New Art is True Art: Kurt Weill’s “One Touch of Venus”
When Staatsoperette Dresden presented Kurt Weill’s One Touch of Venus as part of their “Broadway in Dresden” series, in a
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Why oh why oh why oh! Burleycue in Ohio: “The Bandbox Revue” Of 1922
This picture looked to me like a rather nice American girlie entertainment from the Twenties. Wonder what it is, thought
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David Monod’s “Vaudeville & The Making Of Modern Entertainment” 1890-1925
David Monod, professor of American social and cultural history, has undertaken a massive challenge in presenting a history of American
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Ivan Caryll & The Heyday Of The Gaiety Musical Comedy
Ivan Caryll was the principal composer and conductor for the heyday of the Gaiety musical comedy who encouraged the development
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CHIN-CHIN, Or A Modern Aladdin Musical Fantasy (1914) With Music By Ivan Caryll
An updated version of the Aladdin story, rewritten to feature the comedians Dave Montgomery and Fred Stone, Chin-Chin cast its
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A Legendary American Burlesque: “Evangeline” (1874), Beautiful Country Girls & A Dancing Heifer
A burlesque of Longfellow’s poem of the same name, the extravaganza Evangeline followed the trials and tribulations of its heroine
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Jeanette MacDonald (1901-1965): Hollywood’s Most Successful Soprano Star Of Celluloid Operetta
After beginning her singing career as a teenager in the chorus of a New York revue, Miss MacDonald (born in
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Maurice Chevalier (1888-1972): Parisian Music-Hall Star & Hollywood’s Singing Very-Frenchman
After an early career spent performing in cafés and suburban music halls, Maurice Chevalier (born in Ménilmontant on 12 September,
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Broadway Producer Henry W. Savage (1859-1927): “Merry Widow” and “Sari” Were His Greatest Hits
Harvard-educated Henry Wilson Savage was born in New Durham (New Hampshire) on 21 March 1859 and well established as a
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Ethel Jackson (1877-1957): Broadway’s First “Merry Widow”
A descendant of the painter Henry Inman, Miss Jackson was born in New York on 3 February 1877. She studied
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And Here’s Broadway’s First Danilo in “The Merry Widow”: Donald Brian (1877-1948)
Donald Brian was the bright-eyed and boyish star of more than 20 years of Broadway operettas and musicals, among them the
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“Eubie Blake: Rags, Rhythm and Race” By Richard Carlin & Ken Bloom
Eubie Blake: Rags, Rhythm and Race arrives as a most welcome and long overdue biography of pianist and composer Eubie
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The World-Premiere Recording Of Walter Jurmann’s “Windy City” (1946)
Because of the required commitment of time, money, and dedication, it is a safe bet, with the exception of the
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The First American Musical: “The Doctor of Alcantara” (1862)
Today I got asked, for the umpteenth time, ‘what was the first American musical?’ Well, all those three qualifications narrow
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Remembering Will Marion Cook, Composer Of “In Dahomey” And The Cakewalk
Will Marion Cook was born inWashington, DC, on 27 January, 1869. The son of a well-off and well-educated family, Cook
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“In Dahomey”: One Of The First American Black Musical Hits
In Dahomey was an early American “Negro musical comedy” (in a prologue and 2 acts), one of the first to be
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Lillian Russell (1860-1922) Revisited: The Amazing Life Of A “Scandalous” Operetta Diva
With all this free time at home right now I’ve started working my way through various DVD boxes I’ve had
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THE NEW MOON: A Romantic musical play by Oscar Hammerstein & Sigmund Romberg
The team responsible for that overwhelming hit of 1926, The Desert Song, mined a similar vein for their next collaboration,
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“Babes In Toyland” In Zwickau-Plauen. Or: Performing Victor Herbert In Germany
The small theater in Zwickau-Plauen (Germany) presented Victor Herbert’s much-loved Babes in Toyland as their Christmas spectacle and gave the
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Carita von Horst (1864-1935): The Baroness Who Composed “Gentleman Jack” And Bamboozled Hitler
How many female operetta composers can you name? Here is one who was also a baroness, no less. Her operetta
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“Nothing More Than This?”: Bernstein’s “Candide” as Existential Vaudeville in Barrie Kosky’s Berlin Production
Imagine a world that persistently rewards the rich and powerful while immiserating the masses. Imagine an international paternalist cartel that
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The English Language Adventures of “Im weißen Rössl”
The overwhelming and instant success of Erik Charell’s operetta spectacle Im weißen Rössl at Berlin’s Großes Schauspielhaus (the so-called “Theater
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Theatrical Mythology, or The Best Thing About Her Singing Was Her Looks: Blanche Roosevelt
Theatrical mythology has been curiously and undeservedly kind to some folk. Miss Tucker from Ohio went from failure to failure
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George W. Chadwick’s Burlesque Opera “Tabasco” Shakes Up New Orleans
A fortunate series of simultaneous anniversaries—the 300th of the founding of New Orleans, the 75th of the New Orleans Opera,
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The Kern-Wodehouse-Bolton Musical “Have a Heart” (1917)
Although they worked together as a trio on only five shows over seven years, the influence of “Bolton, Wodehouse, and
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Victor Herbert (b Dublin, 1 February 1859; d New York, 24 May 1924)
Victor Herbert (b Dublin, 1 February 1859; d New York, 24 May 1924). The grandson of Samuel Lover, the novelist,
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BABES IN TOYLAND: Musical extravaganza by Victor Herbert
Commissioned by producers Julian Mitchell and Fred Hamlin to follow up their 1902 success with the fairytale spectacular The Wizard
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Victor Hollaender and Milwaukee’s Pabst Theater: A Transatlantic Affair (Part 1)
America’s popular music tradition is often referred to as the “Great American Songbook,” a national heritage. A focus on its
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Victor Hollaender and Milwaukee’s Pabst Theater: A Transatlantic Affair (Part 2)
Victor Hollaender described his first American sojourn and the German-American scene of Milwaukee in his memoirs, which were published in
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Double Treat: “The Black Crook” From New York and London
Often, in earlier times, quoted as “the first landmark in the history of the American musical theatre”, the 1866 extravaganza
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Talking With Joshua William Gelb About “The Black Crook” In 2016
In 2016, The Black Crook celebrates its 150th anniversary, marking 150 years of the American Musical. To commemorate the sesquicentennial,
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Adolf Philipp (1864-1936): “Deutsch-Amerikanisches Theater” In New York
Adolf Philipp (b Lübeck, 29 January 1864; d New York, 30 July 1936) was the eclectic leading light of the
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“Shuffle Along”: Re-Imagining the African-American-Classic From 1921
Why is the upcoming revival of Shuffle Along, or, The Making of the Musical Sensation of 1921 and All That
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The Game Changers Of Broadway: Hammerstein, Schirmer, Cohan & Co..
Who were the truly instrumental people who caused America to develop the largest and most influential entertainment industry in the
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THE FORTUNE TELLER: Comic opera in 3 acts by Victor Herbert
When the ambitious young soprano of the famed Bostonians company, Alice Nielsen, decided to break away from the group and
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“Csardasfürstin” Conference in Budapest
This week-end, the Budapest Operetta Theatre is hosting a conference on Die Csardasfürstin, to celebrate the 100th anniversary of that
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