hard to bring his
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Offenbach’s “The Island of Tulipatan” In A World-Premiere English Language Recording
We need to talk about Offenbach, seriously and right now. Is it a sign of our gender-queer times that of
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Kismet Meets Operetta: Nico Dostal’s “Prinzessin Nofretete” From Leipzig
If you like your operettas exotic, grand, over-the-top and as a total blast, you will probably love the overture to
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The Recording Of Edward German’s “Tom Jones” On Naxos
I really don’t listen much, these days, to show recordings. Especially new recordings of my beloved older shows. Those, in
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Pop Art Meets Carl Zeller: “Der Vogelhändler” From The 2017 Mörbisch Festival
You could call this year’s Vogelhändler at the Mörbisch Festival a kick-ass production – or an erect middle-finger in the
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Lehár’s “Der Graf von Luxemburg”: Live-Recording From Frankfurt With Amazing Conductor
Early Lehár operetta seems to be en vogue this season, on record at least. Here is a new release on
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Daring To Be Different: Lehár’s “Die Juxheirat” On CPO
Viennese operetta at the beginning of the 20th century was a genre in transition, claims Stefan Frey in an essay
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First Modern Recording of Franz Lehár’s Feminist “Die Juxheirat”
Julius Bauer (1854-1941) was, like many Viennese operetta librettists, a highly cultured and witty man. He studied medicine and then
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Offenbach’s Gender-Bending “L’ile de Tulipatan” From New York
The Light Opera of New York (LOONY) shifted gears this spring from its annual early American operetta – usually by
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World Premiere Recording: Kalman’s “Dryad’s Kiss”
One of Emmerich Kalman’s great musical idols was George Gershwin whom he entertained in Vienna in 1928, after they both
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“A Trip To Africa”: Franz von Suppé’s Oriental Operetta In English
It’s quite a miracle: a full cast album of Franz von Suppé’s exotic Die Afrikareise, recorded live and in an
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A New “Student Prince” With John Mauceri
This CD could probably only be released for a German market and for German operetta fans who have no idea
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Viennese Operetta Gems 1927-1949: A Classic Naxos Compilation
Any operetta compilation that starts with Charles Kullmann singing “Als flotter Geist, doch früh verwaist” like this has my immediate
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Kalman’s “Die Bajadere”: Radio Recording From Cologne
With Die Bajadere, Emmerich Kalman embarked on a new path as a composer in 1921: he changed his librettist team
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Sigmund Romberg’s 1933 “Melody”: First Complete Cast Album
Romberg’s Broadway operettas have not been revived professionally in the UK since matinee idol John Hanson – he of the
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