Rediscovering Marcel Lattès’ Swing Operetta “Le Diable à Paris” (1927)
I knew that I should enjoy this 1927 French operetta directly after I read Richard Traubner’s dismissal of Marcel Lattès
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Hervé’s “L’Elixir” at the Festival Viva Voce de Caen
Some people think that Hervé is the real father of “operetta”. And, of course, they’re right. His great opéra-bouffes are
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