LA FILLE DE MADAME ANGOT Opéra-comique in 3 acts
Along with Planquette’s Les Cloches de Corneville, La Fille de Madame Angot (Théâtre des Fantaisies-Parisiennes, Brussels, 4 December 1872) was
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Charles Lecoq (b Paris, 3 June 1832; d Paris, 24 October 1918)
The most potent musician in the development of the French opérette tradition in the 1870s, and for a decade the
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