Remembering Mady Mesplé – France’s “Madame Opérette”
I heard yesterday that Mady Mesplé had died. I have to admit that, to me, she belonged to a past
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Offenbach’s “Black Venus”, Or: Examining “La Belle Hélène” As An Intersection Of Race And Operetta
Sometimes you read an operetta essay that deeply disturbs you – not because it is badly written or full of
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