Magic Mike Live. Or: What About The Objectification Of Men In Operetta?
In a recent article for The Times, Jamie Stoker reported on casting for London’s Magic Mike Live. The headline says
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“Like Rheingold, But With More Tunes”: Stephen Sondheim’s “Follies” At The National Theatre
There are a few ‘musicals’ written in the last seventy years which, because of both the specific quality of their
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Re-Sampling A Legend: “Ziegfeld And His Follies” By Cynthia And Sara Brideson
Here is a splashy new biography of “Broadway’s Greatest Producer,” Florenz Ziegfeld, written by the team of the Brideson sisters,
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“Girls With No Clothes To Speak Of”: Broadway-Operetta Then And Now
There is a renewed interest in operetta internationally, not just the French and Austrian variety of the genre, but also
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SHOW BOAT: Musical Play in 2 Acts
One of the most successful romantic musical plays of the 1920s, Show Boat (Ziegfeld Theater, New York, 27 December 1927)
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